Here are 100 books that What Painting Is fans have personally recommended if you like
What Painting Is.
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My father was a NASA scientist during the Mercury, Gemini, and Apollo programs, so while most people knew the Space Race as a spectacle of thundering rockets and grainy lunar footage, I remember the very human costs and excitement of scientific progress. My space-cadet years come in snippets–the emotional break in my dad’s voice when Neil Armstrong hopped around the Moon; the strange peace I felt as I bobbed on a surfboard and watched another Saturn 1b flame into the sky. Later, as a journalist and author, I would see that such moments are couched in societal waves as profound and mysterious as the wheeling of hundreds of starlings overhead.
This slim volume, first published in 1995, possibly jump-started the current genre of science narratives–I was certainly well aware of it when World on Fire was published in 2005. The tale begins in 1707 when the English fleet crashed into the Scilly Isles twenty miles southwest of England; two thousand men drowned, all because navigators had misgauged longitude.
The desperate quest for a solution becomes a well-funded race to make sure this never happens again. Sobel chronicles how it was solved by a simple clockmaker, and the obstacles thrown in his path by the more respected members of the era’s scientific establishment. It helps to read Kuhn’s work first, or in tandem: for all the accolades heaped upon success, both works make clear the hard road and lonely life traveled by the outsider.
The dramatic human story of an epic scientific quest and of one man's forty-year obsession to find a solution to the thorniest scientific dilemma of the day--"the longitude problem."
Anyone alive in the eighteenth century would have known that "the longitude problem" was the thorniest scientific dilemma of the day-and had been for centuries. Lacking the ability to measure their longitude, sailors throughout the great ages of exploration had been literally lost at sea as soon as they lost sight of land. Thousands of lives and the increasing fortunes of nations hung on a resolution. One man, John Harrison, in…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
This book completely changed how I thought about the technology that surrounds us, the electric grid, assembly line production, the military-industrial complex, and on and on.
I grew up at the end of the time period Hughes writes about when all these huge technological systems were in place. I didn’t give them a thought. They were like the air we breathe. But they were created during this century, and it was amazing to read about this transformation of our world.
Reading this book, for me, was like learning to see the world I live in anew, to feel the air we breathe.
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
When I was a kid, one of my favorite books was The Way Things Work, not the more recent David Macaulay book—which is also good—but the earlier 1967 book by T. Lodewijk. With great diagrams, it showed how complicated machines work.
Randall Munroe's Thing Explainer, while less comprehensive, similarly captures this magic for me. It has great diagrams and simple clarifying text—self-consciously limited to the 1,000 words people use the most. I could stare at the diagrams for hours, learning about everything from cameras (“picture takers”) to submarines (“boats that go under the sea”).
From the No. 1 bestselling author of What If? - the man who created xkcd and explained the laws of science with cartoons - comes a series of brilliantly simple diagrams ('blueprints' if you want to be complicated about it) that show how important things work: from the nuclear bomb to the biro.
It's good to know what the parts of a thing are called, but it's much more interesting to know what they do. Richard Feynman once said that if you can't explain something to a first-year student, you don't really get it. In Thing Explainer, Randall Munroe takes…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am not very good at making things. I am good enough to appreciate the craftsmanship of those much better than me. I am more of an ideas person, perhaps why I ended up with a PhD in Philosophy of Science. But I have always held a secret admiration—with a tinge of envy—for people who are makers. As I went deeper into my career as a philosopher of science, I became aware that the material/making aspect of science—and technology—was largely ignored by ideas-obsessed philosophers. So, this is where I focused my attention, and I’ve loved vicariously being able to be part of making the world.
Initially, The Gift might seem an odd choice for this category. Hyde argues that art must be part of a gift economy, not simply commercially bought and sold, but also given and received. I had a chance encounter with Hyde’s father, who was appropriately proud of his son’s book, but he said that he thought the same analysis could be made about how science operates.
This idea changed my perspective on science and technology. When I began to look at science and technology this way, it made sense to me. Scientists will frequently trade what they have learned with each other, for example at conferences—they give their information away in exchange for prestige and for return gifts of information from other scientists. It is part of being a member of the science club.
“A manifesto of sorts for anyone who makes art [and] cares for it.” —Zadie Smith
“The best book I know of for talented but unacknowledged creators. . . . A masterpiece.” —Margaret Atwood
“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster Wallace
By now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.…
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
What I like about this book is that it gives me a different perspective on a subject that I know well—light—but it comes at it from a different angle: that of a painter using traditional media. Starting from the history and tradition of painting, topics such as color are tackled by merging scientific and artistic elements, drawing from the history of color theory to create a comprehensive whole.
Of course, the text is greatly enhanced by the dozens of wonderful illustrations created by James Gurney, which offer beautiful demonstrations of the subject matter.
A researched study on two of art's most fundamental themes, Colour and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of under appreciated masters who perfected the use of colour and light, the book examines how light reveals form, the properties of colour and pigments, and the wide variety of atmospheric effects. Gurney cuts through the confusing and contradictory dogma about colour, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensable tool for any artist.
As a career coach and artist-advocate, who had a successful career as an artist, I am always on the lookout for books to recommend to clients that offer excellent guidance about facets of developing a career as an artist, including the innerworkings of the artworld. I am very picky! Each book that I recommend contains advice, and/or observations that can help artists make wise career plans and decisions, develop realistic expectations, and soothe anxieties.
Filled with many humorous pages of ridicule about the modern art world, one big reason that I love this book is Wolfe’s attack on “art speak,” the nauseating language used by critics and artists alike. He smugly suggests that in today’s world, visual art only exists to illustrate the text!
