Here are 100 books that Life of the Mind fans have personally recommended if you like
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As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
This is a book of essays about the act of looking, especially looking at photographs and paintings and animals and other people. Thus these are essays about history, memory, suffering, beauty, and the self. Berger had a generous spirit; he wrote often about the lives of peasants and spent the last forty years of his life in rural France. Berger gazed upon the world in all its forms with composure and curiosity.
As a novelist, essayist, and cultural historian, John Berger is a writer of dazzling eloquence and arresting insight whose work amounts to a subtle, powerful critique of the canons of our civilization. In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
Who among us has never felt shame? Who has never felt one’s spirit crushed? I myself have returned for relief from that periodic loss of inner spirit to this brave, unsentimental memoir of the ravages on Lucy Grealy’s face of a disease that condemned her to a punishing self-loathing.
Reading this boldly unabashed memoir of conquering shame, of finding an “inner eye” (and inner life) that could come to see as beautiful what the seeing eyes of the world saw only as ugly, I have felt buoyed by the possibility of reclaiming your own true self against the ravages of a hostile world.
"Grealy has turned her misfortune into a book that is engaging and engrossing, a story of grace as well as cruelty, and a demonstration of her own wit and style and class."—Washington Post Book World
“It is impossible to read Autobiography of a Face without having your consciousness raised forever.” – Mirabella
In this celebrated memoir and exploration of identity, cancer transforms the author’s face, childhood, and the rest of her life.
At age nine, Lucy Grealy was diagnosed with a potentially terminal cancer. When she returned to school with a third of her…
What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
One of the few true geniuses in sociology, he lifted the field up into new and innovation dimensions. If there were a Nobel Prize in sociology, he would most likely get it, followed by the three people above (Merton, Mills, and Gouldner). I knew him well. He could walk into a room and an hour later tell you all the power plays, conflicts, and inside dope.
Some of his terms have entered our language: front-stage, back stage (meaning what goes on in front of an audience, meaning your social interactions) are different from what goes on backstage, behind the scenes, kind of like a play. His book, Stigma, is used in many fascinating ways; not just someone blind or disfigured but also a Black person, a gay person, or a hippy; but mostly he shows in terrifying ways, how people hide or cope with their “stigma”—the subtitle tells it all…
One of the defining works of twentieth-century sociology: a revelatory analysis of how we present ourselves to others
'The self, then, as a performed character, is not an organic thing ... it is a dramatic effect'
How do we communicate who we are to other people? This landmark work by one of the twentieth century's most influential sociologists argues that our behaviour in social situations is defined by how we wish to be perceived - resulting in displays startlingly similar to those of actors in a theatrical performance. From the houses and clothes that we use as 'fixed props' to…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
A short, powerful investigation of how we construct and succumb to the lies of gender. Chu explores our fears of desire and how we allow politics to corrupt identity, believing gender to be so constructed that it can only be given and not created. Female is a quality we all carry, whatever label we use. Chu forces the reader to look in the mirror with a question instead of a statement, always uncertain about who that person really is.
So begins Andrea Long Chu's genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Drawing inspiration from a forgotten play by Valerie Solanas-the woman who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential…
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I like to think that I inherited much of this from my analytical “algebraic” mother, who was a nurse and tended to our family finances, and my holistic “geometrical” father, who was a carpenter. It’s probably no accident that my double major in college was in physics and philosophy...and, down the line, that I should develop a focused interest in human brain laterality, where the division between analysis and holism is so prominent.
A comprehensive account by a pioneer of the discipline.
This book provides an overview of the relatively new discipline (in 1975) of “cognitive science,” so much so that I wondered whether I should have switched over from philosophy (I did not). It displays the breadth and depth of the discipline, which convinced me that one could no more be an expert in cognitive science in general than an expert in physics in general, biology in general, or philosophy in general.
This book is certainly a must-read for anyone interested either in the discipline itself or even in a corner of it, such as human brain laterality. (Be sure to see “hemispheres” in the index of this book.)
As a clinical psychologist, I listen to thoughts all the time. I’m also having my own, constantly. We rely on our thoughts to help us navigate the world. However, our thoughts can also be a source of suffering. At times, they're not such reliable guides or helpers. Acceptance and Commitment Therapy (ACT) is a way of thinking about thinking. ACT captured my imagination early in my clinical career. I trained with ACT’s originator, Steven Hayes, in the early 1990’s. I’ve come to believe that being more aware of our own thoughts, and our relationship to them is key to creating positive change and living a life grounded in our values.
In this witty and provocative book, psycholinguistics researcher Steven Pinker explores the role of language in shaping our experience of reality.
Human-style thinking would not be possible without our capacity for language. Thoughts are basically internal language. Among the basic experiences shaped by linguistics is our experience of time.
We use language to construct a spatial metaphor for time, thinking in terms of “moving” “forward” or “backward” in time. Pinker takes us for a walk around the metaphorical space of consciousness, examining how language shapes our experience of the world.
