Here are 100 books that Clarissa Oakes fans have personally recommended if you like
Clarissa Oakes.
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I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).
It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!
For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.
Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship, where officers, sailors, soldiers and emigrants jostle in the crammed spaces below decks.Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of self-degradation', where shame is a force deadlier than the sea itself.
In Renaissance Venice, the deadliest weapon isn’t a blade… it’s a secret.
Angelo Mascari is a master swordsman whose greatest battle isn’t fought for crown or country, but for love. When treachery strikes and the Republic turns against him, Angelo is forced into a desperate flight that leads him across…
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.
One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.
William Makepeace Thackeray's Vanity Fair depicts the anarchic anti-heroine Beky Sharpe cutting a swathe through the eligible young men of Europe, set against a lucid backdrop of war and international chaos. This Penguin Classics edition is edited with an introduction and notes by John Carey.
No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia Sedley, however, longs only for the caddish soldier George. As the two heroines make their way through the tawdry glamour…
I am a teacher, a college professor, and a lifetime reader. I came from a small town, went to college to study writing, ended up getting graduate degrees in theatre, became a theatre director, and then went back to my first love, writing. Throughout my childhood, I bonded with my siblings, and we often feared our mother, who was a fascinating creature but often rough on us. She expected perfection and wasn’t in tune with her childhood. So even then, stories of children in danger—abandoned or scolded or shamed—have resonated with me.
I’ve read it multiple times and also listened to an audiobook. Of course, there are movies, too. I read it on my own out of pure interest as a young woman and then again repeatedly as an adult.
I get wildly involved in Dickens’ plots. (Most of his novels would fulfill my category of children overcoming odds.) David is bereft, having lost his father. He has a loving but weak mother. He experiences beatings, hunger (Oh, I hate hunger), and loneliness as he is tossed about the world. And yet he never loses his humanity, that is, his native kindness.
Somehow, Dickens finds ways to leverage all the pain with comedy. Amazing. I love his strange characters (Peggoty, Mr. Dick) and thrill to his evil characters (Uriah Heep) because Dickens has the gift to often make them comic.
Now a major film directed by Armando Iannucci, starring Dev Patel, Tilda Swinton, Hugh Laurie, Peter Capaldi and Ben Whishaw
'The greatest achievement of the greatest of all novelists' Leo Tolstoy
In David Copperfield - the novel he described as his 'favourite child' - Dickens drew on his own experiences to create one of his most moving and enduringly popular works, filled with tragedy and comedy in equal measure. It is the story of a young man's adventures on his journey from an unhappy childhood to the discovery of his vocation as a novelist. Among the gloriously vivid cast of…
The Time of Terror: An action-packed maritime adventure of battle and bloodshed during the French Revolution (Nathan Peake Book 1).
The first gripping naval thriller in Seth Hunter's historical adventure series is sure to enthral fans of Julian Stockwin and Patrick O'Brian's Aubrey-Maturin novels.
I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
I love this story because, for me, it’s a perfect example of why a ship is such a great platform for storytelling, a moving stage for a compelling cast of characters to act out the drama of their past and present lives while heading into an uncertain future.
The Star of the Sea is a "coffin ship," the name given to the leaking hulks that transported a million emigrants from Ireland to America during the Great Famine of the 1840s.
It’s a historical novel but for me, a timeless story about emigration and the human condition, of refugees fleeing the monsters of their past, war, famine, disease, whatever, into what they hope will be a brighter future, and of what happens to them on the way.
Rediscover Joseph O'Connor's monumental #1 international bestseller.
In the bitter winter of 1847, from an Ireland torn by injustice and natural disaster, the Star of the Sea sets sail for New York.
On board are hundreds of fleeing refugees. Among them are a maidservant with a devastating secret, bankrupt Lord Merridith and his family, an aspiring novelist and a maker of revolutionary ballads, all braving the Atlantic in search of a new home. Each is connected more deeply than they can possibly know.
