Here are 100 books that The Wicked Pavilion fans have personally recommended if you like
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I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.
As perfectly tragic as one of his Jazz Age characters, Fitzgerald drank himself to death before finishing this novel which in my opinion, could have been his best. Like Gatsby, Monroe Stahr is an eloquent, rich, and isolated character, pining for a mysterious woman. He is a hugely successful movie mogul in the golden age of Hollywood, and Fitzgerald’s contempt for the studio system’s treatment of writers is here on full satirical display. The sparse prose sparkles with diamond-like harshness and clarity as the doomed love affair plays out. I’m sure it's his least known novel since it is technically “unfinished,” but most editions publish Fitzgerald’s unfinished future chapters, his pass at the ending as well as his notes and outlines, making this a master class in novel writing.
F. Scott Fitzgerald died in 1940 before he finished this novel. This text purges the printers' errors and editorial interventions that have appeared in previous editions. The tragic centre of the book is film producer Monroe Stahr, who sees film as art, rather than a money-making device.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.
John O’Hara’s name should be spoken in the same breath as Fitzgerald, Steinbeck, and Hemingway. Maybe it isn’t, because he never had that one homerun book that stood out in the canon, like a Gatsbyor a Grapes of Wrath. Though I think Butterfield 8 and Appointment in Samarastand up to either of the above, I have chosen this collection of short stories. He wrote more short stories for the New Yorker than anyone ever did and is credited with inventing that particular style that the periodical became known for. Each of these stories – all short and fast as an uppercut – shows the flawed humanity striving in the city from the 30s to the 60s – from ad men to secretaries, to bums and soda jerks. With his trademark crackling dialogue, this collection of gritty Americana will leave you feeling like you are standing…
'Superb... These thirty-two stories inhabit the Technicolor vernaculars of taxi drivers, barbers, paper pushers and society matrons... O'Hara was American fiction's greatest eavesdropper, recording the everyday speech and tone of all strata of mid-century society' Wall Street Journal
John O'Hara remains the great chronicler of American society, and nowhere are his powers more evident than in his portraits of New York's so-called Golden Age. Unsparingly observed, brilliantly cutting and always on the tragic edge of epiphany, the stories collected here are among O'Hara's finest work, and show why he still stands as the most-published short story writer in the history…
I’m Professor of History at Colorado State University Pueblo and have published eight books, mostly about the history of food. After encountering Up in the Old Hotel for the first time during the early 1990s, I started reading New York City history in my spare time.The Fulton Fish Market: A History is my way to blend my expertise with my hobby. Each of these books are beautifully written, informative, and fun. If you’re interested in the history of New York City and you’re looking for something else to read, I hope you’ll find my book to be the same.
Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets.
To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
As a lifelong New Yorker and author of two books about drinking in the city—New York Cocktails and Drink Like a Local New York—these are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some “deep cuts” New York City appreciation books that you should also get to know.
This novel of interconnected stories is a fascinating snapshot of life in 1920s New York City.
Considering that it was written in 1925, Dos Pasos does an incredible job of representing different backgrounds and classes as they move through the city with one another. It shows how one can’t exist in such a setting on the highest levels of society without the help of people who make up the fabric of the rest of the town.
Encountering day-to-day strangers in the city won’t feel the same after reading this book. Plus, it takes place during Prohibition from a real time perspective, showing that the “Roaring Twenties” were more of a yelp.
'My literary hero is John Dos Passos' - Adam Curtis (filmmaker)
'A modernist masterpiece, capturing ... the fragmented lives it sketches, in a dazzling kaleidoscope of New York City in the 1920s' Christopher Hudson, Evening Standard
'Dos Passos has invented only one thing, an art of story-telling. But that is enough to create a universe' Jean-Paul Sartre
'The best modern book about New York' D.H. Lawrence
A modernist masterwork that has more in common with films than traditional novels, John Dos Passos' Manhattan Transfer includes an introduction by Jay McInerney in Penguin Modern Classics.
