Here are 100 books that The Painted Word fans have personally recommended if you like
The Painted Word.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a career coach and artist-advocate, who had a successful career as an artist, I am always on the lookout for books to recommend to clients that offer excellent guidance about facets of developing a career as an artist, including the innerworkings of the artworld. I am very picky! Each book that I recommend contains advice, and/or observations that can help artists make wise career plans and decisions, develop realistic expectations, and soothe anxieties.
I love this book because it not only explores the way in which art gets made, it delves into the reasons art often doesn’t get made, and the difficulties that cause so many artists to give up along the way.
All too often, the give-up factor is prevalent both in the art-making process and in the art-marketing process. I particularly liked the chapter “ Fears of Others,” which offers excellent insights into artists giving their power away.
Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day.
First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it…
A shell-shocked soldier returns home, questioning the very meaning of American freedom.
While panning for gold, Iraq-war veteran Punxie Tawney meets Hamilton Chance, a barefoot, manic, obsessive drummer with a burning desire—to distill tax-free whiskey just like his forefathers during the American Whiskey Rebellion of 1794.
As a career coach and artist-advocate, who had a successful career as an artist, I am always on the lookout for books to recommend to clients that offer excellent guidance about facets of developing a career as an artist, including the innerworkings of the artworld. I am very picky! Each book that I recommend contains advice, and/or observations that can help artists make wise career plans and decisions, develop realistic expectations, and soothe anxieties.
As a career coach and artist advocate, I was curious about what the author had to say about the inner workings of the art world. Quite happily, I read an insightful and humorous probe from a writer who sincerely wanted to understand art and its importance.
Bosker is not afraid of naming names when discussing critics, gallery owners, curators, collectors, and artists. She goes undercover, so to speak, and writes about her experiences as a gallery assistant, an artist’s assistant, a museum security guard, and a sales assistant at Art Basel Miami. And to add to her experiences, she tackles the use of the foreign language of “art speak.”
As a career coach and artist-advocate, who had a successful career as an artist, I am always on the lookout for books to recommend to clients that offer excellent guidance about facets of developing a career as an artist, including the innerworkings of the artworld. I am very picky! Each book that I recommend contains advice, and/or observations that can help artists make wise career plans and decisions, develop realistic expectations, and soothe anxieties.
I can open any page of this book and discover meaningful observations—with lots of food for thought. For two decades, the late artist and educator Walter Darby Bannard reflected on the question, why do young artists struggle to find their voices?
He answered the question with engaging insights based on his personal philosophy. At the urging of a former student, he put his thoughts into a book. But you don’t need to be an aspiring artist to treasure what Bannard has to say; artists at all career levels will be inspired by his words.
A shell-shocked soldier returns home, questioning the very meaning of American freedom.
While panning for gold, Iraq-war veteran Punxie Tawney meets Hamilton Chance, a barefoot, manic, obsessive drummer with a burning desire—to distill tax-free whiskey just like his forefathers during the American Whiskey Rebellion of 1794.
As a career coach and artist-advocate, who had a successful career as an artist, I am always on the lookout for books to recommend to clients that offer excellent guidance about facets of developing a career as an artist, including the innerworkings of the artworld. I am very picky! Each book that I recommend contains advice, and/or observations that can help artists make wise career plans and decisions, develop realistic expectations, and soothe anxieties.
When I was very young, I experienced firsthand an ugly lawsuit involving an art gallery. I can’t stress enough how important it is for artists to be knowledgeable and up-to-date on the legal aspects affecting their careers.
The new edition of this book will be of great help because it thoroughly covers the many changes in art laws and artists' legal rights and obligations, including, for example, the laws protecting artists in artist-gallery relationships.
This classic guide for artists is completely revised and updated to provide an in-depth view of the legal issues facing the visual artist today and provides practical legal guidance for any visual artist involved with creative work. Among the many new topics covered in this comprehensive guide are: detailed coverage of the myriad developments in copyright (including online copyright registration procedures and use of art on the Internet); changes in laws protecting artists in artist-gallery relationships are explained in depth; scope of First Amendment protections for graffiti art and the sale of art in public spaces; detailed as well as…
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
Another odd choice for this category and an unusual but nonetheless compelling book. Elkins talks about painting in terms of medieval alchemy. The point, however, is right down my street: it is about the materiality of painting.
Put aside the meaning of a finished artwork and think about the acts behind its making, from creating paint from various pigments and oils to brushing them on stretched canvas. This helped me understand the lives of people who work with materials, things, and stuff, including scientists and engineers. What they think is important, but so is what they do and their facility in doing it.
In this classic text, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a strange language to explore what it is a painter really does in the studio-the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colors will mix, and how they will look. Written from the perspective of a painter-turned-art historian, this anniversary edition includes a new introduction and preface by Elkins in which he further reflects on the experience of painting and its role in the study of art today.
