61 Books Like Confessions

The once-promising writer Jacob Finch Bonner is out of ideas and down on his luck. When his student Evan Parker proclaims that his work-in-progress is sure to be a runaway hit, Bonner waits to see if this bold proclamation comes to fruition. 

After Bonner learns Parker has died, he decides he’ll usher that story into the world—as his own. But someone knows Bonner isn’t the original author. Shame and suspense intertwine and heighten as this book speeds along. I enjoyed Korelitz’s exploration of how far an author will go for praise or even relevancy. 

This novel also explores an idea that fascinates me: Who “owns” a story? Just because something happened to you or your family, does that mean no one else can tell it or embellish it? Author Anne Lamott says you own everything that happened to you, but how much should you tell, and how will others react… show more.

I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.

Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.

Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.

I was one of those women who was obsessed with Oprah’s Book Club. She started it in 1996, the same year I started my sophomore year of college. I can’t say that I read every book assigned to me in my classes, but I damn sure as hell read every book Oprah recommended.

White Oleander was picked in May 1999, just a few months before my wedding. I did zero wedding planning the week I read that book. I ignored my soon-to-be husband and called my sisters to demand that they read the book. The story, which follows Astrid (why did my parents name me such a terrible ugly name like Courtney when Astrid was right there?) as she navigates foster care following her mother’s conviction for murder, is compelling. However, I fell in love with the prose and the way Finch describes the people and places in the novel.… show more.

Anybody I’ve ever talked mysteries with has heard me struggle to impart just how much I admire this book: the clarity and precision of Rendell’s narration, the brisk confidence in every characterization, and the way she challenges the conventional structure of the mystery novel from the first line: “Eunice Parchman killed the Coverdale family because she could not read or write.”

With that first line, I know the crime, the victims, the killer, even the motive—and yet I am utterly compelled to read on. I’ve read it four times, maybe more. I’m in awe of her confidence driving this book, and I love to be her passenger.

Simon Kernick is a master at keeping the reader engaged. His books have an amazing pace, and you will 100% commit to the story. Relentless moves you seamlessly through an array of emotions, as you read. You feel desperately for the protagonist, willing him to escape his torment and tormentors. This book twists and turns and gallops you from the first page, right to the last. Prepare to feel exhausted!  

Gentlemen and Players is a boarding house story with a dark heart. I picked this one from an aunt’s bookshelf and read it expecting something of the sweetness of Chocolat, but found a far more satisfying story, with twisting questions of identity, class, and revenge. I liked the clever split narrative, which used chess imagery, and the mystery of the Black Pawn, whose identity is deftly concealed until the close of the book. This is a surprising psychological thriller that would make a great book club pick, and I will not forget the rooftop chase nor that bonfire night.

None of Guthrie’s characters are anyone you want to get on the wrong side of. Pearce, an ex-con and Edinburgh hard man, may be his most dangerous creation. Guthrie’s black humor is fully displayed in this novel of a man out for blood and bound to get it in ever more inventive ways.

The Scottish writer Guthrie is in danger of falling into obscurity, but several of his other evangelists and I are intent on not letting that happen. This book is a good place to start with his work; if you like it, you will have a world of dark pleasures waiting in his other books.

I don’t know about you, but I’ve often fantasized about revenge. I think anyone who suffers some sort of trauma thinks about righting the wrong. In cases of rape, the punishment often does not fit the crime. And many women never get justice at all—if the rapist is not caught.

But in this book, that’s not the case. It could be argued that justice comes in the form of revenge when three women strike back at their abusers. Elizabeth Flock’s intimate narrative stems from her own experience as a young woman who was drugged and raped while in Europe in her twenties.

This beautifully investigated book forces you to contemplate the true meaning of justice. 

Beware the replacement wife! Those folks we envy because they appear to have it all (flawless family/home/career, etc…) are often frantically treading water, desperate to keep that facade of perfection afloat. I know because I’ve been there, in a seemingly idyllic marriage where underneath the trappings of material success was, well, crap.

In this novel, the second wife thinks she’s got it goin’ on with the first wife’s ex, but things are not as they seem (are they ever in domestic thrillers, or real life??) I got a vicarious kick out of the two wives’ scheming and revenge-lust, and the dry humor laced throughout the story had me snickering with snarky delight!

The Mysteries of Paris was so popular that Alexandre Dumas’ publisher wanted him to write a similar novel. The result was this book (1845), which focuses on Edmond Dantès, who is unjustly imprisoned by his enemies. Upon escaping and finding a great treasure, Dantès disguises himself as the Count of Monte Cristo and begins to exact his revenge.

The novel enters the criminal world of both Marseille and Paris. The count creates mystery by being a master of disguise and manipulating events without his victims knowing his identity or why their lives are crumbling. At the same time, the count is not without compassion and questions the morality of his own actions, thereby raising the novel to the status of true literature.