Here are 100 books that Concerning the Spiritual in Art fans have personally recommended if you like
Concerning the Spiritual in Art.
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I’ve spent years working with women who are expected to be confident, decisive, and polished, but are rarely taught how to build those skills. Through my work in politics, public service, and coaching thousands of women, I’ve seen how small, often invisible habits can keep capable women from being fully heard or respected. What I love most is helping women with the practical, everyday moments, like how to say no without apologizing, set boundaries, and build real influence. I’m passionate about leadership because I’ve watched these shifts change careers and lives, and these books reflect the lessons I come back to again and again.
I love this book because it reminded me that creativity isn’t something reserved for a certain type of person, it’s something I get to claim.
This book is for all us types who don’t see ourselves as creative or working in a creative field; it simply lays out our ability to bring creativity to our work.
This book taught me how we need to take risks with our creativity, especially when deciding what we want and how to get it. I connected with its message about imagining more for your work and life.
Readers of all ages and walks of life have drawn inspiration from Elizabeth Gilbert's books for years. Now, this beloved author shares her wisdom and unique understanding of creativity, shattering the perceptions of mystery and suffering that surround the process - and showing us all just how easy it can be.
By sharing stories from her own life, as well as those from her friends and the people that have inspired her, Elizabeth Gilbert challenges us to embrace our curiosity, tackle what we most love and face down what we most fear.
Whether you long to write a book, create…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve passionately pursued the art of screenwriting for decades now, with all the ups and downs that go with that—from the peaks of Hollywood projects winning big awards (I was a writer-producer on HBO’s Band of Brothers), to scripts nobody wanted to read and when they read them, they didn’t want to do anything with them. And everything in between. It’s been my career my entire adult life—doing it, teaching it, and helping others understand the requirements of good screenwriting.
This classic is my go-to for the challenges of living the creative life and how to push through them.
In short, punchy chapters, it identifies the main source of blocks writers and artists have and how to push through them.
I love its approach to the workmanlike attitude one needs to have to create consistently and move toward a goal, and how to be clear-eyed about the inner “resistence” we all have that seems to want to stop us.
A succinct, engaging, and practical guide forsucceeding in any creative sphere, The War ofArt is nothing less than Sun-Tzu for the soul.
What keeps so many of us from doing what we long to do?
Why is there a naysayer within? How can we avoid theroadblocks of any creative endeavor—be it starting up a dreambusiness venture, writing a novel, or painting a masterpiece?
Bestselling novelist Steven Pressfield identifies the enemy thatevery one of us must face, outlines a battle plan to conquer thisinternal foe, then pinpoints just how to achieve the greatest success.
I'm an apocalyptic optimist—but I didn’t start that way. For over 25 years, I’ve studied climate action efforts and documented why governments and businesses are falling short. It’s become clear that the systemic changes we need will only come through civil society mobilizing for climate action. I’ve explored this in books, articles, and as a contributor to the most recent Intergovernmental Panel on Climate Change (IPCC) assessment. I hope my writing inspires you to embrace your own apocalyptic optimism—not as despair, but as a hopeful, urgent call to action. It’s a powerful first step toward what I believe is still possible: Saving Ourselves.
I am simultaneously inspired and repulsed by this book because it presents a terrible and wonderful fictionalized case study in apocalyptic optimism. In the novel, Robinson weaves a story of hope embedded in despair.
Having studied efforts to solve the climate crisis for over 25 years while witnessing its growing effects, the novel is pitch-perfect on the tensions we must overcome to save ourselves.
“The best science-fiction nonfiction novel I’ve ever read.” —Jonathan Lethem
"If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future." —Ezra Klein (Vox)
The Ministry for the Future is a masterpiece of the imagination, using fictional eyewitness accounts to tell the story of how climate change will affect us all. Its setting is not a desolate, postapocalyptic world, but a future that is almost upon us. Chosen by Barack Obama as one of his favorite…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I'm a guitar player, a writer of music and a bandleader. I've made 12 records—working on my 13th—have written 2 books, and made an app called "Humanome," which is a metronome that intentionally doesn't keep steady time. I have a Patreon page and a YouTube channel. I've devoted most of my life so far to playing music, touring, practicing—lots and lots of practicing—and more or less thinking about music non-stop. As a player, I care strongly about improvising—the spontaneous creation of music—and as a writer, I care deeply about melody, rhythm, and form. I get a lot of inspiration from visual art and from soulfulness in all its forms.
