Here are 100 books that The Seven Basic Plots fans have personally recommended if you like
The Seven Basic Plots.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
Smiley classifies and defines the novel and provides a primer of supportive instructions to the struggling writer. She explores the reasons why some novels succeed and some don’t. She provides the reader with a list of 100 books she has read, from thousand-year-old texts to recent bestsellers, offering her own insights and assessments of each work. Smiley provides a glimpse into the creative process and gives writers and readers new ways to be aware of what goes on between the lines. This book contains important and joyful advice for aspiring writers and is a gift to lovers of literature.
From the Pulitzer Prize-winning author of A Thousand Acres comes an essential guide for writers and readers alike: an exhilarating tour through one hundred novels that "inspires wicked delight.” —Los Angeles Times Book Review
From classics such as the thousand-year-old Tale of Genji to fiction by Zadie Smith and Alice Munro, Jane Smiley explores the power of the form, looking at its history and variety, its cultural impact, and just how it works its magic. She invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft, and offering priceless advice to aspiring…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
This title is unique among books on writing in that Prose devotes a full chapter to eight critical elements of writing: words, sentences, paragraphs, narration, character, dialog, details, and gesture. For example, she explores concepts such as first sentences and their impact on the narrative. Prose suggests that “close reading” is the key to understanding and learning about literature, for the reader and writer. She takes her readers on a guided tour of the tools and the tricks of the masters―Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov―and discusses why these writers have endured. Throughout, she cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. One of the most important books on writing I have ever read.
In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and tricks of the masters to discover why their work has endured. Written with passion, humour and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart - to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; to look to John le Carre for a lesson in how to advance plot through…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
Now in its tenth edition, this book is for committed writers only. A highly valuable textbook on the writing process, Burroway covers story form, plot, structure, building character, place, and setting, and takes a detailed look at point of view. Each section comes with examples of how things do and do not work, as well as providing a list of suggested readings and writing prompts for further study. This book is a master class in creative writing that also calls on us to renew our love of storytelling and to celebrate the skill of writing well.
A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels-inside or outside the classroom.
This new edition continues to provide advice that is practical, comprehensive, and flexible. Burroway's tone is personal and nonprescriptive, welcoming learning writers…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
A writing group provides invaluable help for aspiring writers. I participated in a group for several years, which helped me hone my first two manuscripts that were then published as the start of the Billy Boyle WWII mystery series.
All Write focuses on how to organize a group and includes tips on writing and constructive critiquing. Mandel, with her background as a writer, copyeditor, writing group member, and psychotherapist, offers concrete how-to advice on how to maximize the effectiveness of a writing group for all members. This book is packed with writing tips, lessons, and group exercises that can be immediately put to work.
All Write teaches you how to organize a writing group and includes tips on writing and constructive critiquing. Mandel, with her background as a writer, copyeditor, writing group member, and psychotherapist, offers concrete how-to advice on how to maximize the effectiveness of a writing group for all members. This book is packed with writing tips, lessons, and group exercises that can be immediately put to work.
INCLUDING:
writing tips
writing lessons
and group exercises
Well-done, concise, organized. I could have used these chapters as a lesson plan for my high school writing classes. —J. Ellis
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
The Herd presents the experiences of two mothers – friends – on the subject of childhood immunisation.
The dual narrative takes you inside their thoughts and feelings and I love the fact that the author doesn’t guide you to pick a side. Through the characterisation, and the clever use of other voices, you are presented with all the facets of a complex debate.
At times, their reactions to the circumstances in this story are heartbreaking. It reminded me that there are always two sides to an argument and that it’s important that both sides are heard.
'It is hard to imagine a more timely novel. A fascinating exploration of all sides of a particularly knotty, politicized issue.' Jodi Picoult
'Will have book clubs across the country in hot debate! Brilliant.' Clare Mackintosh
****
You should never judge how someone chooses to raise their child.
Elizabeth and Bryony are polar opposites but their unexpected friendship has always worked. They're the best of friends, and godmothers to each other's daughters - because they trust that the safety of their children is both of their top priority.
But what if their choice could harm your own child?
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
One of my favorite plays. Set in an English country house across two centuries, it tells the story of Thomasina Coverly, a precocious schoolgirl in 1809 who falls in love with her eccentric tutor, Septimus Hodge.
Along the way she discovers a version of the 2nd law of thermodynamics – the fact that everything over time becomes messier. Because of sex, she jokes, apart from anything else. Byron makes a brief appearance and Stoppard manages to make him almost as witty on the stage as he was in life.
It’s a very funny, very clever play, but also incredibly moving, as a brilliant young woman briefly sees the world opening up to her remarkable understanding, before life gets in the way.
In a large country house in Derbyshire in April 1809 sits Lady Thomasina Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the window may be seen some of the '500 acres inclusive of lake' where Capability Brown's idealized landscape is about to give way to the 'picturesque' Gothic style: 'everything but vampires', as the garden historian Hannah Jarvis remarks to Bernard Nightingale when they stand in the same room 180 years later.
