Books like Big Little Lies

My passion for whimsy is assuredly the result of my mama’s efforts to cultivate an environment where imaginative play and creativity were nurtured. I was raised on a steady diet of whimsical children’s literature—green eggs and ham in a box with a fox, pots of hunny with a silly old bear, and forbidden radishes with a naughty rabbit. As I grew up, I drank raspberry cordial with bosom friends and sipped tea with a fawn I met by a lamppost. Now, I’m still drawn to whimsy of all sorts because along with imaginative scope, I find it also broadens one’s joy. May these books bring you much joy, dear reader! 

I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.

I spent my childhood treading the Aravalli jungles with my naturalist father, catching snakes and spinning yarns and I learnt early that the most dangerous creatures are rarely the ones with fangs. My father, Raza Tehsin, raised me with the rational approach of solving any mysteries that I came across—whether in nature or otherwise. I grew up to become a writer. Across my twenty-odd published books, from nature writing to my historical mystery novel The Witch in the Peepul Tree, I have experimented with form and genre across age groups and remained fascinated by mysteries. My latest, The Fourth Girl, is a psychological thriller about three friends and the girl who vanished from their lives. 

I was born and raised in Nyack, New York, and all of my degrees are from colleges and universities in New York. I have always been interested in race relations in America and understanding their causes and consequences. Hope and despair are two themes that run through the experiences of people of African ancestry in America. The books I selected include fiction and nonfiction works that highlight promises made and promises unfulfilled.

I moved around non-stop as a kid, attending a dozen schools by age eleven. As a result, once I stayed put long enough to make real friends, I stuck to them like glitter glue. As a reader and writer, I can’t get enough stories about female friendships, whether rock-solid or fraying. My latest novel involves childhood friends whose loyalty is stretched like a pair of latex gloves yanked off at a crime scene. The book grew out of a meme I saw on Facebook, captioned: “Real friends help you hide the bodies”. My first thought was: who would I help? Straight off, I thought of my oldest friends.

I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.

I spent my childhood treading the Aravalli jungles with my naturalist father, catching snakes and spinning yarns and I learnt early that the most dangerous creatures are rarely the ones with fangs. My father, Raza Tehsin, raised me with the rational approach of solving any mysteries that I came across—whether in nature or otherwise. I grew up to become a writer. Across my twenty-odd published books, from nature writing to my historical mystery novel The Witch in the Peepul Tree, I have experimented with form and genre across age groups and remained fascinated by mysteries. My latest, The Fourth Girl, is a psychological thriller about three friends and the girl who vanished from their lives. 

Growing up in theatre, I was completely immersed in plays, which tend to be deep dives of the human psyche, and I latched on to those examinations like a dog with a bone. I’ve always loved the complexities of the human mind, specifically how we so desperately want to believe that anything beautiful, expensive, or exclusive must mean that the person, place, or thing is of more value. But if we pull back the curtain, and really take a raw look, we see that nothing is exempt from smudges of ugliness. It’s the ugliness, especially in regard to human character, that I find most fascinating. 

I have been fascinated with people’s minds since probably my second psychology class in college. It was when I heard a professor say that all creatives were crazy. I argued that one with her. You don’t have to be creative to be crazy; trust me on this, I was right. Yes, many gifted people are borderline, and there really are savants in this world, but I truly believe they are rare. So, I have studied and been up close and personal with people who have psychological issues. I’ve also met some fascinating people who have managed to become successful. Others, not so much.

I've been reading romance since I was a teenager; historical, modern, fantasy, you name it, I devoured it. Give me all the books with epic love stories, will they or won’t they, and happily ever afters. Although I didn’t tell anyone besides my mom about my writing for years, I can’t remember a time when I wasn't crafting my own love stories. In my books, I like to keep my readers guessing and challenge assumptions about people and what love can accomplish. The best romance stories include heartbreak and misunderstandings along the way, but that makes the endings that much sweeter. Happy Reading XO