Here are 100 books that Through the Looking-Glass fans have personally recommended if you like
Through the Looking-Glass.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a child, one of my favorite places was in the top branches of a tree. From up there I could watch the world pass by, remaining invisible. I could make up stories about the world below and no one would challenge me. The second best place for me was inside the story of a book, the kind that took you to magical places where children always found a way to win the day. I knew when I “grew up” I would write one of those empowering books. I became a middle school teacher and have since read many wonderful books for this age. Enjoy my list of favorites.
For me, Mary’s abandonment by the adults around her, came close to home. I rooted for her to free her soul. It was the beauty of the garden and the gentle robin that first melted the ice around her heart by connecting her with nature.
Then along came Dickon, who had grown up deeply connected with the earth and inspired her further, and finally Colin, who, like her, had been neglected. They healed each other as they revitalized the garden, experiencing the joys of mother earth.
It reinforced my own faith in mother nature, who also supported me whenever I grappled with my reality.
Rediscover the magical story of Mary Lennox, who arrives in the wild and windswept Yorkshire a sickly and miserable girl - until she discovers a forgotten, Secret Garden.
As Mary works hard to bring the garden back to life, its magic begins to work on her too . . .
This classic and beloved story has been beautifully retold by Claire Freedman and brought to glorious visual life by new illustration talent Shaw Davidson
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I was born in Scotland. I grew up in Scotland. The family house contained no television, but it did contain a vast wealth of books, music and life. As a result, I learned to read at a really young age then set about working my way through my father’s myriad books. Stories, songs and Nature have always been my solace. In addition to being Scottish, the five books on my list are so innovative that they transcend mere words on a page; there’s a lyrical quality to the lines, music in their cadence, and animals (non-human ones – the best kind!) infusing the stories with deeper significance and subtext.
As a kid, I was hooked on the vast wide-open freedom of this story. The notions of hidden treasure maps, buried fortunes, stealthy smugglers and dangerous pirates affected me in profoundly positive ways, stimulating a wanderlust and a love of adventure.
Although Scottish author Robert Louis Stevenson set this swashbuckling tale on the south coast of England and on the elusive “Treasure Island” in the Caribbean, it was inspired by his childhood experiences in Scotland, most notably trips with his dad to rocky islands and promontories (RLS’s father was a lighthouse engineer who designed and built many iconic lighthouses).
When my father took the five-year-old me to The Admiral Benbow en route to a family holiday in Cornwall, I was amazed to find that the inn was a real place. It felt bristlingly alive to me, for this was the same inn where Billy Bones had lodged with the treasure…
Penguin presents the audio CD edition of Treasure Island by Robert Louis Stevenson.
Following the demise of bloodthirsty buccaneer Captain Flint, young Jim Hawkins finds himself with the key to a fortune. For he has discovered a map that will lead him to the fabled Treasure Island. But a host of villains, wild beasts and deadly savages stand between him and the stash of gold. Not to mention the most infamous pirate ever to sail the high seas . . .
I have a passion for this because I feel that books nowadays focus more on being dark to shock, and while everyone deserves to read what they like, I don’t want people to lose sight of things such as happy endings. There’s enough darkness in the world and reading should make people smile.
This charming YA Fantasy takes you on a whimsical adventure! When Talia Benson, a sweetheart of a teen with a knack for art is swept into a fantastical world far out of her comfort zone, she’s pulled into an adventure like no other! I love this tale because it reminds me of the stories I read growing up! Lighthearted adventures with hopeful outlooks, loveable characters, and an awesome animal sidekick.
Stargazer and artist Talia Benson never wanted an adventure. The titles of student, dutiful daughter, and crazy cat lady suited her just fine. But when she’s swept into an unknown world where sentient animals exist, monsters roam, and angelic beings sway fate, she’s forced to adjust to adventuring as she embarks on a quest to return to her quiet Canadian life.
Jarrett is the best runner in the Nine Realms. Well, maybe not the best, still he’s proud of the reputation he’s built for himself. But with only a squirrel for company during his extensive travels, his social skills have…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I have a passion for this because I feel that books nowadays focus more on being dark to shock, and while everyone deserves to read what they like, I don’t want people to lose sight of things such as happy endings. There’s enough darkness in the world and reading should make people smile.
