Here are 70 books that A Judgement in Stone fans have personally recommended if you like
A Judgement in Stone.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
I was wrung out after finishing this book and immediately looked around for someone else who’d read it. I needed a shoulder to cry on. If Endless Love is about lives undone by teenagers driven insane by love and lust, then this book is its counterpoint: two teenage outsiders whose love and understanding help them survive.
There’s awfulness in Eleanor’s life, but there’s also exchanging comics and listening to Joy Division with Park on a shared walkman on the school bus. I loved these characters completely and rooted for them with everything I had.
'Reminded me not just what it's like to be young and in love, but what it's like to be young and in love with a book' John Green, author of The Fault in our Stars
Eleanor is the new girl in town, and she's never felt more alone. All mismatched clothes, mad red hair and chaotic home life, she couldn't stick out more if she tried.
Then she takes the seat on the bus next to Park. Quiet, careful and - in Eleanor's eyes - impossibly cool, Park's worked out that flying under the radar is the best way to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.
Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.”
In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.
Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome.
** NEW YORK TIMES BESTSELLER! ** The Tonight Show Summer Reads Winner ** A New York Times Notable Book of 2021 **
"Insanely readable." ―Stephen King
Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.
Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written―let alone published―anything decent in years. When Evan Parker, his most arrogant student,…
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.
Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.
Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.
Film tie-in edition of Zoe Heller's darkly compelling Booker shortlisted novel. The film of Notes on a Scandal received four Oscar nominations and stars Cate Blanchett and Judi Dench.
From the first day that the beguiling Sheba Hart joins the staff of St George's history teacher Barbara Covett is convinced she has found a kindred spirit. Barbara's loyalty to her new friend is passionate and unstinting and when Sheba is discovered having an illicit affair with one of her pupils, Barbara quickly elects herself as Sheba's chief defender. But all is not as it first seems in this dark story…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My obsession with reading began in third grade when I heard an audio version of The Secret Garden and described the plot to my mom, who told me I should bike to our public library and check the book out. Since then, I’ve written two novels, and I teach creative writing and literature classes at the University of Memphis. At the heart of everything I write is the relationship between women connected by blood. My own great-grandmother lived to be 104, and I have a weekly lunch with my own 94-year-old grandmother. There’s nothing like learning what your own mother was like, as told to you by her mother.
I was one of those women who was obsessed with Oprah’s Book Club. She started it in 1996, the same year I started my sophomore year of college. I can’t say that I read every book assigned to me in my classes, but I damn sure as hell read every book Oprah recommended.
White Oleander was picked in May 1999, just a few months before my wedding. I did zero wedding planning the week I read that book. I ignored my soon-to-be husband and called my sisters to demand that they read the book. The story, which follows Astrid (why did my parents name me such a terrible ugly name like Courtney when Astrid was right there?) as she navigates foster care following her mother’s conviction for murder, is compelling. However, I fell in love with the prose and the way Finch describes the people and places in the novel.…
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
I read this book at the recommendation of a friend in her 80s, and its soft, sure steps delivered me somewhere moving, complex, and unusual. It opens with a newspaper article that has nothing to do with the start of the story and which I’d forgotten about by the end, not that it would matter if I hadn’t.
Another author might have given the same subjects an operatic treatment, but I loved how quietly it spoke. I still think about Jean, years after reading it, and wonder what she found in life after the story ended.
'A very fine book... It's witty and sharp and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche' David Nicholls
'Perfect' India Knight
'Beautiful' Jessie Burton
'Wonderful' Richard Osman
'Miraculous' Tracy Chevalier
'A wonderful novel. I loved it' Nina Stibbe
'Effortless to read, but every sentence lingers in the mind' Lissa Evans
'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it' Lucy Mangan
I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
This book takes the often stuffy genre of historical war fiction and turns it inside out. It opens in London in 1947, when the rubble is cleared, but familiar buildings are still missing windows, and the characters feel untethered from life and from all they’ve lost.
The story moves backward three years at a time to the decisions that set them on these paths. Three queer women are at its center, their lives intersecting in the literal and metaphorical dark, trying to survive air raids, and taking care of the fallen.
I’m always attracted to novels that start in the aftermath and ask “how did we get here?” and I loved this fragmented look backwards through the war.
I thought everything would change, after the war. And now, no one even mentions it. It is as if we all got together in private and said whatever you do don't mention that, like it never happened.
It's the late 1940s. Calm has returned to London and five people are recovering from the chaos of war.
In scenes set in a quiet dating agency, a bombed-out church and a prison cell, the stories of these five lives begin to intertwine and we uncover the desire and regret that has bound them together.
