Here are 100 books that All Write fans have personally recommended if you like
All Write.
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I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
This book is a masterwork of more than thirty years of research into why people tell stories. Booker breaks down literature into seven archetypal themes which occur across all types of stories. Using a wealth of examples ranging from ancient myths and folktales to plays and novels of great literature to the popular movies and TV soap operas of today, he demonstrates how these archetypal themes have remained constant over the generations. Not everyone will agree with Booker, but everyone will learn from him—about reading, writing, and understanding. This fascinating read provides writers with a new way to look at their own plotting and tap into the hero’s journey.
This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
Smiley classifies and defines the novel and provides a primer of supportive instructions to the struggling writer. She explores the reasons why some novels succeed and some don’t. She provides the reader with a list of 100 books she has read, from thousand-year-old texts to recent bestsellers, offering her own insights and assessments of each work. Smiley provides a glimpse into the creative process and gives writers and readers new ways to be aware of what goes on between the lines. This book contains important and joyful advice for aspiring writers and is a gift to lovers of literature.
From the Pulitzer Prize-winning author of A Thousand Acres comes an essential guide for writers and readers alike: an exhilarating tour through one hundred novels that "inspires wicked delight.” —Los Angeles Times Book Review
From classics such as the thousand-year-old Tale of Genji to fiction by Zadie Smith and Alice Munro, Jane Smiley explores the power of the form, looking at its history and variety, its cultural impact, and just how it works its magic. She invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft, and offering priceless advice to aspiring…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
This title is unique among books on writing in that Prose devotes a full chapter to eight critical elements of writing: words, sentences, paragraphs, narration, character, dialog, details, and gesture. For example, she explores concepts such as first sentences and their impact on the narrative. Prose suggests that “close reading” is the key to understanding and learning about literature, for the reader and writer. She takes her readers on a guided tour of the tools and the tricks of the masters―Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov―and discusses why these writers have endured. Throughout, she cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. One of the most important books on writing I have ever read.
In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and tricks of the masters to discover why their work has endured. Written with passion, humour and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart - to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; to look to John le Carre for a lesson in how to advance plot through…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
Now in its tenth edition, this book is for committed writers only. A highly valuable textbook on the writing process, Burroway covers story form, plot, structure, building character, place, and setting, and takes a detailed look at point of view. Each section comes with examples of how things do and do not work, as well as providing a list of suggested readings and writing prompts for further study. This book is a master class in creative writing that also calls on us to renew our love of storytelling and to celebrate the skill of writing well.
A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels-inside or outside the classroom.
This new edition continues to provide advice that is practical, comprehensive, and flexible. Burroway's tone is personal and nonprescriptive, welcoming learning writers…
Ever since I first read Alvin Schwartz’s Scary Stories to Tell in the Dark, I have been enamored of all things weird and creepy—so much so, in fact, that when I grew up, I started writing my own weird, creepy things! As a writer, I am drawn to horror that is shaped by its characters’ inner worlds, stories that explore the monsters in our heads, as well as our closets. The books on this list will haunt me for years to come. I hope that they will haunt you, too.
The premise of this book is amazing—a therapist brings a group of horror movie-style survivors together for a therapeutic experiment—but the execution is even better. I love the natural and inevitable way that Gregory links his characters’ stories and the empathy with which he explores their psychological (and physical) scars.
There is a lot in this book that is grim, but there is also a lot of hope. Maybe none of us are completely fine, but none of us are completely broken, either.
World Fantasy Award Winner Shirley Jackson Award Winner
Harrison was the Monster Detective, a storybook hero. Now he’s in his mid-thirties and spends most of his time popping pills and not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by unreadable messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. Martin never takes off his sunglasses. Never.
No one believes the extent of their horrific tales, not until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these seemingly-insane outcasts form a support group? Together…
I am the former Principal bassist with the Cincinnati Symphony and am currently active as a soloist, educator, and author of three books on the mind, body, and spirit of music. My first book is about the mind, The Inner Game of Music, followed by The Mastery of Music on the human spirit of over 120 great musicians and Bringing Music to Life exploring physical skills of communication of all artists, actors, and dancers. I hope to inspire artists of all disciplines, that our performances come from our hearts and souls and not the technical form of dance, music, or words. Performers express feelings and use this gift to spread inspiration and joy to the world.
A Soprano on Her Head was inspired by W. Timothy Galley’s Inner Game of Tennis book, applying these principles to musical performance and creativity. It is a wonderful anecdotal collection of delightful experiences in playing any instrument, dancing, or singing with the inner freedom that all artists long for. The book is as much about learning from your own experience, the creative process, and harnessing these tools as they could apply to music performance, teaching, and learning. She explores nervous energy and stress through insight and common sense. Her stories make an effortless and delightful read filled with applicable knowledge and skills for daily living.
Eloise Ristad deals here with complex problems which torment and cripple so many of our most creative and talented people, and she does so with compassion, wisdom, and wit. The problem of stage fright, for instance, is a suffering of epidemic proportions in our society, and involves modalities of thought and projections that rob spontaneity and enthusiasm in artistic performance.
Those interested in creative education have long felt that an entirely new, holistic and nurturing process of allowing individuals to discover and express themselves is needed if our educational system is to avoid the…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
My therapy history spans half a dozen therapists over forty years, while my education in neuroscience gives me a deeper understanding of how our brains work. I recently suffered a retraumatization, an awakening of deeply buried memories of sexual abuse. I immediately sought a new therapist with the intention of rebooting my brain. Through a strong one-on-one connection with my therapist and a lot of hard work, we eventually managed the re-boot. Additionally, resolving to bring my story into the light was a major game changer. Louis Brandeis said, “Sunlight is said to be the best of disinfectants.” These authors helped me to let the sunshine in.