Bernard has arrived to uncover the scandal which is said to have taken place when Lord Byron stayed at Sidley Park.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Most people have not heard of a female playwright before Aphra Behn so I’ve been passionate about restoring the work of Shakespeare’s ‘sisters’, or female contemporaries, to the stage and to public awareness. Early play scripts by women are often dismissed as ‘closet drama’: unperformed, not written for performance, and unperformable. To challenge such assumptions, I staged productions of female-authored plays, most recently Wroth’sLove’s Victory. A good deal of writing about women’s drama now exists, including my book Playing Spaces.I have made this selection to encourage you to discover the plays for yourselves. I hope you enjoy reading, and perhaps watching or acting, them.
This book gives an excellent introduction to women’s involvement in theatre in the age of Shakespeare by making 6 of their texts easily available for the first time.
It publishes Queen Elizabeth I’s translation of a section by Seneca; The Tragedy of Antony(1595), a translation of a French play about Antony and Cleopatra by Mary Sidney Herbert, (aunt to Lady Mary Wroth).
It also publishes three original plays by women: Elizabeth Cary’s The Tragedy of Mariam(1613), The Concealed Fancies(1645), by the sisters Elizabeth Brackley and Jane Cavendish, and a valuable edition of Love’s Victory (but in a short section on p. 122 misprints the order of pages in the manuscript).
Cupid’s Banishment(1619) by Robert White is an entertainment, written to be performed by schoolgirls.
Renaissance Drama By Women is a unique volume of plays and documents. For the first time, it demonstrates the wide range of theatrical activity in which women were involved during the Renaissance period. It includes full-length plays, a translated fragment by Queen Elizabeth I, a masque, and a substantial number of historical documents. With full and up-to-date accompanying critical material, this collection of texts is an exciting and invaluable resource for use in both the classroom and research. Special features introduced by the editors include: * introductory material to each play * modernized spellings * extensive notes and annotations *…
I’ve been a writer since I was fourteen (possibly before that) and I’ve been an official freelance proofreader/copyeditor since 2019. I’ve published over thirty books and proofread or copyedited over sixty-two manuscripts as of this writing. I’ve garnered enough experience in both fields to, at least, be considered.
Another excellent book about plot and the importance of making sure you have a good one. The difference between a good plot and a great plot is a bestseller. If you want your story’s plot to speak of mastery, do not miss out on reading this insightful book. Add it to your personal library for good measure. It’s always a good idea to have it there, so you can reference it in the future even after finishing it.
Discover how to create stories that build suspense, reveal character, and engage your audience with this ultimate guide to writing.
When it comes to writing bestsellers, it's all about the plot. Trouble is, plot is where most writers fall down-but you don't have to be one of them. With this book, you'll learn how to create stories that build suspense, reveal character, and engage readers-one scene at a time.
Celebrated writing teacher and author Martha Alderson has devised a plotting system that's as innovative as it is easy to implement. With her foolproof blueprint, you'll learn to devise a successful…
I have spent my working life as a journalist, author and storyteller, aiming to uncover complexity that sheds new light on stories we think we know. I got my training at the Wall Street Journal and the New York Times—and from the wonderful editors of my twelve books. An Innocent Bystander, my book that deals with the Middle East, began as the story of a hijacking and a murder of an American citizen. But as my research widened, I came to see this story couldn’t be told without understanding many perspectives, including the Israeli and the Palestinian, nor could the political be disentangled from the personal.
Oslo is a theatrical rendering of the behind-the-scenes negotiations that led to the Oslo Accords in 1993.
This Tony-Award-winning play takes a perhaps unreasonably optimistic view of potential peace. Nor will reading (or better yet, seeing) this play satisfy a serious researcher’s desire for historic detail. But it lays out the emotional stakes with humanity and humor, not qualities one usually dares to associate with the conflict in the Middle East.
Winner of the 2017 Lucille Lortel Award for Outstanding Play
Winner of the 2017 New York Drama Critics Circle Award for Best Play
“Oslo is a wonderful and moving work that portrays how real diplomacy works. The play shows us what can happen when men and women on opposite sides of what is perceived as an intractable divide strive to create a shared humanity.” – Ban Ki-moon, former Secretary-General of the United Nations
“A disarmingly funny masterpiece.” – Huffington Post
“So human and so funny. Oslo is gripping, compelling, and compulsively…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love this book because Beneatha Younger’s insatiable curiosity about the world beyond the South Side of Chicago propels her to make important decisions about her life. It drives her right into the arms of a man (Asagai) willing to be alongside her as she explores. Beneatha’s audaciousness inspires me.
"Come to A Raisin in the Sun as you would to any classic. It speaks to us today as it did almost half a century ago." Bonnie Greer
In south side Chicago, Walter Lee, a Black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. His mother, who rejects the liquor business, uses some of the money to secure a proper house for the family. Mr Lindner, a representative of the all-white neighbourhood, tries to buy them out. Walter sinks the rest of the money into his business scheme,…