Raised by activist feminist parents and schooled by Quakers, I am surprisingly amusing. Eartha Kitt once held my left hand for five minutes. I work primarily as a playwright; Not a Cat is my first children’s book! Now when I show up at a little kid’s birthday instead of bringing a play I wrote, I can give the tot age-appropriate reading material. For me, reading a memoir is this intimate exchange with a writer where they’ve shared everything, and I’ve revealed nothing. What’s better than a good story beautifully curated? Okay, a cookie, but that’s it. I hope my book reaches all the kids out there who are told: be less this and more that.
This one is a true outlier, because I don’t know Brian Broome, but after reading his incredible memoir, I wish I did because he’s an amazing human and a wonderful storyteller. His book is dealing with blackness, queerness and the expectations surrounding black manhood and his struggle to reject violence in favor of love and ultimately, of self-love as well. I haven’t seen him up close, but in photos, he totally looks super pretty, so he has that in common with every one of these authors. I loved his book and can’t wait for his next.
WINNER OF THE KIRKUS PRIZE • A NEW YORK TIMES NOTABLE BOOK • A NEW YORK TIMES EDITORS' PICK • NAMED A BEST BOOK OF THE YEAR BY PUBLISHERS WEEKLY, KIRKUS REVIEWS, LIBRARY JOURNAL, AMAZON AND APPLE BOOKS • A TODAY SUMMER READING LIST PICK • AN ENTERTAINMENT WEEKLY BEST DEBUT OF SUMMER PICK • A PEOPLE BEST BOOK OF SUMMER PICK
A raw, poetic, coming-of-age “masterwork” (The New York Times) about Blackness, masculinity and addiction
“Punch Me Up to the Gods obliterates what we thought were the limitations of not just the American memoir, but the possibilities of the…
The first twenty-five years of my life appeared to be atypical for an inner-city African American boy from a large family. Only a small number of children were bused to more “academically advanced” schools. I earned that honor by frequently running away from the local school. Overcoming the challenges of being a minority in a demanding, predominantly Jewish, school district eventually benefited me greatly. In the early 1970s, my parents did something unprecedented for a working-class African American family from Queens: They bought an old, dilapidated farmhouse in Upstate New York's dairy country as a summer home. What other unusual life experiences that impact people of color have taken place on the American tapestry?
Without deliberately seeking to preach or teach, this book educates its readers about the depths of the struggles faced by children raised in the absence of loving adults. Coping mechanisms and resilience led Antwone Fisher to acquire his dreams. Unfortunately, many who have been in a foster care system never find themselves.
Baby Boy Fisher was raised in institutions from the moment of his birth in prison to a single mother. He ultimately came to live with a foster family, where he endured near-constant verbal and physical abuse. In his mid-teens he escaped and enlisted in the navy, where he became a man of the world, raised by the family he created for himself.
Finding Fish shows how, out of this unlikely mix of deprivation and hope, an artist was born -- first as the child who painted the feelings his words dared not speak, then as a poet and storyteller who…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject.
What about writers more like me? In this book, an Ohio small-town banker turned Union volunteer describes race relations not as Delaney thought they should be but as they were in Union armies commanded by officers who were often anti-Black as well as anti-slavery. It made me feel I was there.
Beatty was a sort of good Union man—no politics at the start of the war, but Radical (Republican) politics at the end of it.
When Southerners fired on Fort Sumter in April 1861, John Beatty left his bank job in Ohio to answer President Lincoln's call for soldiers. Within a short while he was commanding the Third Ohio Volunteer Infantry Regiment, as green to combat as his men. The diary he kept from June 1861 to January 1864 shows how well they did their fearful job without losing their humanity.
