Books like Confessions — picked by fans

The once-promising writer Jacob Finch Bonner is out of ideas and down on his luck. When his student Evan Parker proclaims that his work-in-progress is sure to be a runaway hit, Bonner waits to see if this bold proclamation comes to fruition. 

After Bonner learns Parker has died, he decides he’ll usher that story into the world—as his own. But someone knows Bonner isn’t the original author. Shame and suspense intertwine and heighten as this book speeds along. I enjoyed Korelitz’s exploration of how far an author will go for praise or even relevancy. 

This novel also explores an idea that fascinates me: Who “owns” a story? Just because something happened to you or your family, does that mean no one else can tell it or embellish it? Author Anne Lamott says you own everything that happened to you, but how much should you tell, and how will others react… show more.

I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.

Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.

Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.

I was one of those women who was obsessed with Oprah’s Book Club. She started it in 1996, the same year I started my sophomore year of college. I can’t say that I read every book assigned to me in my classes, but I damn sure as hell read every book Oprah recommended.

White Oleander was picked in May 1999, just a few months before my wedding. I did zero wedding planning the week I read that book. I ignored my soon-to-be husband and called my sisters to demand that they read the book. The story, which follows Astrid (why did my parents name me such a terrible ugly name like Courtney when Astrid was right there?) as she navigates foster care following her mother’s conviction for murder, is compelling. However, I fell in love with the prose and the way Finch describes the people and places in the novel.

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Anybody I’ve ever talked mysteries with has heard me struggle to impart just how much I admire this book: the clarity and precision of Rendell’s narration, the brisk confidence in every characterization, and the way she challenges the conventional structure of the mystery novel from the first line: “Eunice Parchman killed the Coverdale family because she could not read or write.”

With that first line, I know the crime, the victims, the killer, even the motive—and yet I am utterly compelled to read on. I’ve read it four times, maybe more. I’m in awe of her confidence driving this book, and I love to be her passenger.

Bernard Cornwall’s series is an epic tale of a rifleman throughout the Napoleonic Wars. The action is loosely based on true events and grips me from start to finish. As with Reacher, he attempts to do the right thing and doesn’t mind bending the rules as he does it – so long as it helps to achieve the objective. This book seems to be the last in the series and puts Richard and Harper out to pasture as they deserve. Sharpe’s rise from the gutter is a constant reminder to keep trying and no matter where you come from, you have a chance to reach the top. His stubbornness is classic male behaviour and I’ve used some of that for my own character, Zenobia. 

I loved the Nevernight books because the main character is not necessarily always a hero. Mia is an assassin and cares only about killing. This means it can be uncomfortable to support her decisions and actions when they involve so much death and bloodshed.

She kills for reasons that she thinks are justified, but that isn’t always right, and it is great to see her grow and become something more than just a killing machine. She has a great personality and endures many hardships through the series but I loved reading along and seeing how she overcame everything she faced.

The Mysteries of Paris was so popular that Alexandre Dumas’ publisher wanted him to write a similar novel. The result was this book (1845), which focuses on Edmond Dantès, who is unjustly imprisoned by his enemies. Upon escaping and finding a great treasure, Dantès disguises himself as the Count of Monte Cristo and begins to exact his revenge.

The novel enters the criminal world of both Marseille and Paris. The count creates mystery by being a master of disguise and manipulating events without his victims knowing his identity or why their lives are crumbling. At the same time, the count is not without compassion and questions the morality of his own actions, thereby raising the novel to the status of true literature.

Beware the replacement wife! Those folks we envy because they appear to have it all (flawless family/home/career, etc…) are often frantically treading water, desperate to keep that facade of perfection afloat. I know because I’ve been there, in a seemingly idyllic marriage where underneath the trappings of material success was, well, crap.

In this novel, the second wife thinks she’s got it goin’ on with the first wife’s ex, but things are not as they seem (are they ever in domestic thrillers, or real life??) I got a vicarious kick out of the two wives’ scheming and revenge-lust, and the dry humor laced throughout the story had me snickering with snarky delight!

Asra is a demigod with the gift of dictating the future by writing with her own blood. When her blood magic leads to the mortal girl she loves turning into a vengeful dragon, Asra must embark on a journey across the kingdom to stop her. A big-hearted protagonist grappling with her own power, complex cultural politics, two compelling love interests – who could ask for more? That so many of the primary romantic relationships in the story are same-sex is almost beside the point – except, of course, that queer characters rarely appear so matter-of-factly in epic fantasy. Inkmistress trades in deep, nuanced characters, moral complexity, and a story that often surprises in the best way, keeping the reader hooked until the incredibly satisfying conclusion.

She’s a witch! Let’s stake her out for the dragon to eat. This happens to Alys. But she’s not a witch. Her village just didn’t like her. She wants revenge and when the dragon arrives, he becomes her ally. Here’s another twisted plot where the female is undervalued but the story helps Alys find what she thinks she wants. Part of what she finds along the way is a strength and loyalty she didn’t know she had. But she also discovers what she thought she wanted, isn’t really worth it in the end.