This book beautifully, soulfully and informatively documents the life of one of America's greatest artists. I reveled in its pages, marvelling at the inner workings of the man and at the fascinating life he led for decades at the forefront of American music.
At various times tragic, hilarious, enlightening, scary, off-putting and inspiring, he couldn't have made it more like his own music if he'd tried. I never met Miles, but this particular book has the ring of veracity about it—at times, brutally so—and the countless stories of virtually every notable musician in Jazz and beyond are entertaining and eye-opening. Loved it.
Miles: The Autobiography, like the man himself, holds nothing back. He talks about his battles against drugs and racism, and discusses the many women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus and many others. The man who has given us the most exciting music of recent times has now given us a fascinating and compelling insight into his extraordinary life. 'An engrossing read ...gives fascinating insights into the cult phenomenon' Miles Copeland, Weekend Telegraph 'Magnificently truthful, action packed, raw and…
When I was nine years old, I saved enough allowance money to buy a big box of oil pastels. I was mesmerized by its amazing display of gorgeous colors. Never could figure out why my girlfriends played with dolls when it was more exciting to paint. It wasn’t until high school, and time to apply to colleges that I made the decision to go to art school. Another key moment for me was after graduating from art school and landing in New York City. It was then that I made a brave decision to never waitress again, and instead do whatever it takes to stay in the arts.
In this book, Shlain reveals his unusual take on the power of images throughout history. His discussion using contemporary ideas about our creative right-brain side brings interesting connections between the Goddess, images, and feminine values. Shlain's earlier book, Art & Physics was very popular expressing his breakthrough theory, ad revealing an astonishing parallel with these two seemingly different topics. I find that books like this, not dedicated to learning specific painting techniques, end up being more helpful towards how I think as an artist. A good writer, it is easy to read and very inspiring.
This groundbreaking book proposes that the rise of alphabetic literacy reconfigured the human brain and brought about profound changes in history, religion, and gender relations. Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in…
When I was nine years old, I saved enough allowance money to buy a big box of oil pastels. I was mesmerized by its amazing display of gorgeous colors. Never could figure out why my girlfriends played with dolls when it was more exciting to paint. It wasn’t until high school, and time to apply to colleges that I made the decision to go to art school. Another key moment for me was after graduating from art school and landing in New York City. It was then that I made a brave decision to never waitress again, and instead do whatever it takes to stay in the arts.
While this book is not written for artists or even about art, I found it very helpful for me as a painter. To achieve the best for my paintings, I realize I need to trust my intuition over intellect. If I get too intellectual about any of my ideas for a painting, the end result is not as fulfilling if instead, I follow my intuition or inner voice. Braden goes into depth in this book about having two sources of intelligence – the brain and the heart. I like his take on this which can also be thought of as right and left brain or intellect vs intuition. By thinking about Braden's ideas on our powerful heart-brain connection, I am able to tap into deeper modalities on what it is that I am painting about. Very interesting read that sticks with you for a long time and easily becomes a…
We solve our problems based upon the way we think of ourselves and the world. From peak energy and peak debt to failing economies and the realities of climate change, everyday life is showing us where we've outgrown the thinking of the past. It's also showing us where big changes in the world mean big changes in our lives. Through dramatic shifts in our jobs, our relationship to money, our health, and even our homes, it's clear that our lives are changing in ways we've never seen, to a degree that we're not prepared for, and at speeds that we've…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I'm a guitar player, a writer of music and a bandleader. I've made 12 records—working on my 13th—have written 2 books, and made an app called "Humanome," which is a metronome that intentionally doesn't keep steady time. I have a Patreon page and a YouTube channel. I've devoted most of my life so far to playing music, touring, practicing—lots and lots of practicing—and more or less thinking about music non-stop. As a player, I care strongly about improvising—the spontaneous creation of music—and as a writer, I care deeply about melody, rhythm, and form. I get a lot of inspiration from visual art and from soulfulness in all its forms.
This Zen-like book affirmed, for all subsequent generations of guitarists, that music instruction books didn't have to be dull, theory-laden texts filled with patterns and cliches. Mick was all about creativity, open-mindedness, exploration, and thinking outside the coffin.
Ultimately, many years after reading it as a teenager, I was greatly inspired by its refusal to adhere to the status quo when I wrote my own book. All musicians, even those less creative, are aware that the essence of great playing is spontaneity: the willingness to stand close to the primal fire of creation, even though there's a danger of being burned. One of the most important guitar books ever and worth a look even for non-musicians.
