Here are 100 books that Museum of the Missing fans have personally recommended if you like
Museum of the Missing.
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Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
A fascinating Australian story about a man who is certain he has unearthed a painting by the renowned Australian painter Lloyd Rees. While this isn’t exactly about stolen art, it is about a painting that went missing, and whose provenance was lost. It depicts just how obsessed we can become with a single image.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
I am married to an auction veteran and have written on art and antiques in an earlier life so Frayn’s satirical farce hits all the right notes for me. A farce without slamming doors but plenty of misunderstandings and self-inflicted confusion.
Martin Clay, a philosopher turned amateur art historian and art expert, tumbles down the rabbit hole of self-delusion as he convinces himself that a painting he barely glimpsed is a lost Bruegel. He searches countless documents to find the facts that he twists to prove his hunch leading the reader on a deep dive into Dutch political and art history. Moral equivocation, adultery, tax evasion, double-dealing, plot twists and turns—everything a good farce should be.
Headlong begins when Martin Clay, a young would-be art historian, believes he has discovered a missing masterpiece. The owner of the painting is oblivious to its potential and asks Martin to help him sell it, leaving Martin with the chance of a lifetime: if he could only separate the painter from its owner, he would be able to perform a great public service, to make his professional reputation, perhaps even rather a lot of money as well. But is the painting really what Martin believes it to be? As Martin is drawn further into…
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
This fascinating book not only looks at art stolen by thieves, but also at the business of art museums and what constitutes moral collection. It was written in 1973, so things have changes drastically as far as how we perceive where a treasure belongs, but Meyer already argues for the return of the so-called Elgin Marbles, for example. He has a brilliant table at the end, listing major art thefts 1911-1972 and including comments, all of which deserve a story of their own. For example:
1953, Rodin bronze, stolen by a student who wanted to “live with it”.
1959, Daumier painting, in the pocket of a suitcase that was stolen from a train.
1971, Titian “Holy Conversation”, recovered after dramatic car chase. Thieves also drank communion wine.
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Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
I really love this book and could write an entire short story collection inspired by it. It’s the first time I heard about the Amber Room, one of those things that once you know about it, you are obsessed. The authors lead us into caves, through basements, across borders, as they track down the pathways of stolen treasures. The book tells us about the provenance of missing artworks, and what it means to have that space on the wall.
All of these books have an element of ‘the missing wall’ about them and perhaps that’s one of the things that fascinates me the most about the subject. Sometimes what isn’t there is more meaningful than what is.
Just as Nazi Germany appropriated works of art - paintings, sculptures and antiques - from all over Europe in 1939 and 1940, so the Soviet army set up "trophy brigades" to transport the same works of art, and many more, to Moscow and Leningrad in 1945. This book by two Russian art historians sets out to reveal how they did this and what happened to these works of art. With the end of the Soviet Union, many of these stolen works are now likely to go on display in Russia or be returned to their rightful owners in Europe. This…
I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!
This book is a modern classic and no wonder – delightful characters, a twisty-turny mystery, and best of all: art. The way Balliett introduces kids to the world of art through puzzles, codes, wordplay, is clever and thrilling and had me completely entranced. The world of art theft is both thrilling and chilling, and this book takes us both places.
This bewitching first novel is a puzzle, wrapped in a mystery, disguised as an adventure and delivered as a work of art. When a book of inexplicable occurences bring Petra Andalee and Calder Pillay together, strange things start to happen- seemingly unrelated events connect, an eccentric old woman seeks their company, and an invaluable Vermeer painting disappears. Before they know it, the two find themselves at the centre of an international art scandal. As Petra and Calder are drawn clue by clue into a mysterious labyrinth they must draw on their powers of intuition, their skills at problem solving, and…
I’m a Distinguished Professor of art history at CUNY and biographer of artists. I grew up in Atlanta, attended college in Boston, and have worked in New York since my twenties. With a new Ph.D. in art history from Rutgers, I began as curator of the Hopper Collection at the Whitney Museum, assigned to produce a definitive catalogue of all Edward Hopper’s authentic art. His papers were missing except for his record books that recorded every time a work left for sale, loan, or gift. I traced each work as it left Hopper’s possession and discovered a massive number of undocumented artworks stolen from the estate, which the Whitney still wants to cover up.
