Here are 98 books that The Diary of a Nobody fans have personally recommended if you like
The Diary of a Nobody.
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As a former writer for Londonist and a non-Londoner by birth, I have come to love the capital with all the passion of the converted–not least my adopted home patch of Peckham in the South East of the city. In recent years, the city has seen great improvement in walking routes, and since the lockdown, I have enjoyed having a good old nosey on foot around so many different neighborhoods. It is all totally fascinating. I truly believe that if you’re tired of London, you must be tired of life. Also, the more I travel, the more I realize that there is nowhere on earth as tolerant and neighborly.
This is quite simply a work of understated tragi-comic genius. Russell Hoban is my favorite author of all time.
As an American ex-pat, he held much affection for London, and it shows in this endearing and enduring love story based in the capital. It is the perfect read for the English or English-loving flaneuse.
Two lonely Londoners bond over a plan to free the sea turtles at the city zoo in this touching novel from a cult-favorite author who has drawn comparisons to J.D. Salinger and Kurt Vonnegut.
A wise and touching classic that “crackles with witty detail, mordant intelligence and self-deprecating irony,” from the author of Riddley Walker (Time)
Life in a city can be atomizing, isolating. And it certainly is for William G. and Neaera H., the strangers at the center of Russell Hoban’s surprisingly heartwarming novel Turtle Diary.
William, a clerk at a used bookstore, lives in a rooming house after…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a former writer for Londonist and a non-Londoner by birth, I have come to love the capital with all the passion of the converted–not least my adopted home patch of Peckham in the South East of the city. In recent years, the city has seen great improvement in walking routes, and since the lockdown, I have enjoyed having a good old nosey on foot around so many different neighborhoods. It is all totally fascinating. I truly believe that if you’re tired of London, you must be tired of life. Also, the more I travel, the more I realize that there is nowhere on earth as tolerant and neighborly.
A cracking and gripping (mostly) Victorian crime drama (although it does admittedly span the Atlantic and several centuries), its creepy tones and vivid storytelling offer one of the best portrayals of the British capital a couple of hundred years ago.
It is all too easy to look at old city streets superficially and to forget that every bit of our metropolis has a history.
In the east end of Regency London, two families lie butchered. Residents of the notorious Ratcliffe Highway, the victims bear the mark of unprecedented brutality.
Panic sweeps the country as its public cries for justice. But these murders stem from an older horror, its source a sea voyage two centuries old. In a ship owned by Queen Elizabeth herself, a young man embarks on England's first venture into a new trade: human souls.
As a nation's sins ripen and bloom, to be harvested in a bloody frenzy on the twisted streets of Regency Wapping, an English Monster is born.
As a former writer for Londonist and a non-Londoner by birth, I have come to love the capital with all the passion of the converted–not least my adopted home patch of Peckham in the South East of the city. In recent years, the city has seen great improvement in walking routes, and since the lockdown, I have enjoyed having a good old nosey on foot around so many different neighborhoods. It is all totally fascinating. I truly believe that if you’re tired of London, you must be tired of life. Also, the more I travel, the more I realize that there is nowhere on earth as tolerant and neighborly.
The work is astonishing in its scope, covering all aspects of human frailty...but incidentally bathing London in a strange, yellow-hued, slightly dystopian light. T. S. Eiliot completely changed my view of the capital.
I still get goosebumps when I walk along the banks of the Thames. And having studied it for o’levels I still know a lot of it by heart.
The Waste Land is arguably the most important poem of the twentieth century. First published in the United States by Boni & Liveright in 1922, this landmark reissue of the first edition, now back with its original publisher, includes a new introduction by Paul Muldoon, showcasing the poem's searing power and strange, jarring beauty. With a modernist design that matches the original, this edition allows contemporary readers to experience the poem the way readers would have seen it for the first time.
As Muldoon writes, "It's almost impossible to think of a world in which The Waste Land did not…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a former writer for Londonist and a non-Londoner by birth, I have come to love the capital with all the passion of the converted–not least my adopted home patch of Peckham in the South East of the city. In recent years, the city has seen great improvement in walking routes, and since the lockdown, I have enjoyed having a good old nosey on foot around so many different neighborhoods. It is all totally fascinating. I truly believe that if you’re tired of London, you must be tired of life. Also, the more I travel, the more I realize that there is nowhere on earth as tolerant and neighborly.
Because Matt’s a mate–but also one of the funniest, cleverest writers I know. He is one of the editors of Londonist, a fascinating raconteur, and a fount of useless information on every topic. Ironically, he is from Yorkshire, but I doubt whether many Londoners could match his knowledge of their city.
Thanks to Matt, I enjoyed around five years of writing for fun for Londonist (back in its amateur, less corporate days) and met so many of their very talented contributors. Many of us remain friends to this day.
A highly entertaining read for anyone with even a passing interest in London's history.
This myth-busting book takes you on a great ride through history and the city's character. Think that the tower that holds Big Ben is called St Stephen's Tower? Think again - it was called the Clock Tower until 2012 when it was renamed the Elizabeth Tower. Think that the Union Flag flying over Buckingham Palace means the Queen is home? Think again - it means that she's elsewhere, doing other Queenish things.