In October 1862 the Ohio regiment lost nearly forty percent of its five hundred men on the field at Perryville. After heavy fighting at Stone's River the following year, Beatty was promoted to brigadier…
I have a passion for the theme of building self-esteem and finding self-identity at middle and high school age because I taught secondary English for 30 years. So many of my students struggled with this issue; reading novels about kids with similar situations offers a way for readers to help themselves work out their own problems. I deliberately chose both recent and classic novels with a wide variety of protagonists, settings and plots, each with a unique author voice to show how universal the need to build self-esteem can be. My own novel, Eaglebait, is another strong novel with a similar theme.
Angie’s life is a mess. Her mother constantly taunts her as “Fat Angie.” High school classmates torment her as a “crazy, mad cow,” when she tries to slit her wrists in a high school assembly. Her heroic sister goes MIA during the Iraq War; her older brother treats her badly. Angie just wants to make it through each day until a beautiful new student arrives and befriends her, seeing the hidden beauty in Angie. I was revolted by Angie’s abusive family life and angry at the peer bullying. Where were school authorities? I was relieved when a warm friendship allowed Angie to become happy on her own. Though it seems extreme, I’ve occasionally observed similar situations among my students; the novel is horrifyingly realistic, but it moves in a positive fashion to its end.
Her sister was captured in Iraq, she’s the resident laughingstock at school, and her therapist tells her to count instead of eat. Can a daring new girl in her life really change anything?
Angie is broken — by her can’t-be-bothered mother, by her high-school tormenters, and by being the only one who thinks her varsity-athlete-turned-war-hero sister is still alive. Hiding under a mountain of junk food hasn’t kept the pain (or the shouts of “crazy mad cow!”) away. Having failed to kill herself — in front of a gym full of kids —…
My first memoir, Overlay, has been called “the very best teenage suicide prevention tool ever created” for which I am eternally grateful. I've been told that it's a miracle I survived my childhood at all, but I don't take credit or satisfaction in that statement. Instead, I've aspired to understand what it is that gives some of us the grit that allows us to power through the unfathomable. Voraciously reading similar stories from my fellow authors continues to inform me that we all have the power to push through the pain of a disadvantaged childhood. Whether it's an inner light, luck, fate, a higher power or some combination of some or all of the above, I don't know. I do know that the children like me who grew up to tell their story with the hope of helping others deserve a read. And sometimes, a good cry.
You think you had a tough childhood? Meet Tim Green. Born blue into an uneducated, poor, and incestuous family in 1950s Ohio, it's a wonder this child lived at all. However, grit and forces of luck arrived to meet Tim when he needed help. Luck involved the right policemen, care workers, social workers, and foster parents. Grit involved the resolve of Tim himself.
Like Frank McCourt, Tim Green learned early to look on the bright side of life. You'll read the most shocking things you can imagine in this book that will leave you shaking your head at the things people will do. But Tim maintained the idea that not only was he worth something, but so was everyone around him. He learned how to forgive, and that was his rocky path to the fabulous life he lives today. This book is LGBTQ positive.
"This is a book that should be read while alone, to your friends, to a congregation of survivors of abuse – in other words, it should be read by everyone. Sensitive and honest, gain a new perspective on being alive by infusing Tim’s words into your mind. Highly recommended." Hall of Fame Top 50 Reviewer, Grady Harp
ANOTHER HILL AND SOMETIMES A MOUNTAIN is the powerful testimony of Tim Green's determination to rise above his beginnings ... despite the sting of abandonment and the dark secrets surrounding his birth family. In his painful yet at times wry memoir, Green recounts…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When I became a chairperson at Ohio State the year after I received tenure, I found this book on my desk, a gift from the provost, presumably sent to all new chairpersons.
The book had a good bit of practical advice on a wide range of subjects, and I have held on to my copy, even though I have long since moved on to other positions. The chapter on “Faculty Evaluation” was particularly helpful to me when for the first time I had to evaluate colleagues and recommend salary adjustments.
Third edition of a handbook for the academic administrator promoted from the faculty ranks with little administrative skill or know-how. Provides an depth examination of the typical duties and responsibilities of a department chair that covers an awful lot of ground: from curriculum management to co