Books like Carry On

Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.

I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.

It is difficult to imagine a more adverse childhood experience than growing up in a refugee camp.

In 2016 and 2017, I was privileged to spend some time working with children and families in a refugee camp in North France. The living conditions were very difficult, with regular food shortages, ill health, uncertainty, and ever-present danger. However, I was continually amazed by the resilience, creativity, generosity, and humour shown by the children, even in the face of such difficulties.

When Stars Are Scattered is a beautiful children’s book that tells the true story of Omar and his brother Hassan as they grow up in a Kenyan refugee camp. Filled with beautiful illustrations and thoughtful insights into daily life in the camp, this book exemplifies hope in the face of adversity. 

I loved the language in this novel-in-verse and the valuable insights from an “outsider” experiencing American culture.

As a refugee fleeing war-torn Syria, Jude, the main character, finds one of the only places she feels safe and accepted is in her class for English learners. The example of her teacher, Mrs. Ravenswood, shows how sometimes one person can’t change the world, but they might change the world for one person. It made me think about how small things I do and say impact people around me. 

I’m a big fan of picture books for older readers that tackle tough subjects. Before I read Mexique, I knew nothing about the 456 Spanish children who were sent to Mexico by ship to escape the Spanish Civil War in 1937. Yet, what I love about this book is how it goes beyond the historical facts to share the truth of the story in a moving and memorable way. The lyrical narrative is written in 1st person from the perspective of a child on the ship. And, the artwork, based on actual photographs, with its child-like style, somber colours, and graphic-novel style panels is stunning. You feel like you’re on the journey with the children. Waiting and wondering when you can return home. 

I received this handsome hardcover book as a gift, and I’ve been entertained and educated every time I’ve opened it.

It contains over 1,000 entries and 300 visuals that not only depict notable Nova Scotians but also scandals, newsworthy events, and celebrations. I’ve been inspired by some of the daily entries to research them further, which has enhanced my three novels that are set in Nova Scotia.

The Canadian Connection is an expose of the mafia in Canada and its implications for international crime operations. It was first published in French in the mid-1970s and immediately went on to become a national bestseller. There was a time in Quebec when you couldn’t turn the page of a newspaper without seeing an ad with an order form urging you to buy this “Shocking! Chilling!” book that revealed “Names! Dates! Locations!” Jean-Pierre Charbonneau is today considered one of the godfathers of Quebec writings on organized crime. The Canadian Connection is largely forgotten in English-speaking Canada and widely unknown to the rest of the world. It is essential reading for anyone with an interest in the history of the mafia, and connections to the New York Five Families of organized crime. 

This raw, experimental, poetic, and challenging graphic memoir began as an exploration of the work of artist/writer Tove Jannson (the creator of the Moomin novels and comics), but Julie Delporte goes well beyond the confines of criticism or biography to examine deep and difficult questions of gender and the challenge of creating a space to exist as a woman in a world haunted by the legacy of traumas past and present. Delporte’s colored pencil artwork is disarming in its beauty and simplicity, and her spare, intimate insights will stay with you for years to come. An essential read for our times.

This book has a premise that resonates with me, rooted in my belief that at birth, we are handed a suitcase that someone else packed.

A haunting, heartbreaking drama, the novel follows a mysterious WWII mail-order bride who assumes a dead woman's identity to immigrate to Canada. After she gives birth, she abandons her daughter, leaving behind only a diary.

When I came across Richler’s novel, I was stunned to find echoes of my own novel’s plot. Richler’s daughter—in search of her missing mother—is an achingly poignant reminder of the power exerted by buried family secrets and mother-daughter bonds gone awry, a theme that will always draw me in. 

That’s right, a cookbook. Julian Armstrong was the long-time food editor for The Montreal Gazette, Quebec’s largest English-language newspaper. I lean heavily on this book to re-connect with my French heritage. What I love about A Taste of Quebec is its economy – one page, a short description, a list of ingredients with measurements, and a small insert telling you where the recipe originated and a little about that region. That’s it, on to the next page. Unlike online recipes – which can be convenient – there are no ads or long narratives about the author’s personal and complicated relationship with fennel. 

Canadians have long worried about their national identity. Indeed, some have considered whether or not there even is one.

Poulter, in her innovative and stimulating book, examines an early attempt in the mid-nineteenth century to create an imagined Canadian identity. Wishing to distance themselves from a quintessential “British” identity, second-generation Montreal Anglophones were searching for a new way to identify. They saw themselves as “native Canadians”.

To solidify this identity, they pursued, as Poulter explained, “national attributes, or visual icons, that came to be recognized at home and abroad as distinctly “Canadian.’” It meant, in practice, taking up propriate costumes and sports such as snowshoeing, tobogganing, winter hunting, and lacrosse. All of these activities – undertaken in sartorially correct attire – had previously been the preserve of the Indigenous and French Canadians. Here, was an Englishness reimagined on a frozen landscape.

By imposing perceived British attributes of order, discipline, and… show more.