Esterow, then employed by Larry Fleischman, assessed hundreds of Edward Hoppers that an unknown minister offered to sell.
The book’s dust jacket advertises “a lively history of certain fabulous art thefts—and the strange breed of thieves who perpetrated them.” Esterow’s book inspired one reviewer to comment that few of his criminals “are very ingenious.”
Sanborn, who must have seemed to Esterow like a character that belonged in his narrative, told me that Esterow offered him a consignment deal for what he was shown, which later turned out to be just a small part of Sanborn’s loot.
Had he known Sanborn’s story, Esterow might have added his scheme of befriending the aging sister of a famous artist, whose early works were jammed into the attic of the family home.
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I’m a Distinguished Professor of art history at CUNY and biographer of artists. I grew up in Atlanta, attended college in Boston, and have worked in New York since my twenties. With a new Ph.D. in art history from Rutgers, I began as curator of the Hopper Collection at the Whitney Museum, assigned to produce a definitive catalogue of all Edward Hopper’s authentic art. His papers were missing except for his record books that recorded every time a work left for sale, loan, or gift. I traced each work as it left Hopper’s possession and discovered a massive number of undocumented artworks stolen from the estate, which the Whitney still wants to cover up.
I really like the discussion of the Metropolitan Museum’s celebrated acquisition of the ancient Greek Eurphronios Krater, which turned out to have been stolen from a tomb and had to be returned to Italy.
We read that even taking less valuable items “damages archaeological heritage, thereby compromising or weakening historical scholarship.”
I appreciate how this also applies to the unrelated minister who got into the Edward Hopper estate and who hid Hopper’s papers—5,000 documents—for 50 years, damaging their context, perhaps destroying some.
I wrote my biography and definitive catalogue of Hopper’s art without access to most of these papers. Now that I have seen most of them, I am relieved that my work retains its value. Fortunately, I found another source that provided many of Jo Hopper’s diaries.
In the world of law enforcement art and antiquity crime has in the past usually assumed a place of low interest and priority. That situation has now slowly begun to change on both the local and international level as criminals, encouraged in part by the record sums now being paid for art treasures, are now seeking to exploit the art market more systematically by means of theft, fraud and looting. In this collection academics and practitioners from Australasia, Europe and North America combine to examine the challenges presented to the criminal justice system by these developments. Best practice methods of…
I arrived in New York City from Germany thirty years ago with two suitcases and a typewriter. Since then, I try to combine my background as an art historian – I hold a M.A. in Art History and Anthropology from the University of Tübingen, Germany – with my experiences travelling around the world for seven years, and my love for writing. After a career in museum education (at the San Diego Museum of Art, the Mingei, and the Athenaeum) I founded Konstellation Press, an indie publishing company for genre fiction. The first of my four novels, Spring of Tears, an art mystery set in France, won the San Diego Book Award.
The settings of this book are Rome, Paris, and London, three of my favorite European cities. The missing Masterpieces are by Caravaggio and Malevich, two of my favorite painters. The author is the founding director of the Association for Research into Crimes against Art (ARCA) and holds a degree in art history, so he knows what he is writing about, and the book contains fascinating details art historical details, but also deep insights into the field or art forgery and international art theft. Enough to keep you glued to your seat for hours.
The disappearance of a priceless Caravaggio in Rome and the famous 'White on White' by Russian painter Kasimir Malevich in Paris heralds the start of a series of seemingly unconnected art crimes across Europe. Fitting the pieces together as they follow a trail of bluffs and double-bluffs, bizarre clues and intellectual puzzles, Inspector Jean-Jacques Bizot in Paris and Harry Wickenden of Scotland Yard come to realize that what at first appears a spate of random thefts is all part of a single master plan, and that they are being led ever deeper into a baffling conspiracy.
