Here are 100 books that The Seven Basic Plots fans have personally recommended if you like
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I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
Smiley classifies and defines the novel and provides a primer of supportive instructions to the struggling writer. She explores the reasons why some novels succeed and some don’t. She provides the reader with a list of 100 books she has read, from thousand-year-old texts to recent bestsellers, offering her own insights and assessments of each work. Smiley provides a glimpse into the creative process and gives writers and readers new ways to be aware of what goes on between the lines. This book contains important and joyful advice for aspiring writers and is a gift to lovers of literature.
From the Pulitzer Prize-winning author of A Thousand Acres comes an essential guide for writers and readers alike: an exhilarating tour through one hundred novels that "inspires wicked delight.” —Los Angeles Times Book Review
From classics such as the thousand-year-old Tale of Genji to fiction by Zadie Smith and Alice Munro, Jane Smiley explores the power of the form, looking at its history and variety, its cultural impact, and just how it works its magic. She invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft, and offering priceless advice to aspiring…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
This title is unique among books on writing in that Prose devotes a full chapter to eight critical elements of writing: words, sentences, paragraphs, narration, character, dialog, details, and gesture. For example, she explores concepts such as first sentences and their impact on the narrative. Prose suggests that “close reading” is the key to understanding and learning about literature, for the reader and writer. She takes her readers on a guided tour of the tools and the tricks of the masters―Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov―and discusses why these writers have endured. Throughout, she cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. One of the most important books on writing I have ever read.
In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and tricks of the masters to discover why their work has endured. Written with passion, humour and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart - to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; to look to John le Carre for a lesson in how to advance plot through…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
Now in its tenth edition, this book is for committed writers only. A highly valuable textbook on the writing process, Burroway covers story form, plot, structure, building character, place, and setting, and takes a detailed look at point of view. Each section comes with examples of how things do and do not work, as well as providing a list of suggested readings and writing prompts for further study. This book is a master class in creative writing that also calls on us to renew our love of storytelling and to celebrate the skill of writing well.
A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels-inside or outside the classroom.
This new edition continues to provide advice that is practical, comprehensive, and flexible. Burroway's tone is personal and nonprescriptive, welcoming learning writers…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
A writing group provides invaluable help for aspiring writers. I participated in a group for several years, which helped me hone my first two manuscripts that were then published as the start of the Billy Boyle WWII mystery series.
All Write focuses on how to organize a group and includes tips on writing and constructive critiquing. Mandel, with her background as a writer, copyeditor, writing group member, and psychotherapist, offers concrete how-to advice on how to maximize the effectiveness of a writing group for all members. This book is packed with writing tips, lessons, and group exercises that can be immediately put to work.
All Write teaches you how to organize a writing group and includes tips on writing and constructive critiquing. Mandel, with her background as a writer, copyeditor, writing group member, and psychotherapist, offers concrete how-to advice on how to maximize the effectiveness of a writing group for all members. This book is packed with writing tips, lessons, and group exercises that can be immediately put to work.
INCLUDING:
writing tips
writing lessons
and group exercises
Well-done, concise, organized. I could have used these chapters as a lesson plan for my high school writing classes. —J. Ellis
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
The Herd presents the experiences of two mothers – friends – on the subject of childhood immunisation.
The dual narrative takes you inside their thoughts and feelings and I love the fact that the author doesn’t guide you to pick a side. Through the characterisation, and the clever use of other voices, you are presented with all the facets of a complex debate.
At times, their reactions to the circumstances in this story are heartbreaking. It reminded me that there are always two sides to an argument and that it’s important that both sides are heard.
'It is hard to imagine a more timely novel. A fascinating exploration of all sides of a particularly knotty, politicized issue.' Jodi Picoult
'Will have book clubs across the country in hot debate! Brilliant.' Clare Mackintosh
****
You should never judge how someone chooses to raise their child.
Elizabeth and Bryony are polar opposites but their unexpected friendship has always worked. They're the best of friends, and godmothers to each other's daughters - because they trust that the safety of their children is both of their top priority.
But what if their choice could harm your own child?
I’m a Shakespeare scholar with a particular interest in theatre history and the repertories of the London commercial playing companies of the late-sixteenth and early-seventeenth centuries. I’m particularly fascinated by the hundreds of plays written during this period that have not survived, whether as the result of fire, vandalism, censorship, or more mundane causes like a lack of interest in or opportunity for publication. The surviving plays from the period are the distinct minority; yet the plays lost to us were known to Shakespeare and his contemporaries, who often wrote in response to what else was being performed across London.
Not all archival work entails Indian Jones-style quests for hidden treasures; Steggle’s book—written at a crucial point when digital databases such as Early English Books Online and Google Books were accessible but rarely utilised to their maximum capabilities—proved how much crucial knowledge is hiding in plain sight. Steggle used a variety of search strategies to solve cruxes and mysteries that have plagued theatre historians for centuries, recovering the subject matter of lost plays that scholars routinely ignored on account of their opaque titles and scant evidence.