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
What I like about this book is that it gives me a different perspective on a subject that I know well—light—but it comes at it from a different angle: that of a painter using traditional media. Starting from the history and tradition of painting, topics such as color are tackled by merging scientific and artistic elements, drawing from the history of color theory to create a comprehensive whole.
Of course, the text is greatly enhanced by the dozens of wonderful illustrations created by James Gurney, which offer beautiful demonstrations of the subject matter.
A researched study on two of art's most fundamental themes, Colour and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of under appreciated masters who perfected the use of colour and light, the book examines how light reveals form, the properties of colour and pigments, and the wide variety of atmospheric effects. Gurney cuts through the confusing and contradictory dogma about colour, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensable tool for any artist.
My mixed media journey began as a kid growing up in a family of scientists and artists. I always loved to combine things, adding unusual objects to my mud sculptures and later mixing things up as a chemistry student. I created some wild concoctions as a bartender and then eventually as an acrylic painter. I began as a traditional oil painter, but I moved on to painting murals on walls, and cutting stones and metalwork. I introduced the other art students to some great construction sites where we would scavenge materials and give them new life. This passion led me to write six books on mixed media.
Color is visual and this book shows you through images how colors interact with each other and what constitutes good color combinations.
She sets the foundation for rules and color strategies, but she moves on to incorporate various color wheels and finished paintings using those selected colors. I love how she categorizes various color wheels from traditional to bold, opaque earth, old masters, and modern palettes.
She also shows paintings using various color combinations from triads to analogous color combinations and all the other possible combos.
I love this book because it is educational and visually beautiful.
Learn how to use color in your own unique and expressive way!
Color is what you make it: sensitive, explosive, dreamlike, atmospheric, somber, cheerful. Nita Leland brings logic and intuition together to create a foundation for color selections that allow you to be more inventive, break out of old habits and experiment with new colors. Her approach eliminates time-wasting trial and error while giving you the freedom to use color in personal, meaningful and exciting ways.
Features:
• Artwork from more than 50 contributing artists that illustrates many personal approaches to color • 85 "Try It" activities that will help…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
The book covers basic principles, such as variety, shape, silhouette, edges, unity, rhythm, color, and texture. But his coverage of these familiar ideas is fresh and original, and he provides lots of examples. He avoids laying down rules or laws, because one generation of artists breaks the rules of the previous generation. All of the basic principles are universal enough to have remained in place despite the changing styles throughout history.
This is the ENGLISH edition. To buy this book in Russian: https://www.amazon.com/dp/5904957076. | The only textbook on composition approved and recommended by the Russian Academy of Fine Arts. Written by a Head of the Drawing Department and a leading professor of drawing, Vladimir Mogilevtsev. Description: This is the 3rd and last textbook in the series of "Fundamentals of Art". The previous two editions are dedicated to Fundamentals of Drawing and Fundamentals of Painting. In the book Fundamentals of Composition, the author, on the basis of his own creative work and experience working with students, tried to show and explain how…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
This book offers the technical breakdown of painting in grisaille. I only know of a few books that cover it and this one was written by an amazing painter! This was the common practice of Bouguereau and Gerome and is thoroughly explained in this particular volume as well and the rendering of planar “facets.” The practice of grisaille is an important phase in painting. The separation of color and form is partly why so many of the “masters” had such control over form and value.
This instructive volume introduces not only the techniques of oil painting but also the underlying principles of figure drawing. Written by a distinguished Pre-Raphaelite painter, portraitist, and book illustrator, the treatment begins by explaining the construction of the figure, head, and limbs. Succeeding chapters illustrate these teachings with examples of images by the Old Masters, including paintings from the Italian, Dutch, Spanish, French, and British schools. The Birmingham Daily Post pronounced this volume "probably the most useful handbook for art students that has yet been published." Students at every level of expertise will benefit from its discourses on light and…
What makes me passionate about this topic is my love of art, encouraged by my parents and developed when I was completing an undergraduate degree in architecture. I’m also addicted to mysteries, preferably ones with history thrown into the mix. Born in Australia, I lived for some years in the UK before moving to Canberra. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
I first read this book when I was going through a bad period in my life when I felt my work as an academic was going nowhere.
The sprawling, absorbing plot of The Improbability of Love took me to another place. The novel is set in London, a city that I know well, and it has a huge variety of characters from all walks of life. Some of writing is very funny, which cheered me enormously.
The painting in question is by Antoine Watteau, and it was found by our heroine Annie in a junk shop.
WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2016 SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016 A BBC RADIO 2 BOOK CLUB PICK 'an ingenious meditation on the true value of art' Daily Mail 'A deliciously wicked satire ... It's exquisitely written, shimmering with eye-catching detail ... a masterpiece' Mail on Sunday When lovelorn Annie McDee stumbles across a dirty painting in a junk shop while looking for a present for an unsuitable man, she has no idea what she has discovered. Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by…