I feel less like the hard parts of my life and my story are too horrible to share, thanks to Catherine Gildiner’s powerful stories of her clients’ intense traumas. If therapists can help clients like Gildiner’s recover then there is hope for me too.
I love that she offers readers a “fly on the wall” perspective into the revelations and insights that come to light in a therapist’s office. In doing so, she opened a space for me to consider the ways I may relate to some of the clients’ experiences but, more importantly, the therapeutic advice Gildiner provides.
As seen on Good Morning America's SEPTEMBER 2020 READING LIST and FAVORITE BOOKS OF 2020!
"We need to read stories about folks who have been through hell and kept going... Fascinating." ―Glennon Doyle, A Favorite Book of 2020 on Good Morning America
"Gildiner is nothing short of masterful―as both a therapist and writer. In these pages, she has gorgeously captured both the privilege of being given access to the inner chambers of people's lives, and the meaning that comes from watching them grow into the selves they were meant to be." ―Lori Gottlieb, New York Times bestselling author of Maybe…
As a performance psychologist, I’ve spent my career supporting high-performers on their path toward mastery. I founded Finding Mastery, a high-performance psychology consulting agency. Our primary focus is helping leaders, teams, and organizations solve the most dynamic and complex human performance challenges.
I have always found profound inspiration in the teachings of Carl Rogers, who I consider a philosophical mentor.
His principle of 'unconditional positive regard' resonates deeply with me, both personally and professionally. This concept emphasizes the importance of offering unwavering support and acceptance to another person, which I believe is crucial in discovering, revealing, and unlocking the beauty and potential that lies just beneath the surface of conscious awareness.
A landmark book offering a therapist's perspective on psychotherapy—a must-read for anyone interested in clinical psychology or personal growth.
Carl Rogers, founder of the humanistic psychology movement, revolutionized psychotherapy with his concept of "client-centered therapy." His influence has spanned decades, but that influence has become so much a part of mainstream psychology that the ingenious nature of his work has almost been forgotten. New discoveries in the field of psychopharmacology, especially that of the antidepressant Prozac, have spawned a quick-fix drug revolution that has obscured the psychotherapeutic relationship. As the pendulum slowly swings back toward an appreciation of the therapeutic…
As a trauma therapist and dedicated researcher, I love uncovering valuable insights within lesser-known books. There are hidden gems, free from the pressure of commercial success, crafted by authors deeply committed to research, understanding, and the art of writing itself. Their dedication resonates with me, as I believe in the profound value of information and the power of critical thinking. Through my own book, Traumatization and Its Aftermath, I aim to emphasize that psychological concepts often lose their depth in translation and my mission is spreading awareness and fostering a deeper understanding of trauma and its intricate facets. With that idea in mind, I chose these five titles.
Shame is often more traumatizing than we realize, and there hasn't been enough exploration of its connection to prolonging the impact of initial traumatic events. In my first book, I dedicated an entire section to shame, and it was this work that significantly aided in delving deeper into its various forms and consequences.
This book's ability to distinguish between shame and guilt is particularly enlightening. While it may not be the most enjoyable read, it was undoubtedly a valuable reference for me when I needed to develop a better understanding of this crucial aspect of trauma.
Includes inter-relational, intra-relational, emotion focused and somatic approaches to this work.
Includes session transcripts that discuss both what's happening within the patient psychologically and neurobiologically, and between patient and therapist
Provides guiding principles, concepts, and attitudes when working with shame and pride in relational trauma, regardless of theoretical orientation of reader.
I have been researching and writing about the history of psychedelics for two decades. I am a professor of History and Canada Research Chair in the History of Health and Social Justice at the University of Saskatchewan. I became utterly inspired by the many different psychedelic projects that fascinated researchers across disciplines, regions, and world views. These psychoactive substances have been fodder for deep studies of consciousness, dying, mysticism, rituals, birthing practices, drug policy, Indigenous rites, mental illness, nursing, how to measure and give meaning to experience… the list goes on. To study psychedelics is to surrender yourself to endless curiosity about why things are the way they seem to be. The books on this list are just the tip of the iceberg in a diverse conversation that is erupting on this topic.
Kay Parley is a remarkable woman. Her book takes readers through her amazing life and the diverse experiences she encountered in an effort to make sense of her family history of psychiatric illness, her own institutionalization, and later her role as a psychiatric nurse and psychedelic guide. Against contemporary medical advice, Parley took LSD in Saskatchewan with Frances Huxley (Aldous’ nephew), and in this book, she explains how it gave her insights into her own excursions into madness and how to be a gentle guiding force for others who experienced disorientation, whether through illness or through mind-altering drugs.
"A revelatory account of the importance that psychiatric treatment and research from the 1950s has for mental health today." Jean Freeman, author of Fists upon a Star Before she became a psychiatric nurse at "The Mental" in the 1950s, Kay Parley was a patient there, as were the father she barely remembered and the grandfather she'd never met. Part memoir, part history, and beautifully written, Inside The Mental offers an episodic journey into the stigma, horror, and redemption that she found within the institution's walls. Now in her nineties, Parley looks back at the emerging use of group therapy, the…
