Here are 100 books that Come and Get It fans have personally recommended if you like
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I think I sometimes get in trouble for saying this, but the truth is, I don’t give a shit about the likability of characters, whether I’m reading or writing. I’m here for a good time, not a long time. Because of that, fiction is the most riveting for me when interesting characters start making bad decisions. Any good narrative train wreck must create tension that keeps ratcheting up in its pages, and these are some of the books that do that most expertly, in my opinion. So, grab something to hold onto while you go on some of my favorite wild rides.
This book is chaos-defined, and I felt absolutely giddy when I first read it. Olivie Blake knows what readers want, and her books are not afraid to speak to their id. How could I not love a school of twentysomething lust-filled, murderous magicians?
It is also happy to scratch the romance itch; it’s the rare book where it feels like any two characters could have a romantic relationship, and many do. Even better, it’s full of delicious twists and betrayals and never lets its characters off the hook.
An Instant New York Times Bestseller A Goodreads Best Fantasy Choice Award Nominee
The much-acclaimed viral sensation from Olivie Blake, The Atlas Six—now newly revised and edited with additional content.
• The tag #theatlassix has millions of views on TikTok • A dark academic debut fantasy with an established cult following that reads like The Secret History meets The Umbrella Academy • The first in an explosive trilogy • Indigo's Top 10 Most Anticipated Sci-Fi & Fantasy Books of 2022 • Tor.com's Most Anticipated SFF of 2022
Each decade, only the six most uniquely talented magicians are selected to earn…
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through…
I’m Gen X, through and through. And because I grew up in that (glorious?) time before social media, I didn’t have the worry that my messy-woman missteps would be exposed online. But the trade-off to keeping my mistakes as private as possible was that I often felt like I couldn’t live boldly. So now I’m fascinated by the ways other women handle the messier aspects of their lives: the obsessions and frustrations, the secrets we all keep, the duality we choke down. I want to know what we’re each quietly starving for, what’s driving us when we strip away social expectation and are left to sit with our gnawing hungers.
Humor has always pulled me through the hard parts of life, and laughter is the test that tells me if I’ll be compatible with someone when we first meet. So to read a ridiculous character who’s coming in hot right on page one, charging through the story with absolutely no filter, epic foibles fully (and uncomfortably) detailed, and unable to stop making terrible decisions had me cackling out loud.
I was initially drawn to this book for the perfect cover, but I quickly fell in love with the writing and a story that captures that frustrating push and pull of wanting what we can’t have. It’s a delightful mess of bees, goats, awkward sex, strange conversations, and women doing whatever they want.
** SOON TO BE A MAJOR HBO SERIES STARRING JODIE COMER **
'Made me laugh and think too much (the right amount?) about sex and death and honesty.' MONICA HEISEY 'Utterly addictive. . . I laughed so hard it ached.' GILLIAN ANDERSON 'Juicy, salacious and compelling. Trauma shouldn't be this fun.' SARA PASCOE
Greta liked knowing people's secrets. That wasn't a problem. Until she met Big Swiss.
Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her now: dressed top to toe in white, that adorable gap between her two…
When I set out to write a novel in the female voice, it was purely intended as an interesting riff on one of my favorite works, Alfie. There were no literary ambitions, or frankly, awareness of other works to benchmark myself against or build upon. My motivation was the rawness of the idea itself and the excitement of an uncharted, enjoyable venture. It wasn’t until I read other reference works—before, during, and after the writing process—that I became aware of the unique and enriching reading experience such an approach can offer. A multi-faceted experience that, for many, ultimately becomes less about the story and more about the introspection and awareness it fosters.
This was provocative in a different way, in that it made me realize how accurately an author can capture the voice of the opposite sex.
Dolly’s portrayal of Andy was, in many ways, both convincing and emotionally resonant, and she achieves this while sustaining a thoroughly entertaining narrative. It was a bittersweet experience because, as enjoyable as the read was, it set an excessively high benchmark for my own attempt.
Thankfully, by the time I got around to reading her book, it was too late to do anything about it, other than make a mental note of how much work would be required if I ever decided to make another run at it.
'Funny - of course it's funny - but also smart, insightful and sincere about heartbreak' David Nicholls, author of One Day
'A novel to be devoured, adored, underlined ... if only more books made you laugh as much as this' The i
'The author of Everything I Know About Love nails the zeitgeist with a witty, relatable and acutely insightful page-turner about the trials and tribulations of the lovelorn' Daily Express
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Every relationship has one beginning. This one has two endings.
Andy loves Jen. Jen loved Andy. And he can't work out why she stopped.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through…
I think I sometimes get in trouble for saying this, but the truth is, I don’t give a shit about the likability of characters, whether I’m reading or writing. I’m here for a good time, not a long time. Because of that, fiction is the most riveting for me when interesting characters start making bad decisions. Any good narrative train wreck must create tension that keeps ratcheting up in its pages, and these are some of the books that do that most expertly, in my opinion. So, grab something to hold onto while you go on some of my favorite wild rides.
