I'm a guitar player, a writer of music and a bandleader. I've made 12 records—working on my 13th—have written 2 books, and made an app called "Humanome," which is a metronome that intentionally doesn't keep steady time. I have a Patreon page and a YouTube channel. I've devoted most of my life so far to playing music, touring, practicing—lots and lots of practicing—and more or less thinking about music non-stop. As a player, I care strongly about improvising—the spontaneous creation of music—and as a writer, I care deeply about melody, rhythm, and form. I get a lot of inspiration from visual art and from soulfulness in all its forms.
Simply one of the most enlightening, nourishing books any artist of any discipline can read. It first acknowledges the cultural and individual value of "finding your own voice" and then proceeds, in the most straightforward, stirring way, to provide clues for how to do so.
I know almost nothing of poetry, but Rilke, like other great artists, transcends his medium. It wasn't necessary for me to know or care anything about that art to be moved deeply by his personal commitment and soulful knowledge of his craft. A winner.
The ten letters collected here are arguably the most famous and beloved letters of our century. Written when Rainer Maria Rilke was himself still a young man with most of his greatest work before him, they are addressed to a student who had sent Rilke some of his work, asking for advice about becoming a writer. The two never met, but over a period of several years Rilke wrote him these ten letters, which have been enjoyed by hundreds of thousands of readers for what Stephen Mitchell calls the "vibrant and deeply felt experience of life" that informs them.
This Zen-like book affirmed, for all subsequent generations of guitarists, that music instruction books didn't have to be dull, theory-laden texts filled with patterns and cliches. Mick was all about creativity, open-mindedness, exploration, and thinking outside the coffin.
Ultimately, many years after reading it as a teenager, I was greatly inspired by its refusal to adhere to the status quo when I wrote my own book. All musicians, even those less creative, are aware that the essence of great playing is spontaneity: the willingness to stand close to the primal fire of creation, even though there's a danger of being burned. One of the most important guitar books ever and worth a look even for non-musicians.
Veteran musician and educator Mick Goodrick presents practical information for guitarists who want to improve their playing technique and style and simply become better musicians. Rather than a step-by-step method book, the information is presented in a general essay format, discussing ways that the various techniques covered may be applied by the advancing guitarist to enhance his/her own style of playing, some of the areas discussed include: basic fingerboard mechanics • modes, scales and chords • contemporary harmony, • harmonica and overtone influences • being self-critical • improvising short pieces • different playing situations.
This book washed over me like a fresh Spring breeze after a long Winter. Any time an artist can speak eloquently about their motivations, sensitivities, and beliefs, it provides validation to all other artists even if, as in Kandinsky's case, it seems some of his certainties verged on dogma. But I'll take artistic dogma over inartistic ambiguity any day.
Art is the closest thing to nature that human beings can create, yet its relevance can be completely overlooked by the general public. Documents such as this are like messages in a bottle, hieroglyphs on the cave wall of contemporary society left for discovery by future—and hopefully more receptive—generations.
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution…
This book beautifully, soulfully and informatively documents the life of one of America's greatest artists. I reveled in its pages, marvelling at the inner workings of the man and at the fascinating life he led for decades at the forefront of American music.
At various times tragic, hilarious, enlightening, scary, off-putting and inspiring, he couldn't have made it more like his own music if he'd tried. I never met Miles, but this particular book has the ring of veracity about it—at times, brutally so—and the countless stories of virtually every notable musician in Jazz and beyond are entertaining and eye-opening. Loved it.
Miles: The Autobiography, like the man himself, holds nothing back. He talks about his battles against drugs and racism, and discusses the many women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus and many others. The man who has given us the most exciting music of recent times has now given us a fascinating and compelling insight into his extraordinary life. 'An engrossing read ...gives fascinating insights into the cult phenomenon' Miles Copeland, Weekend Telegraph 'Magnificently truthful, action packed, raw and…
A testament to a mind so creative as to be able to conceive of a seemingly workable blueprint for the the survival of the human race, in detail, while simultaneously writing of a protagonist deserving of one's attention and sympathy.
Extremely intelligent and groundbreaking in its ideas of reworking the place of currency in a global economy, and of the critical role that science must be allowed to play in any conceivably effective survival strategy. Bored yet? Don't be. By the time I finished reading this book, all I wanted was for everyone on the planet to read it, or have it read to them.
The book certainly isn't a penny dreadful—it took a while to get through it, honestly. But I was exceedingly glad I did, to the point where it may be time for me to tackle it again. A truly great, important book.
“The best science-fiction nonfiction novel I’ve ever read.” —Jonathan Lethem
"If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future." —Ezra Klein (Vox)
The Ministry for the Future is a masterpiece of the imagination, using fictional eyewitness accounts to tell the story of how climate change will affect us all. Its setting is not a desolate, postapocalyptic world, but a future that is almost upon us. Chosen by Barack Obama as one of his favorite…
Specifically, the book describes an approach to accessing all possible musical tonalities on the guitar as an improviser rather than as a memorizer of patterns. The approach maximizes the potential for creativity without sacrificing a musician's desire to be tonally literate and articulate.
The book offers a unique take on integrating "music," which is not theory, and "theory," which is not music. More generally, the book seeks to inspire anyone interested in creativity and in challenging the conventions that preclude it.