Packed with details on real London history, it explodes a range of myths from…
I’m the sort of person who reads history books for fun. It’s perhaps odd to be a novelist who prefers nonfiction for my personal reading, but then again, I’ve managed to utilize those traits for writing 9 historical novels. The Victorian era has fascinated me since childhood. (The first play I ever saw was Oliver!, inspired by Dickens’ Oliver Twist. I still remember it vividly.) The Victorian era was a time of momentous change, becoming more like the world we know today and yet still within living memory of a very different way of life. The books I’ve chosen here reflect that time of upheaval and how, for better or worse, people dealt with it.
The book’s massive length is equivalent to about four modern novels, but it remains a fascinating read—even if I found few of the characters to be truly likable.
Like the Victorians themselves, Trollope’s writing style feels to me both old-fashioned and modern at the same time. To read this work today is to discover many similarities between their “now” (circa 1875) and ours.
Some things never change, including the chase for money and status, the societal traditions and prejudices that can be hard to overcome, and the ways lust and greed can upend just about any of our better human impulses.
I picked this novel for this list because it makes an interesting contrast toNorth and South,and not just because they deal with different levels of society (working class vs. “genteel”).
In Gaskell’s book, most of the characters are searching for moral high ground as they try to…
'Trollope did not write for posterity,' observed Henry James. 'He wrote for the day, the moment; but these are just the writers whom posterity is apt to put into its pocket.' Considered by contemporary critics to be Trollope's greatest novel, The Way We Live Now is a satire of the literary world of London in the 1870s and a bold indictment of the new power of speculative finance in English life. 'I was instigated by what I conceived to be the commercial profligacy of the age,' Trollope said.
His story concerns Augustus Melmotte, a French swindler and scoundrel, and his…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.
It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
I have loved the world of Sherlock Holmes and the Victorian era ever since I first read A Study in Scarlet at age nine. Despite life getting in the way, I never lost my love for the character and the period. I continue to read both to this day. The five books I mention below are five that have stayed with me over the years. I hope you enjoy the books as much as I do.
I really loved the way this book told the story of London across the Victorian era. I often call London my spiritual home, and books about the city always capture my attention. Each chapter covers a separate topic, such as the Middle Class, Buildings, Amusements, etc., with interesting stories for each one.
I love the book as it is the sort I can pick up if I only have a few minutes to read.
Like her previous books, this book is the product of the author's passionate interest in the realities of everyday life - and the conditions in which most people lived - so often left out of history books. This period of mid Victorian London covers a huge span: Victoria's wedding and the place of the royals in popular esteem; how the very poor lived, the underworld, prostitution, crime, prisons and transportation; the public utilities - Bazalgette on sewers and road design, Chadwick on pollution and sanitation; private charities - Peabody, Burdett Coutts - and workhouses; new terraced housing and transport, trains,…
Short stories suit the speed of modern society. I began writing them as a child and began to get them published in magazines. My first collection of stories in 2009 got quite a lot of press in the UK and two more collections followed. Initially, they were darkly-themed backfiring scenarios for the anti-hero and I redressed the balance in Out on Top. We all deserve some good Karma!
This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have…
Charles Dickens (1812-1870) was an English short story writer, dramatist, essayist, and the most popular novelist to come from the Victorian era. He created some of the most iconic characters and stories in English literature, including Mr. Pickwick from "The Pickwick Papers", Ebenezer Scrooge from "A Christmas Carol", David Copperfield, and Pip from "Great Expectations", to name a few. Dickens' began by writing serials for magazines, and from 1833-1836 he used the pseudonym Boz, taken from a childhood nickname for his younger brother. "Sketches by Boz" contains 56 stories and, like most of Dickens' work, vividly portrayed the lives of…
I am by no means an expert on the Victorian era, but I am most certainly passionate – I have written seven novels set in this period and have researched different aspects of the social, domestic, and gender-related issues for each of those books. The Victorian era is such a fascinating time – from the huge differences in money and class, to the beginnings of women starting to initiate (or maybe even demand) change with the first murmurings of women’s suffrage and, of course, the Married Women’s Property Act 1882. Rich in storytelling possibility and the opportunity to bring societal, gender, and sexual issues to the fore, I find writing in the Victorian period immensely exciting.
This book was recommended to me by a friend who knew I liked books set in the Victorian era. However, at the time, I had not read any books set in a music hall and certainly not a mystery. This book takes the reader deep into the underbelly of Victorian London and introduces a whole cast of eerie characters as well as some wonderful characters with hearts of gold.
The descriptions of the places our heroine is forced to visit are so exquisitely drawn that I could literally taste, smell, hear and see everything. The charm of Kitty and her friends gives a welcome reprieve from the darker aspects of the novel, yet it is those aspects that thrill the most!
Limehouse, 1880: Dancing girls are going missing from 'Paradise' - the criminal manor with ruthless efficiency by the ferocious Lady Ginger. Seventeen-year-old music hall seamstress Kitty Peck finds herself reluctantly drawn into a web of blackmail, depravity and murder when The Lady devises a singular scheme to discover the truth. But as Kitty's scandalous and terrifying act becomes the talk of London, she finds herself facing someone even more deadly and horrifying than The Lady.
Bold, impetuous and blessed with more brains than she cares to admit, it soon becomes apparent that it's up to the unlikely team of Kitty…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.
Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.
As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may…
