Here are 100 books that Headlong fans have personally recommended if you like
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Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
This
book looks at thieves, liars, manipulators and of course the art itself.
There’s a section on damaged goods, which taps into one of my obsessions about
the difference in time and effort creation versus destruction takes.
It’s
full of pictures, ironic given that most of the pieces depicted are lost, never
to be found. The Gallery of Missing Art is beautifully reproduced, and includes
such masterpieces as Strindberg’s “Night of Jealousy”, so we can look at the
works and marvel. But knowing that these pieces are…somewhere? Hidden away for
a small audience, or perhaps destroyed? That’s heart-breaking.
The masterpieces of art that have been stolen could fill a museum. Museum of the Missing offers readers a rare glimpse of the greatest gallery that never was. Simon Houpt brilliantly recounts the story of its valuable holdings and investigates some of the men and women involved in the thefts. Filled with beautiful illustrations and rarely seen photographs, this intriguing book is also a celebration of the ingenious few who are trying to get these treasures back.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
A
fascinating Australian story about a man who is certain he has unearthed a
painting by the renowned Australian painter Lloyd Rees. While this isn’t
exactly about stolen art, it is about a painting that went missing, and whose
provenance was lost. It depicts just how obsessed we can become with a single
image.
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
This
fascinating book not only looks at art stolen by thieves, but also at the
business of art museums and what constitutes moral collection. It was written
in 1973, so things have changes drastically as far as how we perceive where a
treasure belongs, but Meyer already argues for the return of the so-called
Elgin Marbles, for example. He has a brilliant table at the end, listing major
art thefts 1911-1972 and including comments, all of which deserve a story of
their own. For example:
1953,
Rodin bronze, stolen by a student who wanted to “live with it”.
1959,
Daumier painting, in the pocket of a suitcase that was stolen from a
train.
1971,
Titian “Holy Conversation”, recovered after dramatic car chase. Thieves also
drank communion wine.
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A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
I
really love this book and could write an entire short story collection inspired
by it. It’s the first time I heard about the Amber Room, one of those things
that once you know about it, you are obsessed. The authors lead us into caves,
through basements, across borders, as they track down the pathways of stolen
treasures. The book tells us about the provenance of missing artworks, and what
it means to have that space on the wall.
All
of these books have an element of ‘the missing wall’ about them and perhaps
that’s one of the things that fascinates me the most about the subject.
Sometimes what isn’t there is more meaningful than what is.
Just as Nazi Germany appropriated works of art - paintings, sculptures and antiques - from all over Europe in 1939 and 1940, so the Soviet army set up "trophy brigades" to transport the same works of art, and many more, to Moscow and Leningrad in 1945. This book by two Russian art historians sets out to reveal how they did this and what happened to these works of art. With the end of the Soviet Union, many of these stolen works are now likely to go on display in Russia or be returned to their rightful owners in Europe. This…
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
I was hungry for a great piece of comic writing when a friend handed me this book, and it delivered so much more than laughter.
Once I’d tuned in to the language, I ended up shambling through 30s London alongside impecunious painter Gulley Jimson. A humble man, driven by a holy need to make the sort of art which, it turns out, nobody wants, he encounters a world of squalor and beauty, both physical and moral.
I grew to love him and his daily observations on the play of weather and light on the Thames, which form a sort of sketchbook. As Jimson’s physical health declines, he grips beauty wherever he finds it. Theroux, Lessing, and Updike all rated this author.
The Horse's Mouth, famously filmed with Alec Guinness in the central role, is a searing portrait of the artistic temperament.
Gulley Jimson is the charming, impoverished painter who cares little about the conventional values of his day. His unfailing belief that he must live and paint according to his intuition without regard for the cost to himself or to others, makes him a man of great, if sometimes flawed, vision.
But with an admirable drive for creation comes an astonishing hunger for destruction. Is he a great artist? A has-been? Or an exhausted, drunken ne'er-do-well?