Another story from my childhood, this tells the tale of the Bastable children, sweet siblings who are searching for treasure to help the father who recently lost everything. Stories about siblings have always piqued my interest as I myself have 3 siblings :) and stories about siblings who treat each other good are often my absolute favorites!
Who knows why, but I have always been enticed by absurdities, paradoxes, incongruities — I use them in my talks, articles, and books — of everyday lives, our humanity, and mysteries of our ‘going on.’ Reflections on being human can be triggered by humour such as Cambridge’sBeyond the Fringe and New York’s sitcom Seinfeld— within which I wallow — as well as by lengthy philosophical works and novels. My work draws on bafflements: for example, shampoo instructions “Lather, rinse, repeat” (making shampoo-ing infinite?); Barmaid to Peter Cook, “Bitter?”, reply being “Just tired”— and Samuel Beckett’s “I can’t go on. I’ll go on.” Yes, I go on.
The title was sufficient to draw me in — for I warm to life’s absurdities, and clowning is one form of absurdity. For decades, I have been actively involved with Humanism, so the absurdities in Clownof the hypocrisies in Catholicism naturally appealed, yet more so were the exposures of hypocrisies in love, relationships, and social and political pronouncements — indeed, in being human. Yes, Catholicism is attacked here, but so, also, Humanity. To quote: “Goodbye,” I said, “and thank you for so much humanity.”
Acclaimed entertainer Hans Schneir collapses when his beloved Marie leaves him because he won’t marry her within the Catholic Church. The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.
Heinrich Böll’s gripping consideration of how to overcome guilt and live up to idealism—how to find something to believe in—gives stirring evidence of why he was such an unwelcome presence in post-War German consciousness . . . and…
Who knows why, but I have always been enticed by absurdities, paradoxes, incongruities — I use them in my talks, articles, and books — of everyday lives, our humanity, and mysteries of our ‘going on.’ Reflections on being human can be triggered by humour such as Cambridge’sBeyond the Fringe and New York’s sitcom Seinfeld— within which I wallow — as well as by lengthy philosophical works and novels. My work draws on bafflements: for example, shampoo instructions “Lather, rinse, repeat” (making shampoo-ing infinite?); Barmaid to Peter Cook, “Bitter?”, reply being “Just tired”— and Samuel Beckett’s “I can’t go on. I’ll go on.” Yes, I go on.
In days of youth, I would have short holidays on Greek Islands and in countries such as Turkey and Egypt. Later, I briefly lectured in philosophy at the University of Khartoum. The atmosphere of those places — the cultures tied to religions, the hazy hot climate, the pace — well, I found those in Justine (set in Alexandria). The book still appeals to bringing out the fluidity of relationships, ways of seeing others, of interpretations. It is the first volume of The Alexandria Quartet; other volumes look at the same events, but through the eyes of other characters.
The Egyptian city of Alexandria once boasted the world's greatest library, home to scholars dedicated solely to the pursuit of knowledge. But on the eve of World War II, the obsessed characters in this mesmerizing novel find that their pursuits lead only to bedrooms in which each seeks to know-and possess-the other.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Who knows why, but I have always been enticed by absurdities, paradoxes, incongruities — I use them in my talks, articles, and books — of everyday lives, our humanity, and mysteries of our ‘going on.’ Reflections on being human can be triggered by humour such as Cambridge’sBeyond the Fringe and New York’s sitcom Seinfeld— within which I wallow — as well as by lengthy philosophical works and novels. My work draws on bafflements: for example, shampoo instructions “Lather, rinse, repeat” (making shampoo-ing infinite?); Barmaid to Peter Cook, “Bitter?”, reply being “Just tired”— and Samuel Beckett’s “I can’t go on. I’ll go on.” Yes, I go on.
I frequently return to Plato and his portrayal of Socrates. The Phaedrus intrigues me. It is a difficult work for piecing together, yet with fascinating thoughts, taking us from rhetoric to erotic love to the search for Beauty, Truth, the Good. What it is to be human continues to baffle me — not least because we often do have a sense of 'going beyond' the mystical. Yes — I do write as an atheist.
Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. This new translation is accompanied by an introduction, further reading, and full notes on the text and translation that discuss the structure of the dialogue and elucidate issues that might puzzle the modern reader.
From a very young age, I always thought that people lived a lie and imposed their values to exert control, turning reality upside down and inside out. For instance, the family is meant to be happy, loving, and safe. But my parents were unloving and heartless towards me. School was meant to give me an education, develop and encourage me to fulfill my dreams and aspirations. But school ridiculed and humiliated me and told me I was stupid. Work was meant to be fulfilling and rewarding. But it was boring, monotonous, and bullying. You see, the truth is, the system is a lie. The reality is, it’s all an illusion.
As a teenager I was struggling to understand the absurdities of life, and then I read Nausea, and found what I was looking for.
This is Sartre’s existential philosophy through fiction. It makes it readable and understandable to the layman and is a compelling psychological study of a breakdown brought on by the absurdity of life. It serves as a panacea when feeling overwhelmed by the fruitlessness of existence, from the absurdity of mortality to the solution to finding a sense of purpose.
It gets into the guts of the mental trauma of questioning anything and everything. Fortunately, there is a way out, and Nausea points the way.
Winner of the 1964 Nobel Prize for Literature, Jean-Paul Sartre, French philosopher, critic, novelist, and dramatist, holds a position of singular eminence in the world of letters. Among readers and critics familiar with the whole of Sartre's work, it is generally recognized that his earliest novel, La Nausee (first published in 1938), is his finest and most significant. It is unquestionably a key novel of the twentieth century and a landmark in Existentialist fiction.
Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogues his every…
I was hooked on brain science from the moment in the 1980s when I saw the first blurry images that revealed the physical markers of thought. I set out to find out all I could about this astonishing new area of discovery, but there was practically nothing to be found – neuroscience as we know it barely existed. I pounced on every new finding that emerged and eventually wrote what was one of the first books, Mapping the Mind, that made brain science accessible to non-scientists. There are hundreds of them now, and these are some of the best.
This is the one to get if you are shipwrecked on a desert island – or forced into another lockdown. Or, for that matter, if you need a doorstop that happens to contain fascinating essays on aspects of brain and mind from Abacus to Wittgenstein. Dip into it for a guaranteed good read or use it as a superior Google when you want to know things like why mirrors only reverse one way or the origin of the phrase “mad as a hatter”. It won’t disappoint.
The Oxford Companion to the Mind,edited by Richard L. Gregory, is a classic. Published in 1987, to huge acclaim, it immediately took its place as the indispensable guide to the mysteries - and idiosyncracies - of the human mind. In no other book can the reader find indiscussions of concepts such as language, memory, and intelligence, side by side with witty definitions of common human experiences such as the 'cocktail-party' and 'halo' effects, and the least effort principle.
Richard Gregory again brings his wit, wisdom, and expertise to bear on this most elusive of subjects. Research into the mind and…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Somehow, electrical impulses shoot through our brains to generate a surround sound, 3D-movie experience of the world. How on earth is this possible? When I was a college student, this question burrowed into my brain and wouldn’t get out. So I decided to make a living thinking about it. Now it’s 20 years later, I’m a philosophy professor at Yale-NUS College, and I still don’t know the answer!
Most things are ultimately explained by physics, but what if consciousness isn't? David Chalmers explores the idea that consciousness can't be explained in terms of bits of matter and energy scattered across spacetime; instead, consciousness is another basic part of the universe.
I’m impressed by how Chalmers’s arguments are extremely rigorous, but he also makes them accessible to ordinary people. It’s no surprise that this has become a classic of recent philosophy.
What is consciousness? How do physical processes in the brain give rise to the self-aware mind and to feelings as profoundly varied as love or hate, aesthetic pleasure or spiritual yearning?
David J. Chalmers unveils a major new theory of consciousness, one that rejects the prevailing reductionist trend of science, while offering provocative insights into the relationship between mind and brain. Writing in a thought-provoking style, Chalmers proposes that conscious experience must be understood as an irreducible entity similar to such physical properties as time, mass, and space that exists at a fundamental level and cannot be understood as the…