This is my most recent “can’t look away” read. The titular Piglet hits rock bottom and keeps digging after her idea of a perfect life with her fiancé Kit goes up in flames. Lottie Hazell really knows how to do a set piece with constant escalating tension. Every food-related meltdown in Piglet proved more anxiety-inducing than the last, particularly a scene of Piglet frantically trying to bake a croquembouche on the day of her disastrous wedding.
I always appreciate a book that refuses to give the reader breathing room and puts you in the scene with its characters. Piglet’s pages and pages of bad decisions–and the empathy Hazell’s narrative still manages to weave in for her characters–make this a gripping, satisfying read.
Discover a deliciously dark and piercing story of food and secrets, a Stylist Best Debut Novel of 2024.
'A sharp, dark, must-read story about appetite, ambition, secrecy and shame' Daily Mail
'If I owned a bookstore, I'd hand-sell Piglet to everyone' New York Times Book Review
'A dark, weird, satisfying tale about greed and desire' i News
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Her life is so full, so why is she hungry?
For Piglet - an unshakable childhood nickname - getting married is her opportunity to reinvent. Together, Kit and Piglet are the picture of domestic bliss - effortless hosts, planning a covetable wedding...
My interest in serial killers began when I was a teen watching horror movies with my mom. I learned all I could about them—even became a horror special-effects makeup artist. Eventually, I had to quit due to my connective tissue disorder (Hypermobile Ehlers-Danlos Syndrome). It put me on a path of writing. I love digging into the darker side of humanity—murder or mental illness. The story of a serial killer who could challenge the reader to see disability in a new light came to me, and I had to write her story, if not just so I could dive into the psyche of another serial killer.
Scarlett Clark is a bi serial killer who kills bad men. Carly Schiller is a queer student who just escaped an abusive father. Their storylines are equally gripping, with moments of unexpected intensity in both lust and fear. Layne Fargo creates a world so grounded in reality that, as a woman, it was painful to read at times—micro-aggressions, normalized inappropriate touching. Fargo doesn’t exaggerate it, she just exposes it as part of the narrative. Better yet, she gives a glimmer of equalization in the form of Scarlett who focuses her urge to kill in a direction that’s easy to root for, to want to read. It was wanting a serial killer to go on with her work that made this book and Scarlett a standout.
From the author of the “raw, ingenious, and utterly fearless” (Wendy Walker, USA TODAY bestselling author) Temper comes a dynamic psychological thriller about two women who give bad men exactly what they deserve.
Scarlett Clark is an exceptional English professor. But she’s even better at getting away with murder.
Every year, she searches for the worst man at Gorman University and plots his well-deserved demise. Thanks to her meticulous planning, she’s avoided drawing attention to herself—but as she’s preparing for her biggest kill yet, the school starts probing into the growing body count on campus. Determined to keep her…
I am passionate about sharing my story of having it all and then losing it all due to my bipolar disorder. I tell my story of living with the flights above the clouds of bipolar mania, the unbearable hopelessness of bipolar depression, the fear and dread of severe anxiety, and the overwhelming impulse to run and escape during panic attacks with complete honesty and openness so other people can see themselves in my story and realize they are not alone and that they too will come out the other side.
I like An Unquiet Mind because Kay Redfield Jameson tells her story of being a college professor while living with bipolar disorder.
She writes as if talking to a friend that she can trust, and she took me on her journey of incredible highs and grandiose thoughts and devastating lows of debilitating depression. I, too, live with bipolar disorder, and as I read this book, I saw myself. It helped me realize I am not alone. It gave me hope that I, too, would come out the other side.
I keep this book close and pick it up often. It is an old friend that helped me heal.
An Unquiet Mind is a definitive examination of manic depression from both sides: doctor and patient, the healer and the healed. A classic memoir of enormous candour and courage, it teems with the wit and wisdom of its writer, Dr Kay Redfield Jamison.
With an introduction by Andrew Solomon, writer and lecturer on psychology and culture.
'It stands alone in the literature of manic depression for its bravery, brilliance and beauty.' - Oliver Sacks
I was used to my mind being my best friend. Now, all of a sudden, my mind had turned on me: it mocked me for my…
As a mystery writer and reader, I try to understand why some books feel bland or dull even when the characters are investigating a murder with high stakes. Writing style is a part of that and encompasses techniques such as good pacing. Yet I think it really comes down to the characters. In all these series, I enjoy spending time with the characters, in their worlds. They are people I would like to know in real life, so they have become book friends. That makes it possible to enjoy the mysteries on a reread, even if I know what’s going to happen.
These are solid mysteries with plenty of twists and delightful primary characters.
Something about the voice of this series simply works for me. It's cozy without being too cutesy. The characters feel real. Even Sid, the living skeleton, feels like a real person, and the books might work almost as well if he was human, but he adds some fun and complications because he can’t let people see him.
