Here are 95 books that Chairing the Academic Department fans have personally recommended if you like
Chairing the Academic Department.
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The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When I received tenure in 1990, I bought this book for myself as a gift.
I thought that now that my university, at the time Ohio State, had agreed to invest in me, I should think more seriously about the idea of a university. I enjoyed it tremendously. It is lively, colorful, and witty. Written by the former dean of arts and sciences at Harvard, the book offers a wide-ranging overview of the American university.
Even if some of the statistics are dated, this book remains one of the most appealing introductions to, and overviews of, the American research university.
A view of America's colleges and universities and how they are run, the challenges they face and the issues that affect their "owners" - students, faculty, alumni, trustees and others. Among the issues covered are tenure, the admission process in elite institutions and curriculum.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When I became a dean, I bought a few books on being a dean, and for some time, even after my term ended, continued to follow the literature.
Most such advice is commonsensical, but one needs to be reminded of common sense. The Academic Deanship offers a thoughtful and often wise account of the broader responsibilities and daily work of deans. Chairpersons, who work closely with deans, might also benefit from its perspectives.
A deanship is now seen as more of a phase in an overall academic career than as a permanent shift from teaching to administration. In fact, the nature of the job itself has changed, as has the range of likely options at the end of a dean's tenure. This book serves as a guide for the aspiring or new dean, offering practical advice on how to approach the interview process and the new job, as well as providing a thoughtful assessment of the deanship in its wider context. The authors-both experienced academic deans at a variety of institutions-encourage the new…
The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When I became a dean in 1997, much of my serious reading moved from my discipline to higher education.
It made sense to me that the differences between chairperson, dean, provost, and president had more to do with demands on one’s time than the kind of work one needs to do, and indeed, I learned much from this book, which makes the case for strong and charismatic leadership.
While it is among the most compelling books on presidential leadership and its possible impact on a campus, much of the advice is transferable to persons in less senior positions.
Koch and Fisher have updated and expanded the latter's highly respected 1984 book, Power of the Presidency. In Presidential Leadership, the authors explore the transformational style of leadership in greater depth. This theory is based on a strong, charismatic university president who leads and transforms the university through the power of his or her own vision for the future. The provocative arguments offered throughout the book are based both on empirical studies and on the authors' personal experiences as university presidents. Chapters on total quality management, presidential spouses, and fund raising are new to this edition, as are 11 appendixes…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When you enter higher administration, you need a vision and you need the people and resources to realize that vision.
Most books for chairpersons and deans are about vision and about hiring and mentoring faculty and staff, but how to garner resources is perhaps the area that is addressed the least. I found this book helpful as an initial guide.
Basically, it offers a comprehensive account of academic fundraising, with practical advice and detailed examples from academic leaders and senior development professionals. The introduction and first two chapters provide a superb introduction for persons new to academic fundraising.
Successful Fund Raising is a compilation of essays by university presidents and chief advancement officers who share their fundraising successes and demonstrate the importance of a team effort among the campus chief executive officer, the trustees, and the senior staff officer in charge of the advancement program. The authors discuss how the advancement function is integrated into an institution's ongoing planning process, as well as the respective roles and responsibilities of key players in this process. The contributing authors also share specific information about their advancement programs, including their goals, strategies, and tactics. The successful programs covered in this book…
I hold degrees in history and social science with a focus on women’s history at the turn of the century. I’ve studied the hysteria pandemic and its lasting results for over a decade. As someone who struggles with depression, anxiety, and the effects of psychological abuse, I find I know these women all too well. As a writer, I’ve been inspired by other classic gothic novels like Wuthering Heights by Emily Bronte, The Haunting of Hill House by Shirley Jackson, and The Bell Jar by Sylvia Plath. In addition to writing novels, I’m also a blogger and marketing consultant in southern California where I live with my blind dog, Mr. Magoo.
Similar to Mas’ work, McGinnis paints a disturbing picture of how medicine treated “hysterical” women in unregulated asylums. The main character in this crime drama is remarkably sane considering the tortures she escapes when a detective recognizes how she can assist his search for a true madman. I especially enjoyed the juxtaposition of criminal psychology with the nonsense used to diagnose the women in the asylum. The delicious suspense and mysteries that follow keep you turning the pages for hours.
Mindy McGinnis, the acclaimed author of Not a Drop to Drink and In a Handful of Dust, combines murder, madness, and mystery in a beautifully twisted gothic historical thriller perfect for fans of novels such as Asylum and The Diviners as well as television’s True Detective and American Horror Story.
Grace Mae is already familiar with madness when family secrets and the bulge in her belly send her to an insane asylum—but it is in the darkness that she finds a new lease on life. When a visiting doctor interested in criminal psychology…
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
Rather than focusing on historical archives, this book is based on years of face-to-face research in and with urban Indigenous communities. Deftly describing the urban politics of identity, Jacobs provides insights into the ways in which Indigenous people manage senses of self and community in the twenty-first-century city.
Contemporary accounts of urban Native identity in two pan-Indian communities
In the last half century, changing racial and cultural dynamics in the United States have caused an explosion in the number of people claiming to be American Indian, from just over half a million in 1960 to over three million in 2013. Additionally, seven out of ten American Indians live in or near cities, rather than in tribal communities, and that number is growing.