Sarah Waters's story of illicit love and everyday…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
I like stories in which ordinary people are tested, really driven to the breaking point.
At the center of this novel, a grieving school teacher addresses her final class before the scheduled break. Gradually and with ever-increasing suspense, we learn that the teacher has uncovered the awful circumstances behind the recent death of her child.
In this powerful, well-paced story of innocence and cruelty, the central character is a typical educator, a dedicated person with a lot of responsibilities who has been pushed beyond the limit. She isn’t a psychopath. Her actions merely demonstrate how far a sane, self-sacrificing person might go, in the name of justice for a loved one.
The Internationalization of Capital explores the nature of capitalist expansion, providing a wealth of up-to-date empirical data combined with incisive theoretical analyses of the dynamics of international capitalism within a comparative-historical framework. The unique combination of theory and extensive data on the labor force structures of various countries makes this work engaging reading for all who are interested in the class basis of conflicts and crises in the world economy.
Social and Economic Studies
This book explores the nature of capitalist expansion, providing a wealth of up-to-date empirical data combined with incisive theoretical analyses of the dynamics on international capitalism…
I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
Young love gone off the rails. David, the teenage narrator, loves his girlfriend so much or so badly that he lights her family’s house on fire. The aftermath of that choice—his desperation to explain, to have them understand what he meant—propels him forward and us backward as he tells the story of an intense and overwhelming first love.
I felt carried away by this book. It was the kind I read with one hand over my mouth, half my brain going “no, no, no” as I kept turning the pages.
“Scott Spencer writes about love’s tenacity with passionate intensity….From his remarkable opening sentence he had me in thrall.” —Newsweek
First published three decades ago, and hailed as “one of the best books of the year” by the New York Times, here is the classic novel that first established Scott Spencer as “the contemporary American master of the love story”(Publishers Weekly). With more than 2,000,000 copies sold worldwide and translated into more than 20 languages, Spencer’s Endless Love is a breathtaking story of teenage passion and obsession. The Washington Post called this unforgettable reading experience, “akin to the legendary thrill of…
I am a New York Times Bestselling author of more than twenty children’s picture books and chapter books as well as a mom to two young kids. Nothing fills me with more joy than reading to children and witnessing how a story can open up their hearts and minds. And Valentine’s Day is a holiday that brings me extra joy because it’s all about spreading love and friendship. I love Valentine’s Day so much that I’ve written two picture books about it!
This book has so much quiet, creative sweetness in it, and I just love the theme of using what you find to make something special. Cornelia Augusta discovers that it’s raining hearts one day, so she gathers them up. As she examines each heart, she sees how unique they are—and she decides to make Valentines with them to send to her animal friends. This book is also a perfect way to jump-start craft time for making Valentine’s Day cards.
A creative and sweet story, perfect for Valentine's Day, that helps open the hearts of young readers. From the beloved illustrator of If You Give a Mouse a Cookie.
One day it rains hearts, and Cornelia Augusta catches them. She realizes that the hearts are perfect for making valentines. Each heart is special in its own way, and Cornelia Augusta knows exactly who to send them to: her animal friends.
A fun way to spark creativity and thoughtfulness! The perfect book to pair with Valentine's Day crafts.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m the USA Today bestselling author of nineteen romances including the He Wanted Me Pregnant! series of short, steamy, standalone reads, several of which feature curvy heroines. I believe there’s room in romance for heroes and heroines of all shapes and sizes and I love to see curvy girls find their one-and-only: someone who loves them exactly the way they are. I like my curvy heroines to be smart, witty, and have depth and I like my romances to be just the right mix of squee-inducing instalove and steamy scenes.
Okay, I admit it, I may have picked this one up because I was curious, as a romance author, to read a romance abouta romance author. Fern Fraser totally delivers and although we have some tried-and-tested tropes here (instalove, young heroine who wants to get her v-card punched, secret billionaire who hides his wealth, then has to come clean), Fern assembles all the ingredients into such a delicious, feel-good pie that it feels fresh. There’s a whole series if you find you like them, but each one stands on its own as a fun, steamy read.
♥ A dare, a lie and a vacation fling that just might lead to a forever kind of love ♥
Emmy
I might be young and idealistic, but I set goals in life. One of which–being a successful romance author–I’m already living. While at a writer’s retreat with my besties, I drink too much Champagne and let my secret slip. I may write about dirty things but have no real life experience. My friend suggests a solution and the smoking hot mountain resort groundskeeper seems like the perfect candidate to help solve my ‘V-card ‘problem.’