This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays' authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I’m a recovering ambassador, now running an Oxford college. After almost 25 years in diplomacy, including working in no 10 for three prime ministers, I realised that education is upstream diplomacy. If we are to find a way through the challenges ahead – from climate change to pandemics and economic crisis to artificial intelligence – we must act, urgently, to upgrade why, what, and how we learn. I set out to ask hundreds of the most inspirational people on the planet what they wished they had known, and what they would share with the next generation if this was their last day.
A book of immense humanity and authenticity, which reminds us of how the great themes of great literature and art can offer solace and guidance in moments of fragility. By helping us go back to Shakespeare with less insecurity or baggage, the book opens up new perspectives on how others have grappled with these questions about how to be human. And it reminds us that we are allowed to question, challenge, and have fun.
'The best introduction to the plays I've read, perhaps the best book on Shakespeare, full stop' Alex Preston, Observer
'It makes you impatient to see or re-read the plays at once' Hilary Mantel
A genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of.
But it doesn't really tell us the whole truth. So much of what…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
I also love Eliot’s poetry (and his comments on the creative process) because of how different they are from Wordsworth’s—and equally profound. In essays including Tradition and the Individual Talent, Eliot argues that keeping your poetry “personal” artificially limits your material. And I think he’s right: some of my own best poems come from imagining my way into someone else’s mind.
Eliot’s own poetry, including The Love Song of J. Alfred Prufrock, illustrates the value of this approach in how it crafts its titular character. Eliot can also write deeply intellectual poems like The Waste Land that transcend purely “personal” concerns by exploring history and that repay many re-readings. In addition to their thematic richness, Wordsworth’s and Eliot’s poems are also beautifully musical.
An indispensable collection of the Nobel Prize winner's most renowned works
“In ten years’ time,” wrote Edmund Wilson in Axel’s Castle, “Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English.” In 1948, Eliot was awarded the Nobel Prize “for his work as a trail-blazing pioneer of modern poetry.”
This book is made up of six individual titles: Four Quartets, Collected Poems: 1909–1935, Murder in the Cathedral, The Family Reunion, Old Possum’s Book of Practical Cats, and The Cocktail Party. It offers not only enjoyment of one of the great talents…
Most people have not heard of a female playwright before Aphra Behn so I’ve been passionate about restoring the work of Shakespeare’s ‘sisters’, or female contemporaries, to the stage and to public awareness. Early play scripts by women are often dismissed as ‘closet drama’: unperformed, not written for performance, and unperformable. To challenge such assumptions, I staged productions of female-authored plays, most recently Wroth’sLove’s Victory. A good deal of writing about women’s drama now exists, including my book Playing Spaces.I have made this selection to encourage you to discover the plays for yourselves. I hope you enjoy reading, and perhaps watching or acting, them.
This modern edition gives readers a sample plays by the remarkable Margaret Cavendish, who privately published 2 volumes of plays in 1662 and 1668 though many were probably written earlier.
I find her plays fascinating for the ways they deal explicitly with women’s experiences in love, in war and in marriage.
In this selection Love’s Adventures Parts I and IIfeatures a cross-dressing heroine in pursuit of her intended husband;Bell In CampoParts I and II, dramatizes the experience of a superheroine leading an army, while The Bridals and The Convent of Pleasuresatirize love and marriage.
I love The Convent of Pleasure’s depictions of same-sex retreat and desire. Cavendish’s witty prefaces on the difficulties of writing plays for a woman are included as appendices to Shaver’s edition.
Margaret Cavendish, Duchess of Newcastle (1623-1673), until recently remembered more as a flamboyant eccentric than as a serious writer, was in fact the most prolific, thought-provoking, and original woman writer of the Restoration. Cavendish is the author of many poems, short stories, biographies, memoirs, letters, philosophical and scientific works (including The Description of a New World, Called The Blazing World, the first work of science fiction by a woman), and nineteen plays. "The Convent of Pleasure" and Other Plays collects four of Cavendish's dramatic works that are among the most revealing of her attitudes toward marriage and her desire for…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My passion for Greek literature began as a child when I was captivated by Greek myths and epic tales. As a student, I became fascinated with tragic revenge plots involving women, especially mothers who kill their children, and since then, I have published extensively on gender and violence in ancient Greek literature and life. I speak modern Greek and love thinking about these topics in traditional Greek folk poetry and literature as well, especially works like Alexandros Papadiamantis’ The Murderess and Pantelis Prevelakis’ The Sun of Death.
Sophocles’ play depicts Electra beautifully, from her bitter mourning for her dead father to her grim determination when she contemplates taking vengeance herself as she believes her brother Orestes is dead. The debate between Electra and her sister Chrysothemis over what they, as women, should do is a high point for me.
This edition features the Victorian translation of Jebb that matches the majesty of Sophocles’ play well and is enjoyable to read. Easterling’s introduction to the scholar’s career and approach is also fascinating.
This is one of the seven plays of Sophocles in the full editions by R.C. Jebb, all of which will be reissued under the BCP imprint. They have occasionally been reprinted but never before in affordable paperback versions. In this set, each volume contains a foreword by P.E. Easterling, concerned with Jebb and his contribution to Sophoclean scholarship; there follows an introduction by a noted Sophoclean scholar dealing with Jebb's treatment of the individual play and its value for - and contrast with - subsequent interpretations, for which a select bibliography is included.