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
For my high school sophomore history teacher, world history was only Greece under Pericles and England under Elizabeth I. I went to Greece under her spell, and ever since, I have been drawn to books about Greece—fiction and non-fiction.
This book is about a fictional Greek island at the end of the Ottoman empire, an English con man caught up in his archaeological con, a beautiful artist (played by a young Helen Mirren in the film version), greedy government officials, and an informer who fears for his life is our unreliable narrator. It makes for an engrossing novel of adventure and ideas that holds up on a second reading after over forty years.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
One of my favorite poets writing about one of my favorite artists. Cornell’s mysterious, alluring dreamscapes in his delicately crafted boxes meet their soulmate in the prose poems of Simic. In this work of only seventy-seven pages of short meditations on Cornell’s life, inspiration, and method, Simic creates the poetic equivalent of Cornell’s visual art. Simic recognizes, as did Cornell, that “The commonplace is miraculous if rightly seen, if recognized.”
In Dime-Store Alchemy, poet Charles Simic reflects on the life and work of Joseph Cornell, the maverick surrealist who is one of America’s great artists. Simic’s spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned.
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
I have never been able to look at Renaissance paintings of the Madonna and child the same after reading this brilliant and controversial book. I promise your eyes will be opened as well. These paintings were not simple religious decoration. Christ’s genitalia, exposed or covered, was a visible element in theological arguments in the Renaissance about the humanity of Christ. In our secular world, Steinberg argues, we have lost sight of the sexual component of these images. Steinberg’s breadth of learning is astounding, and the extensive footnotes are as stimulating as the text.
Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
Early in my life, I developed a keen appreciation of and a strong affinity for the unique culture encompassing the Jersey Shore, a lifestyle that unites infinite waves, distinctive art, soulful music, sand between one’s toes, and the dream of the endless summer. The sea speaks to me, and always has. My appreciation of the ocean and shore living leads me to seek comparable books with hopes of learning from and/or connecting with other writers like me, and it served as the basis of the setting for my novel, Enduring the Waves. I hope you make a similar connection to one of the books on my recommendation list.
I’ve always wanted to learn how to surf, and I stumbled upon Diane Cardwell’s memoir Rockaway: Surfing Headlong into a New Life while we were locked down in the middle of the pandemic.
She writes of learning how to surf in midlife and how finding her balance in the ocean led to discovering balance in her life. I marvel at her ability to set her passions above her fear and discovering a home among like-minded people while building a life centered around joy.
She not only embraced but celebrated the unknown, and that led her to discover her true self. After I read her memoir, I booked my first surf lesson, and while I still have a lot to learn, Cardwell’s voice reminds me to get onto a board again.
The inspirational story of one woman learning to surf and creating a new life in gritty, eccentric Rockaway Beach
Unmoored by a failed marriage and disconnected from her high-octane life in the city, Diane Cardwell finds herself staring at a small group of surfers coasting through mellow waves toward shore—and senses something shift. Rockaway is the riveting, joyful story of one woman’s reinvention—beginning with Cardwell taking the A Train to Rockaway, a neglected spit of land dangling off New York City into the Atlantic Ocean. She finds a teacher, buys a tiny bungalow, and throws her not-overly-athletic self headlong into…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m an art historian, author, and the former curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina—so art is my thing! I’m the host of the independent podcast ArtCurious, which I started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine, among other outlets. I’m also the author of a book called ArtCurious, which was lauded in Publisher’s Weekly, BookPage, and Booklist. I’ve got advanced degrees in art history and love to share all my enthusiasm for art whenever I can (also: travel!).
This one is a little bit headier. Gombrich is one of the big names in art history (take any graduate level course in art history methodology, and he’s one of the first names mentioned). But there’s a reason that’s he’s one of the biggies: his information is thorough. For the bookish newbie, this one is a real win.
The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.
For the first time in many years the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been…
