Here are 100 books that A Small Unsigned Painting fans have personally recommended if you like
A Small Unsigned Painting.
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Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
This
book looks at thieves, liars, manipulators and of course the art itself.
There’s a section on damaged goods, which taps into one of my obsessions about
the difference in time and effort creation versus destruction takes.
It’s
full of pictures, ironic given that most of the pieces depicted are lost, never
to be found. The Gallery of Missing Art is beautifully reproduced, and includes
such masterpieces as Strindberg’s “Night of Jealousy”, so we can look at the
works and marvel. But knowing that these pieces are…somewhere? Hidden away for
a small audience, or perhaps destroyed? That’s heart-breaking.
The masterpieces of art that have been stolen could fill a museum. Museum of the Missing offers readers a rare glimpse of the greatest gallery that never was. Simon Houpt brilliantly recounts the story of its valuable holdings and investigates some of the men and women involved in the thefts. Filled with beautiful illustrations and rarely seen photographs, this intriguing book is also a celebration of the ingenious few who are trying to get these treasures back.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
I am married to an auction veteran and have written on art and antiques in an earlier life so Frayn’s satirical farce hits all the right notes for me. A farce without slamming doors but plenty of misunderstandings and self-inflicted confusion.
Martin Clay, a philosopher turned amateur art historian and art expert, tumbles down the rabbit hole of self-delusion as he convinces himself that a painting he barely glimpsed is a lost Bruegel. He searches countless documents to find the facts that he twists to prove his hunch leading the reader on a deep dive into Dutch political and art history. Moral equivocation, adultery, tax evasion, double-dealing, plot twists and turns—everything a good farce should be.
Headlong begins when Martin Clay, a young would-be art historian, believes he has discovered a missing masterpiece. The owner of the painting is oblivious to its potential and asks Martin to help him sell it, leaving Martin with the chance of a lifetime: if he could only separate the painter from its owner, he would be able to perform a great public service, to make his professional reputation, perhaps even rather a lot of money as well. But is the painting really what Martin believes it to be? As Martin is drawn further into…
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
This
fascinating book not only looks at art stolen by thieves, but also at the
business of art museums and what constitutes moral collection. It was written
in 1973, so things have changes drastically as far as how we perceive where a
treasure belongs, but Meyer already argues for the return of the so-called
Elgin Marbles, for example. He has a brilliant table at the end, listing major
art thefts 1911-1972 and including comments, all of which deserve a story of
their own. For example:
1953,
Rodin bronze, stolen by a student who wanted to “live with it”.
1959,
Daumier painting, in the pocket of a suitcase that was stolen from a
train.
1971,
Titian “Holy Conversation”, recovered after dramatic car chase. Thieves also
drank communion wine.
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Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
I
really love this book and could write an entire short story collection inspired
by it. It’s the first time I heard about the Amber Room, one of those things
that once you know about it, you are obsessed. The authors lead us into caves,
through basements, across borders, as they track down the pathways of stolen
treasures. The book tells us about the provenance of missing artworks, and what
it means to have that space on the wall.
All
of these books have an element of ‘the missing wall’ about them and perhaps
that’s one of the things that fascinates me the most about the subject.
Sometimes what isn’t there is more meaningful than what is.
Just as Nazi Germany appropriated works of art - paintings, sculptures and antiques - from all over Europe in 1939 and 1940, so the Soviet army set up "trophy brigades" to transport the same works of art, and many more, to Moscow and Leningrad in 1945. This book by two Russian art historians sets out to reveal how they did this and what happened to these works of art. With the end of the Soviet Union, many of these stolen works are now likely to go on display in Russia or be returned to their rightful owners in Europe. This…
As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.
This book is a captivating tale of passion, history, and mystery. Set against the backdrop of 1940s Chicago and war-torn Europe, the novel follows the journey of a resilient journalist navigating love and espionage.
Barr's evocative prose and meticulous research transport readers to a bygone era, creating a rich tapestry of emotions. The intricate blend of romance and suspense ensures a thrilling reading experience perfectly suited for the transient nature of air travel.
As you glide through the clouds, let the pages of this book transport you to a riveting tale of love, courage, and intrigue, making your journey truly unforgettable.
THE NEW YORK TIMES BESTSELLER, SOON TO BE A MOVIE PRODUCED BY AND STARRING SHARON STONE A BUZZFEED MUST-READ FOR 2022
A young journalist embroiled in an international art scandal centred around a Nazi-looted masterpiece, forcing the ultimate showdown between passion and possession, lovers and liars, history and truth.
After talking her way into a job in Chicago, young journalist Jules Roth is given an unusual assignment: locate a painting stolen by the Nazis more than 75 years ago. The painting? None other than legendary artist Ernst Engel's most famous work, Woman on Fire. A dying designer covets the portrait…
What makes me passionate about this topic is my love of art, encouraged by my parents and developed when I was completing an undergraduate degree in architecture. I’m also addicted to mysteries, preferably ones with history thrown into the mix. Born in Australia, I lived for some years in the UK before moving to Canberra. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
I first read this book when I was going through a bad period in my life when I felt my work as an academic was going nowhere.
The sprawling, absorbing plot of The Improbability of Love took me to another place. The novel is set in London, a city that I know well, and it has a huge variety of characters from all walks of life. Some of writing is very funny, which cheered me enormously.
The painting in question is by Antoine Watteau, and it was found by our heroine Annie in a junk shop.
WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2016
SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016
A BBC RADIO 2 BOOK CLUB PICK
'an ingenious meditation on the true value of art' Daily Mail
'A deliciously wicked satire ... It's exquisitely written, shimmering with eye-catching detail ... a masterpiece' Mail on Sunday
When lovelorn Annie McDee stumbles across a dirty painting in a junk shop while looking for a present for an unsuitable man, she has no idea what she has discovered. Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
As a teenager, I loved reading past my bedtime, getting lost within a story, then having it fill my dreams and leaving me on the hunt for another book just as good. The best books to read are those that draw me in with their voice and storytelling and leave me needing to turn page after page. Getting in trouble as a kid for reading too late was the best type of trouble to get into and even now, when I need to make a second pot of coffee after a night of reading, I walk away with no regrets.
This story mesmerized me. It’s deceptively deep with a hint of whimsical, and the story plays out in your mind like a movie. It’s so beautifully written that I felt myself pulled in so many emotional directions and needed to let the book sit with me after I finished the final page.
A young girl.
A hidden treasure.
A dark family secret.
'Evocative and enchanting - a future classic' Veronica Henry 'An extraordinary debut... beautiful, dark, haunting' Edward Carey 'A captivating coming-of-age story' Daily Mail 'A bewitching read' Woman & Home
Romilly lives in a ramshackle house with her eccentric artist father and her cat, Monty. She knows little about her past - but she knows that she is loved.
When her father finds fame with a series of children's books starring her as the main character, everything changes: exotic foods appear on the table, her father appears on TV, and strangers…
I’ve always been sensitive to my material environment, discerning the spiritual and emotional effects of light, color, and sound in everyday life, like our clothes and homes and also in nature. However, for years, I lived in my head. I’d relegated my body and intuition to the sidelines. For two decades, I built a career in visual art, but it took the mid-life collapse of everything I’d wanted to find my way back to the authenticity of those early sensibilities, charting an artist’s way home. The creative life is not just for artists. It sustains our humanity in times of darkness and is the source of our brightest future.
This book's investment in objects of art and the everyday deepened my relationship with the most mundane aspects of my daily life. I began to see the world around me as a lens for self-knowledge.
The book's intimate reflections ignited in me a day-to-day creativity that has transformed the would-be-ordinary into the beautiful. Here the material world is a gateway to our humanity. I read this book for the first time over twenty years ago and it has stayed present and relevant for me ever since.
Mark Doty's prose has been hailed as "tempered and tough, sorrowing and serene" (The New York Times Book Review) and "achingly beautiful" (The Boston Globe). In Still Life with Oysters and Lemon he offers a stunning exploration of our attachment to ordinary things-how we invest objects with human store, and why.
If I was asked to describe the central theme of my life's work in a phrase, it would be 'geometry in the arts'. I'm an architect originally, now a professor in London, and have always loved drawing and the art of perspective. In the 1990s I became fascinated with the idea that Johannes Vermeer used the camera obscura, an obsession that led to my book Vermeer's Camera. I'm now working on Canaletto's Camera. And I have ideas for yet another book, on perspective, to be called Points of View. I've chosen five books on these topics that I've found most thought-provoking and inspiring.
Martin Kemp is the world's leading expert on the use of perspective, optical tools, and scientific knowledge in art. This encyclopaedic book follows developments from the Italian Renaissance to the nineteenth century, with a great wealth of illustrations, from Brunelleschi and Alberti to the colour theories of Goethe and Chevreul. I re-read and refer to this book repeatedly - as I am sure do many others - and am always finding new insights. Kemp's explanations are always clear and penetrating, even when the writers and artists he is writing about are not.
In this pathbreaking and richly illustrated book, Martin Kemp examines the major optically oriented examples of artistic theory and practice from Brunelleschi's invention of perspective and its exploitation by Leonardo and Durer to the beginnings of photography. In a discussion of color theory, Kemp traces two main traditions of color science: the Aristotelian tradition of primary colors and Newton's prismatic theory that influenced Runge, Turner, and Seurat. His monumental book not only adds to our understanding of a large group of individual works of art but also provides valuable information for all those interested in the interaction between science and…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
If I was asked to describe the central theme of my life's work in a phrase, it would be 'geometry in the arts'. I'm an architect originally, now a professor in London, and have always loved drawing and the art of perspective. In the 1990s I became fascinated with the idea that Johannes Vermeer used the camera obscura, an obsession that led to my book Vermeer's Camera. I'm now working on Canaletto's Camera. And I have ideas for yet another book, on perspective, to be called Points of View. I've chosen five books on these topics that I've found most thought-provoking and inspiring.
David Hockney believes, rightly in my opinion, that European artists since the Renaissance have used optical aids - mirrors of different types, the camera obscura, the camera lucida - much more often than conventional art history has allowed. I like and admire this book for the wonderful choice of illustrations, and the deep knowledge and understanding of painting methods that Hockney betrays, with wit and elegance, in the text. His arguments are highly subversive and involve a complete re-thinking of the role of optics in Western art, before photography. I don't go along with all of Hockney's theories. But he has overturned the subject, and has got art historians thinking again.
Join one of the most influential artists of our time as he investigates the painting techniques of the Old Masters. Hockney’s extensive research led him to conclude that artists such as Caravaggio, Velázquez, da Vinci, and other hyperrealists actually used optics and lenses to create their masterpieces.
In this passionate yet pithy book, Hockney takes readers on a journey of discovery as he builds a case that mirrors and lenses were used by the great masters to create their highly detailed and realistic paintings and drawings. Hundreds of the best-known and best-loved paintings are reproduced alongside his straightforward analysis. Hockney…