But a camouflaged killer is stalking the decks, hungry for…
The topic is essentially letters, in this book, letters written during the Second World War. My grandmother, my mother and aunt – and other aunts – all wrote voluminously to each other. They also kept diaries. Every day is recorded, often in duplicate. I have them all – an absolute treasure trove of firsthand history. I myself, from the age of 12, have had penfriends in large numbers. My mother and I both belonged to "correspondence magazines." Letters were central to our lives. I still write long, newsy emails as if they were letters, plus some actual sheets of paper with writing on, sent in an envelope…
I had long wanted to read this book, and when I finally got around to it, I was absolutely immersed in it from start to finish.
The writing is magnificent, the subject grueling. Nobody in it is safe. It is an unflinching account, told from first-hand experience but fictionalized, of the realities of war at sea. I have read several other Monsarrats, and they are all brilliant.
This one fits best with my own quieter story of the women left behind. An additional detail makes it even more appropriate, because my Aunt Wendy knew Nicholas Monsarrat.
Based on the author's own vivid experiences, The Cruel Sea is the nail-biting story of the crew of HMS Compass Rose, a corvette assigned to protect convoys in World War Two.
Darting back and forth across the icy North Atlantic, Compass Rose played a deadly cat and mouse game with packs of German U-boats lying in wait beneath the ocean waves.
Packed with tension and vivid descriptions of agonizing U-boat hunts, this tale of the most bitter and chilling campaign of the war tells of ordinary, heroic men who had to face a brutal menace which would strike without warning…
We’ve all read them: the girl who is unknowingly of royal blood but was sequestered to an ordinary family to protect her identity. The detective with the broken home and a drink problem is driven to solve the crime. The action hero who can shoot their way out of any encounter. While these tropes are the bread and butter of genre fiction, they get overused. I found that my favorite and most engaging characters were those with complicated lives whose pasts might catch up with them at an inconvenient moment. Here are some of my favorite stories with unconventional characters that shine through the narrative.
These were an early read for me, and at 14 years old, I consumed every Flashman book I could find. Harry Flashman was the bully responsible for the abusive treatment of Tom in Tom Brown’s Schooldays, and I so wanted to see him get the fate he deserved.
Flashman is a cad, a bully, a coward, and the worst sort of officer, but he always seems to turn up trumps—a phrase with strange resonance today. These meticulously researched novels—this one is set amidst the Charge of the Light Brigade - put Flashman in the worst of situations, only for him to cheat, lie, and bluff his way out. They taught me that heroes don’t always have to be noble or nice.
Coward, scoundrel, lover and cheat, but there is no better man to go into the jungle with. Join Flashman in his adventures as he survives fearful ordeals and outlandish perils across the four corners of the world.
As the Light Brigade prepare to charge the Russian guns at Balaclava, Flashman assumes his characteristic battle position: sabre rattling, teeth chattering, bowels rumbling in terror and about to bolt.
I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing.
Historical fiction at its very best; it’s so sad that Thompson died shortly after the book's publication. This book follows Charles Darwin circumnavigating the world aboard The Beagle but is told largely from the viewpoint of the Beagle’s captain, Robert FitzRoy.
The science, then, is mainly Darwin’s theories of evolution by natural selection. But it’s also an account of FitzRoy’s meteorology: he was the person entrusted to set up Britain’s Met Office.
This may all seem a bit dry, but I thought it was as exciting as the best thrillers. It’s a big book, 700 pages or more, but I raced through it.