Pretentious prose has become a norm in art world communication. Although artists vehemently criticize this style of writing, unfortunately, many believe that their work will not be taken seriously unless they imitate what they despise.
Reissued for today's reader with a redesigned cover by the renowned artist Seymour Chwast, Tom Wolfe trains his satirical eye on Modern Art in this “masterpiece” (The Washington Post).
What has become of art?
In his dazzling and controversial book The Painted Word, Tom Wolfe explores this question and more as he investigates early trends in Modern Art and critiques the critics who dominated the art world during the 1960s and '70s. Wolfe addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. He bring into question the…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
There is something so magical about creating art and bringing an idea to life. As a writer and an art teacher, I love watching artists of any age find their own inspiration and joy in creating. I have used these books to launch all kinds of projects, from paintings to pottery, for every age and stage of artist. I hope you will find inspiration in these pages, too!
This is one of those books that entranced me and my students. By the last pages, we were holding our breath to see what would happen. It is full of magical realism but based on a real artist from history.
This is a lovely stand-alone book, but it is also a great introduction and inspiration for brush painting. It’s especially fun to try painting with bamboo brushes after seeing the ones depicted in the beautiful watercolor illustrations of this story.
This gorgeous picture book biography, according to Kirkus Reviews in a starred review, is "a cheerful introduction not only to Wu Daozi, but to the power of inspiration."
Who wants to learn calligraphy when your brush is meant for so much more? Wu Daozi (689-758), known as China's greatest painter and alive during the T'ang Dynasty, is the subject of this stunning picture book. When an old monk attempts to teach young Daozi about the ancient art of calligraphy, his brush doesn't want to cooperate. Instead of characters, Daozi's brush drips dancing peonies and flying Buddhas! Soon others are admiring…
I am a philosopher of language (and of art) and have been for 30+ years. Why philosophy of language? Well, it encourages a certain salutary kind of self-consciousness—which is extremely valuable to philosophy—and facilitates greater rigor. But it only got going some one hundred and twenty years ago. So it's modern(ish) as well as deep. And whereas it might seem a narrow slice of the philosophical pie, it isn't; it seems to provide fruitful ways of thinking for almost any philosophical subject. For example, rather than 'What is X?', we ask 'What do we mean by "X"?'; a subtle difference perhaps but the change in perspective might be a key.
Wollheim teaches that this is largely, if tacitly, a philosophical interest, in particular, an interest in philosophy in mind, depth psychology, and meaning. That is why pictures fascinate us in the way they do. It is the very opposite of deconstructionism; the facts of history, artistic intention, psychoanalysis, and perception make something urgently real out of painting.
One of the twentieth century's most influential texts on philosophical aesthetics
Painting as an Art is acclaimed philosopher Richard Wollheim's encompassing vision of how to view art. Transcending the traditional boundaries of art history, Wollheim draws on his three great passions-philosophy, psychology, and art-to present an illuminating theory of the very experience of art. He shows how to unlock the meaning of a painting by retrieving-almost reenacting-the creative activity that produced it. In order to fully appreciate a work of art, Wollheim argues, critics must bring a much richer conception of human psychology than they have in the past. This…
I am a children’s book illustrator who has been passionate about illustration and art from a young age, and I am fortunate to have illustrated over 30 books for publishers worldwide. I have always believed drawing is for everyone and that you should not stop after childhood. Drawing can improve your mental health, enhance your way of visually communicating ideas, or just be a new way to have fun. I hope that my book and the books I have recommended inspire at least one person to pick up a pencil and have a go!
I’m a firm believer that picture books are for everyone. They are modern, affordable, and accessible works of art that can be viewed at home, school, or a library, rather than a busy gallery. You will find some of the most inspiring, creative and charming work being made today in them and The Artist is a perfect example of this.
Art is for everyone at every age and this book perfectly reflects this and encourages everyone to have a go, no matter what stage you are at! It is a mantra I try to instil in my work and that Ed Vere delivers in this book so perfectly.
From the award-winning Ed Vere comes a joyful and inspirational celebration of beauty, mistakes and the artist in all of us
'The Artist's optimistic ending, in particular, makes it perfect for bedtime reading and bedtime dreaming for little artists. It's a useful reminder for grown-up artists too.' - Art Quarterly
One brave little artist goes on one epic adventure to share her art, and in doing so learns that it doesn't matter if you colour outside the lines, that art is full of heart... and that maybe you are an artist too!
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I wholeheartedly believe that kindness is the single most powerful thing that we can teach our children. One of the best ways to instil kindness in children is by talking to them about it, and one of the most effective ways to start the conversation is through stories that highlight kindness. These stories don’t just get kids talking—they also help shape the values of the next generation.
This was such a blast to read with my kids! I loved how interactive it was and the creative rhyming used. It didn’t just keep their attention, but it also included a fun activity to do together afterward with stickers (included in the book), which made the experience even more fun for us to do together!
The illustrations are playful and unique, really bringing the story to life in a way that keeps everyone engaged. Even after five years of having it on our shelf, it’s still my go-to book for storytime.
Scribble, the book's main character, never thought he was different until he met his first drawing. Then, after being left out because he didn't look like everyone else, Scribble teaches the drawings how to accept each other for who they are. Which enables them to create amazing art.
This book not only has illustrations that any child can personally recognize but it also addresses inclusion without boundaries so that anyone can relate to it. Each book comes with 100 stickers so that children can create their very own Scribble. They will be able to…