Start at the beginning of the series and keep reading! It's worth it.
A woman discovers the literal skeleton in her family’s closet in the first Family Skeleton Mystery!
Moving back into her parents’ house with her teenage daughter had not been Georgia Thackery’s “Plan A.” But when she got a job at the local college, it seemed the sensible thing to do. So she settled in and began reconnecting with old friends.
Including Sid. Sid is the Thackery family’s skeleton. He’s lived in the house as long as Georgia can remember, although no one, including Sid, knows exactly where he came from and how he came to be a skeleton. …
As a teacher of US women’s history and educational history, I have long been interested in women’s colleges—in their faculties, administrators, students, alumnae, goals, and achievements. Most recently, as the biographer of a woman educator (a dean of Barnard College in the early 20th century), I became more deeply involved with the literature on single-sex schools. Major books focus on the older women’s colleges, the “Seven Sisters,” but devote attention to other colleges as well. I am impressed with the talents of historians, with their skill at asking questions of their subjects, with the intensity of mission at the women’s schools, and with changing styles of campus culture.
In its early decades, from the 1880s to the 1930s, Wellesley College boasted not merely a woman president but—alone among the “Seven Sisters”—an exclusively female faculty. Palmieri examines the impact of an all-woman community on the college’s students, professors, traditions, and development. A model exploration of campus culture, highly original, and a fascinating read.
Wellesley College was unique in its commitment to an exclusively female faculty, and has educated women such as Katharine Lee Bates and Hillary Clinton. This book is a narrative history of the first generation of Wellesley professors.
For a long time I’ve been fascinated by the challenge of writing novels with strong female protagonists—this is what I set out to do with my books Romance Language and The Diplomatic Coup. Is a male author capable of doing this? Read the books and judge for yourself. I’m fascinated by history, politics, and the pursuit of power both in real life and fiction. Lately, I’ve become more alarmed about the threat posed to the world by a resurgent Russia determined to undermine western democracy and that interest also influenced my choices. As a former journalist, I covered some of the world’s most important leaders and biggest stories and got to see them operating firsthand.
This memoir by a brave woman who stood up to both Presidents Trump and Putin is a revealing look at the inner workings of the Trump administration’s dysfunctional foreign policy. Fiona Hill bears an uncanny resemblance to my heroine, Delphine Roget. Born to a poor mining family in the North of England, she worked her way to the top through sheer intellectual brilliance and willpower. When push came to shove, she told the truth to Congress about Trump’s outrageous misuse of presidential power. But the book is much more than that. It is a searching examination of how capitalism has left whole communities behind as industries crumble, posing a threat to democracies worldwide.
"This book has a miraculous quality.... As a memoir this is hard to put down; if you are seeking a better American future you should pick it up."-Timothy Snyder, New York Times best-selling author of On Tyranny
INSTANT NEW YORK TIMES BESTSELLER | A celebrated foreign policy expert and key impeachment witness reveals how declining opportunity has set America on the grim path of modern Russia-and draws on her personal journey out of poverty, as well as her unique perspectives as an historian and policy maker, to show how we can return hope to our forgotten places.
Corey Mesler has been published in numerous anthologies and journals including Poetry, Gargoyle, Five Points, Good Poems American Places, and New Stories from the South. He has published over 25 books of fiction and poetry.His newest novel, The Diminishment of Charlie Cain, is from Livingston Press. He also wrote the screenplay for We Go On, which won The Memphis Film Prize in 2017. With his wife he runs Burke’s Book Store (est. 1875) in Memphis. I have a fondness for novels written by writers who are primarily poets. These five books are my favorites in that contracted genre.
Pictures from an Institution, to my mind, is the best novel written by a poet. It’s comical, biting, engrossing, moving, and flat-out entertaining. Once again, we are back in academia, at a woman’s college based loosely on Sarah Lawrence, and never has academia been skewered more amusingly. Regarding the college, one character muses, “You Americans do not rear children, you incite them; you give them food and shelter and applause.” The novel’s jokes—aphorisms, wisecracks, putdowns—come so fast and furious one could lose track of the story, if the story itself were not so interesting…and jovial. It’s funnier than throwing a hardboiled egg into an electric fan. Pictures from an Institution is also learned and wise and, underneath the drollery, there is a basic humanism that does not allow you to dismiss the book as mere satire.
Beneath the unassuming surface of a progressive women's college lurks a world of intellectual pride and pomposity awaiting devastation by the pens of two brilliant and appalling wits. Randall Jarrell's classic novel was originally published to overwhelming critical acclaim in 1954, forging a new standard for campus satire - and instantly yielding comparisons to Dorothy Parker's razor-sharp barbs. Like his fictional nemesis, Jarrell cuts through the earnest conversations at Benton College mischievously - but with mischief nowhere more wicked than when crusading against the vitriolic heroine herself.