This is an epic novel of sea-faring adventure set in the 19th century charting the life of Robert Fitzroy, the captain of 'The Beagle' and his passenger Charles Darwin. It combines adventrure, emotion, ideas, humour and tragedy as well as illuminating the history of the 19th century. Fitzroy, the Christian Tory aristocrat believed in the sanctity of the individual, but his beliefs destroyed his career and he committed suicide. Darwin, the liberal minor cleric doubts the truth of the Bible and develops his theory of evolution which is brutal and unforgiving in human terms. The two friends became bitter enemies…
As a former writer for Londonist and a non-Londoner by birth, I have come to love the capital with all the passion of the converted–not least my adopted home patch of Peckham in the South East of the city. In recent years, the city has seen great improvement in walking routes, and since the lockdown, I have enjoyed having a good old nosey on foot around so many different neighborhoods. It is all totally fascinating. I truly believe that if you’re tired of London, you must be tired of life. Also, the more I travel, the more I realize that there is nowhere on earth as tolerant and neighborly.
This is a classic satire on middle-class aspirations–it is timelessly funny and kind of gripping in a mundane bourgeois way. But most importantly it offers a fascinating glimpse of ordinary London life in Victorian times.
I must admit it was really brought to life for me when I saw the stage version with Dame Judy Dench and her husband Michael Williams playing the lead roles: don’t hate me.
Mr. Pooter has read about many people who have kept diaries, and concludes that he too should keep a diary, even though he is not famous, just a nobody.
Mr. Pooter's life is a hilarious mix of comic moments filled with common people, everyday events, bathtub accidents, marriage proposals breaking, peculiar friends, and visitors galore.
In this diary, Mr. Pooter, the bank clerk, chronicles his upside-down life. The events mentioned are comically entertaining, and will make you chuckle, even though they are of a nobody.
In a sense, I have been working on the material for my book, Life, Death, and Other Inconvenient Truths, for my entire life. The 38 short chapters that comprise it span a range of topics: alphabetically, from ambition and anxiety, through love and mathematics, to war and youth. For whatever it is worth, I have had first-hand experience (in three languages, on three continents) learning, researching, teaching, enjoying, suffering, and fighting — in other words, living — all but one of them (the exception is one that technically cannot be lived through, but can still be pondered and written about). My five recommendations reflect this life-long interest in the human condition, which I am excited to share with you.
A better world is possible — just not through the kind of progress touted by liberal politicians. In this 1982 collection, Bookchin sketches such a new world, based on his concept of social ecology — a prescient integration of the people’s desires for a better life, for personal freedom, and for coexistence, mutual aid, and respect.
“The very notion of the domination of nature by man stems from the very real domination of human by human.” With this succinct formulation, Murray Bookchin launches his most ambitious work, The Ecology of Freedom. An engaging and extremely readable book of breathtaking scope, its inspired synthesis of ecology, anthropology and political theory traces our conflicting legacies of hierarchy and freedom from the first emergence of human culture to today’s globalized capitalism, constantly pointing the way to a sane, sustainable ecological future.
Murray Bookchin, cofounder of the Institute for Social Ecology, has been an active voice in the ecology and…
In a sense, I have been working on the material for my book, Life, Death, and Other Inconvenient Truths, for my entire life. The 38 short chapters that comprise it span a range of topics: alphabetically, from ambition and anxiety, through love and mathematics, to war and youth. For whatever it is worth, I have had first-hand experience (in three languages, on three continents) learning, researching, teaching, enjoying, suffering, and fighting — in other words, living — all but one of them (the exception is one that technically cannot be lived through, but can still be pondered and written about). My five recommendations reflect this life-long interest in the human condition, which I am excited to share with you.
Can a society as mired in misery and oppression as ours be helped by a few well-intentioned “progressors” from another world? You land in secret, wielding godlike powers (remember Clarke’s Third Law: any sufficiently advanced technology is indistinguishable from magic) and possessing a perfect understanding of sociology and historical dynamics, only to find how hard it is to be a god. What would you do?
Anton is an undercover operative from future Earth, who travels to an alien world whose culture has not progressed beyond the Middle Ages. Although in possession of far more advanced knowledge than the society around him, he is forbidden to interfere with the natural progress of history. His place is to observe rather than interfere - but can he remain aloof in the face of so much cruelty and injustice ...?