The Pulitzer Prize finalist author of The Blank Slate presents an accessible study of the relationship between language and human nature, explaining how everything from swearing and innuendo to prepositions and baby names reveal facts about key human concepts, emotions, and relationships.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a journalist, lawyer, and writer, I've been thinking and writing about state regulation of sexuality for 20 years. Political writing about sex can easily fall into orthodoxy; whether conservative or liberal, each side has its expected talking points. When I began investigating ways of thinking about public displays of sexuality in Park Cruising, I returned to the cache of sex-positive writing of the 1980s and 1990s. Some of it was invigorating, and some stale. So I sought out new writing about sex and sexuality, and I was richly rewarded. These books are just the tip of the iceberg; there's a feast of contemporary writing and thinking. So much to think through and explore!
I spent a lot of the last year pressing The Right to Sex into the hands of my smartest friends.
This book tackles some of the thorniest issues in sexual politics today, teasing out the seeming contradictions in feminist thought on campus sexual assault investigations, the Me Too movement, incels, and more. It’s compulsively readable; I was hooked from the first essay.
“Laser-cut writing and a stunning intellect. If only every writer made this much beautiful sense.” —Lisa Taddeo, author of Three Women
“Amia Srinivasan is an unparalleled and extraordinary writer—no one X-rays an argument, a desire, a contradiction, a defense mechanism quite like her. In stripping the new politics of sex and power down to its fundamental and sometimes clashing principles, The Right to Sex is a bracing revivification of a crucial lineage in feminist writing: Srinivasan is daring, compassionate, and in relentless search of a new frame.” —Jia Tolentino, author of Trick Mirror: Reflections on Self Delusion
I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.
I think this little book is invaluable for its portrayal of power, not as power over others or as power to do something but as power with other people.
It took me a long time to appreciate this insight, and I still think there is a lot to disagree with and dislike about Arendt’s work in general, but I am indebted to her argument that human power is rooted in solidarity.
Political theorist, philosopher, and feminist thinker Hannah Arendt's On Violence is an analysis of the nature, causes, and significance of violence in the second half of the twentieth century. The public revulsion against violence and nonviolent philosophies continues to diminish in the twenty-first century. In this classic and still all too resonant work, Hannah Arendt puts her theories about violence into historical perspective, examining the relationships between war and politics, violence and power. Questioning the nature of violent behavior, she reveals the causes of its many manifestations, and ulitmately argues against Mao Zedong's dictum "power grows out of the barrel…
I am a male feminist, internationally renowned sociologist, and recognized expert on gender identity, men and masculinities, and international education. During my thirty-five-year career, I have published twenty books and numerous book chapters and articles. I am a co-creator of the concept of toxic masculinity. I am the creator of the concept of total inclusivity and co-creator of the concept of totally inclusive self-love. My passion and desire for gender justice and an end to male oppression and violence, especially against women and girls, has been the single biggest drive for all my research and writings.
Don’t say you’re not a feminist until you’ve read this brilliant book.
70 years ago, Simone de Beauvoir kick-started the gender revolution with her iconic, insightful analysis of how men perceive and relate to women and vice versa.
The book is, however, not written in a strident or angry style but hopeful–mostly. Indeed, not until 30 years after publication did de Beauvoir personally adopt the feminist label, even though she managed to write what is arguably the greatest feminist text ever. De Beauvoir aimed to empower women by waking them up to the realities of being the (inferior) ‘Other’ to men.
As de Beauvoir shows, gender identities are laden with myths but also the power to persuade, oppress, and enslave. Only by removing these myths from the mind and imagination can women achieve true freedom. An inspirational book for every thinking person–and as important today as it was…
The essential masterwork that has provoked and inspired generations of men and women. “From Eve’s apple to Virginia Woolf’s room of her own, Beauvoir’s treatise remains an essential rallying point, urging self-sufficiency and offering the fruit of knowledge.” —Vogue
This unabridged edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as when it was first published, and will continue to provoke and inspire generations of men and women to come.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I spent my childhood in the shadow of my father’s mental illness, forced to grapple with its mysteries before I possessed the tools to do so. In other words, I lived the ignorance that surrounds mental illness. This experience led me to study psychiatry, its foibles and tragedies, both past and present. Now, I am a professor of sociology at the University of New Mexico, where I spend my days thinking and writing about mental health and illness. I am working on a new book about the current crisis in community mental health.
Most of us seek out history with an eye to the present. In this book, Allan Horwitz explains the emergence of our current brand of psychiatry. Sometimes called “biomedical psychiatry,” this is the psychiatry of the DSM and ever-rising rates of mental health diagnoses, of Prozac and psychopharmaceutical drugs, of chemical imbalances and neurological accounts of mental disorders.
Horwitz shows how the shift to this present was driven not by science but by professional crisis. In the 1970s, besieged by critics and exposés of their failings, psychiatrists ditched the Freudian-inspired psychodynamic model for one that emphasized diagnosis and medication. But the science was always dubious, and the upshot of this shift is a culture awash in psychiatric diagnoses for seemingly everything.
In this timely and provocative critique of modern psychiatry, Allan V. Horwitz examines current conceptions of mental illness as a disease. He argues that this notion fits only a small number of serious psychological conditions, and that most conditions currently regarded as mental illness are cultural constructions, normal reactions to stressful social circumstances, or simply forms of deviant behavior. According to Horwitz, the formulation of mental illness as disease benefits various interest groups, including mental health researchers and clinicians, prescriptive drug manufacturers, and mental health advocacy groups, all of whom promote disease-based models. Presenting case studies in maladies such as…