In Indigenous Memory, Urban Reality, Michelle Jacobs examines the new reality of the American Indian urban experience. Drawing on ethnographic research conducted over two and a…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.
Dawn Powell is one of the most overlooked literary figures in America from this time. Her acid wit (and gender) immediately begs comparison to Dorothy Parker. A New Yorker transplanted from Ohio, she wrote many plays and novels from the 30s to the 60s. Wicked Pavilion was published in 1954 and is a delicious satire of a group of artists who frequent a small bistro near Washington Square Park – hard-drinking writers, poets, and painters. It features a hilarious subplot of a painter who stages his own death so the value of his paintings will increase. The antidote to Henry James, Dawn Powell writes like Edith Wharton on laughing gas.
The “Wicked Pavilion” of the title is the Café Julien, where everybody who is anybody goes to recover from failed love affairs and to pursue new ones, to cadge money, to hatch plots, and to puncture one another’s reputation. Dennis Orphen, the writer from Dawn Powell’s Turn, Magic Wheel, makes an appearance here, as does Andy Callingham, Powell’s thinly disguised Ernest Hemingway. The climax of this mercilessly funny novel comes with a party which, remarked Gore Vidal, “resembles Proust’s last roundup,” and where one of the partygoers observes, “There are some people here who have been dead twenty years.”
When I was little, I would draw for hours, captivated by the female experience. Art, film, and literature focused on women’s lives have always felt the most compelling to me. Whether it’s gazing at a woman painted centuries ago, watching a film about a woman navigating her time, or reading a book that delves into her inner world, I’m drawn to their stories. Their complexities and imperfections are often what I love most. This lifelong fascination has shaped my career. Whether illustrating fashion, designing book covers, or authoring my own books, the emotions and experiences of female characters inspire me, fuel my creativity, and remind me of the power and importance of their stories.
It’s devastating to reconcile a world that could treat anyone, especially children, the way Pecola Breedlove is treated in The Bluest Eye. The cruelty of racism and oppression, both historical and ongoing, feels unbearable to confront. The idea that worth, beauty, and love could be tied to a single, narrow ideal is profoundly heartbreaking. I want to reach through the pages, take Pecola in my arms, and tell her she is beautiful, that her self-worth is inherent, and free her from the horrors she endures.
Throughout the book, I yearn for someone in her world to lift her up, hold her, and tell her it will be okay. But they, too, are trapped in cycles of pain and suffering. Morrison’s writing is unflinchingly honest and achingly beautiful, taking me to a raw, vulnerable place where pain demands confrontation.
This book captures the depth of human experience, reminding me that…
Read the searing first novel from the celebrated author of Beloved, which immerses us in the tragic, torn lives of a poor black family in post-Depression 1940s Ohio.
Unlovely and unloved, Pecola prays each night for blue eyes like those of her privileged white schoolfellows. At once intimate and expansive, unsparing in its truth-telling, The Bluest Eye shows how the past savagely defines the present. A powerful examination of our obsession with beauty and conformity, Toni Morrison's virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterised her writing.
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
This book is the first in a strong series about another woman pressed into a “man’s job” when her husband, the sheriff, is murdered. The streets of Lily Ross’s town in 1920s Ohio may seem bucolic at first, even cozy. But Montgomery delves deep into the vicious side of small towns.
I grew up in some mean streets in Ohio, which is why I picked up the book, and this series made me believe they ain’t changed much. And you gotta admire a woman who takes on vicious killers and corrupt authorities in between raising kids and canning tomatoes. By the way, the book is based on a true historical person. You can look it up.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” ―Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever
Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel Ross, the town’s widely respected sheriff, is killed while transporting a prisoner, she is devastated and vows to avenge his death.
Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died, and begs to speak with him about her missing daughter.
From miles away but worlds apart, Lily and Marvena’s lives collide as…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I live in a small town in rural Maine. My land has a farm pond, big pine trees, fields, and a crabapple orchard that blooms every spring. The air smells wonderful, and the night sky is big and mysterious. It is also less than five miles from the biggest commercial landfill in Maine, owned by the largest waste management company in the world. This landfill takes garbage not only from Maine but from many other states. In 1989, it was the site of a catastrophic landfill collapse. This has made me appreciate books that address the complexities of environmental activism and that remind me how we are all living on this same fragile planet.
I felt Mayo Cornelius Higgins's connection to the land he and his family live on deep in my heart.
It's something I feel about the land I live on, and I recognize how the smells, sounds, sights, and history of a place can become part of your soul. It's a book I've reread many times, and I always see something new in it.
Discover this transcendent middle grade masterpiece about a young black boy whose quiet rural live in the Appalachian Mountains begins to change—winner of the Newbery Medal, the National Book Award, and the Boston Globe–Horn Book Award.
Mayo Cornelius Higgins sits on his gleaming, forty-foot steel pole, towering over his home on Sarah’s Mountain. Stretched before him are rolling hills and shady valleys. But behind him lie the wounds of strip mining, including a mountain of rubble that may one day fall and bury his home.
M.C. dreams of escape for himself and his family. And, one day, atop his pole,…