I taught myself to read when I was 4 and have been an omnivorous reader ever since. By the time I was in high school, I was reading the Grand Dame Agatha Christie’s wonderful mysteries. The cozy genre captured me with its deft characterization and clever solutions to “who dunnit.” I wanted to be a writer, received a B.A. and M.A. degree in Literature and later a Ph.D. Once retired from full-time work, I returned to my original desire and as Lia Farrell wrote and published The Mae December Mysteries. Since then, as Lyn Farrell, I have written The Rosedale Investigations series. Together the books have sold 30,000 copies.
Ian Pears is an erudite art historian who has written prolifically on artistic, historical, and financial topics.
In his series about the fictional Italian Art Squad in Rome, he gives us General Tadeo Bottando who is fighting a losing battle to protect the heritage and art of Italy. He is a military man who expects his subordinates to respect his position and wisdom, but Flavia de Stefano, his second-in-command, is distressingly off-hand in her treatment of the man.
In Death and Restoration, the General has just received a tip about a planned raid of a nearby monastery. It doesn’t make sense, there’s nothing valuable in the monastery’s collection, except for the endearing art thief, called the “Rotweiler of Restoration,” who is restoring the only important piece, a painting by Caravaggio and a tiny dusty icon of a Madonna. She’s called “My Lady” is believed to have protected the church…
General Bottando can't believe his rotten luck. He has just been promoted--to a position that's heavy on bureaucratic duties-but disturbingly light on investigative responsibilities. As if that wasn't annoying enough, he's received a tip about a planned raid at a nearby monastery. He's relying on his colleague Flavia di Stefano and her art-expert fiance, Jonathan Argyll, to thwart the plot-but both are beyond baffled. The only valuable item in the monastery's art collection is a supposed Caravaggio that's currently being restored. There are no solid suspects-unless you count the endearing art thief, the flagrantly flamboyant "Rottweiler of Restoration," and the…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I’ve always been fascinated by art, not just the paintings themselves but their historical significance, the personalities behind the canvas, and the seemingly arbitrary value placed on one artist’s work versus another. Writing my latest novel, Hanging the Devil, was a chance to delve into the illicit side of the art world, where forgers and smugglers consort with organized crime. I’ve been an award-winning mystery author for more than a decade—this is my sixth novel—and the great thing about writing crime fiction is the chance to get lost in the research and learn something new, so writing this novel was a great excuse to visit museums, talk to experts, and plan a heist!
Robert K. Wittman is the founder of the FBI Art Crime Team, and any one of his undercover adventures could be the plot for a box office thriller. Over the course of his career Wittman not only recovered hundreds of millions of dollars’ worth a stolen property, he protected priceless masterpieces from being lost forever.
When I first began doing research for a novel about art theft, it was clear the global market for stolen masterpieces is incredibly complex, an underground network of smugglers, master forgers, and organized crime syndicates. To get my facts straight I needed a navigator, and this book immediately put me on the right track.
Wittman’s backstory and relentless drive to make art crime a priority within the FBI, as Italy has done with its Carabinieri Art Squad, is an inspiring story on its own, and many of his cases would feel right at home in…
The Wall Street Journal called him “a living legend.” The London Times dubbed him “the most famous art detective in the world.”
In Priceless, Robert K. Wittman, the founder of the FBI’s Art Crime Team, pulls back the curtain on his remarkable career for the first time, offering a real-life international thriller to rival The Thomas Crown Affair.
Rising from humble roots as the son of an antique dealer, Wittman built a twenty-year career that was nothing short of extraordinary. He went undercover, usually unarmed, to catch art thieves, scammers, and black market traders in Paris and Philadelphia,…