Veteran musician and educator Mick Goodrick presents practical information for guitarists who want to improve their playing technique and style and simply become better musicians. Rather than a step-by-step method book, the information is presented in a general essay format, discussing ways that the various techniques covered may be applied by the advancing guitarist to enhance his/her own style of playing, some of the areas discussed include: basic fingerboard mechanics • modes, scales and chords • contemporary harmony, • harmonica and overtone influences • being self-critical • improvising short pieces • different playing situations.
I'm a guitar player, a writer of music and a bandleader. I've made 12 records—working on my 13th—have written 2 books, and made an app called "Humanome," which is a metronome that intentionally doesn't keep steady time. I have a Patreon page and a YouTube channel. I've devoted most of my life so far to playing music, touring, practicing—lots and lots of practicing—and more or less thinking about music non-stop. As a player, I care strongly about improvising—the spontaneous creation of music—and as a writer, I care deeply about melody, rhythm, and form. I get a lot of inspiration from visual art and from soulfulness in all its forms.
Simply one of the most enlightening, nourishing books any artist of any discipline can read. It first acknowledges the cultural and individual value of "finding your own voice" and then proceeds, in the most straightforward, stirring way, to provide clues for how to do so.
I know almost nothing of poetry, but Rilke, like other great artists, transcends his medium. It wasn't necessary for me to know or care anything about that art to be moved deeply by his personal commitment and soulful knowledge of his craft. A winner.
The ten letters collected here are arguably the most famous and beloved letters of our century. Written when Rainer Maria Rilke was himself still a young man with most of his greatest work before him, they are addressed to a student who had sent Rilke some of his work, asking for advice about becoming a writer. The two never met, but over a period of several years Rilke wrote him these ten letters, which have been enjoyed by hundreds of thousands of readers for what Stephen Mitchell calls the "vibrant and deeply felt experience of life" that informs them.
My mixed media journey began as a kid growing up in a family of scientists and artists. I always loved to combine things, adding unusual objects to my mud sculptures and later mixing things up as a chemistry student. I created some wild concoctions as a bartender and then eventually as an acrylic painter. I began as a traditional oil painter, but I moved on to painting murals on walls, and cutting stones and metalwork. I introduced the other art students to some great construction sites where we would scavenge materials and give them new life. This passion led me to write six books on mixed media.
Jean’s book has a novel format for teaching that I love.
She does begin with an introduction to acrylics but then she breaks down various components with examples and then a featured artist to explore that technique. She shows how collage, texture, drawing, and different styles can turn out so different using the same materials.
Jean is a brilliant figurative mixed media artist and she abstracts the figure in a way that invites even nonobjective painters to want to try a new subject manner. She has some fun composition ideas and even a roadmap of when to add other materials.
A visually beautiful book that will inspire your work no matter what your genre.
Are you interested in adding a bit of mixed media to your artwork but unsure exactly how? Mixed Media Painting Workshop takes the fear out of artistic experimentation and instead celebrates the journey, step by step!
With Mixed Media Painting Workshop, you'll learn a variety of techniques and use a unique selection of materials to express yourself and your style! From backgrounds to sketching, from painting to collage, from the elements of design to subject matter, you'll find it all right here!
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As a reader and writer, I work with a pretty broad definition of “mystery.” You’ll find my own novels in the fantasy section of the bookstore, but my books are mysteries too — and romances, and tales of adventure, and intimate character studies, and reflections on our reality, no matter how fantastical the worlds in which they take place. I love melding genres! So when I think of my favorite mysteries, I try not to limit myself to the mystery section of the bookstore. Few things make me happier than discovering partway through a book that a mystery has been building that I didn’t even notice.
I’m going to guess that most adults don’t encounter many picture books, except in the context of introducing them to children. I would like to humbly suggest that if your reading habits don’t extend to picture books, you may be missing out. It’s an art form I adore, and one of my favorites is this book about a mysterious painter in Paris whose paintings contain scenes that come alive. I love Agee’s palette and the perspectives he chose for this story — and no matter how many times I read this book, I’m still thrilled by the twist at the end. It’s the sort of mysterious story that delights, while opening your imagination to bigger things.
Art imitates life in this hilarious, absurdist picture book--one of Jon Agee's most beloved titles, now back in print.
"Outrageous!" the judges cried. "Ridiculous!" Who would dare enter a portrait of a duck in the Grand Contest of Art? But when Felix Clouseau's painting quacks, he is hailed as a genius. Suddenly everyone wants a Clousseau masterpiece, and the unknown painter becomes an overnight sensation. That's when the trouble begins.
