27 Books Like A Painter in Penang

Meet dashing Jesamiah Acorne, pirate extraordinaire. This cocky, handsome young man proves to have as many layers as an onion, and right at the center lies the traumatic experiences at the hand of his much older brother. Jesamiah has become a pirate to escape—but also because of his love of the sea. Never will he love anyone as much as he loves the sea and his ships—well, until Tiola enters his life under relatively dramatic circumstances. 

This is a book firmly grounded in research, be it of the historical context or of 18th-century ships. It is because of that foundation that Ms. Hollick’s pirate yarn grows into something utterly addictive. How fortunate that this is only the first book in the series!

Rebel Knot is set in 17th-century Ireland, torn apart by religious conflict between Catholics and Protestants. This is a war-ravaged Ireland, a land where hope is in short supply and peace is more of a dream than a possibility. And yet, in the midst of all that violence fragile love can flourish—even between people who belong on opposite sides of the religious fence. Ms. Bazos does a fantastic job of transporting the reader back in time, and her two main characters, Niall and Ainé, are wonderfully complex and relatable. The harshness of the times is vividly depicted—as is the growing attraction between the innocent and traumatised Ainé and her new protector, Niall. 

I have a passion for the 17th century and this novel based on actual diaries and letters from IRL people living through the realities of the English Civil War is a favourite. Ms. St. John writes about her own ancestors, and she imbues her characters with so much life, so many contrary opinions. These are difficult times, and especially for mother Lucy St. John whose son is a through-and-through royalist while daughter Luce is head-over-heels in love with Parliamentarian John Hutchinson. Luce is utterly fascinating: intelligent and with a passion to truly reform, she never loses her humanity or her ability for compassion. This novel is a real treat for anyone desiring well-researched historical fiction – with the added benefit of having a spoonful or two of love to complicate things! 

Several years ago, I came across a series of books set in Roma Nova, a surviving remnant of the Roman Empire. I was fascinated by Ms. Morton’s description of this (unfortunately non-existent) country and her casual references to Roman rites and traditions that had somehow survived to modern times. Julia Prima is the foundation story, set in the 4th century when the Roman Empire is crumbling at the edges. Ms. Morton brings the uncertainties of the times to vivid life. The conflicts between Christians and pagans are exploding, previously safe roads are plagued by bandits and through all this Julia rides towards the distant Rome, determined to find the man she loves. ‘Nuff said, methinks! 

I have known Brian Farrell both as a colleague and friend for more than two decades but that isn’t the reason why his book on the fall of Malaya and Singapore appears on my book list. It does so because I believe it’s the best book on the subject that has been written thus far. I have read many and, in my opinion, none of them matches the quality and range of research, analysis, and insight that he brings to the subject. Moreover, he isn’t afraid to say it how it was. He doesn’t skulk about in the shadows but draws out where the problems were and who caused them. Anyone who knows Professor Farrell wouldn’t be surprised about that! He remains impressively scholarly and independent. 

I was fascinated with the depiction of the 1930s Malaysian dance halls steeped in music, fashion, and dance. As a writer who dabbles in the paranormal, the cultural spirits and supernatural elements were intriguing. The split narrative appealed to me since my Jitterbug Dress series is a dual narrative set in the 1940s and 1990s. The author also set the narrative apart by telling the story in different tenses and POVs (Ren and William’s story is in third person past, while Ji Lin’s story is first person, present). Choo did a great job of juxtaposing the beast or wild animal inside each person, where the line of who we are inside and what we present to society is drawn all while creating tension and suspense, keeping me guessing on how all these narratives intertwine. 

As an immigrant to Malaysia, I can attest that the delightful stories in this collection are electric with Malaysian spirit.

The magic in these tales is literally magic, sometimes whimsical, sometimes discomfiting, imbued with warm and ironic wit. The throughline linking the stories is that they focus either on experiences of the uncanny in Malaysia, or the uncanny experiences of Malaysians abroad.

The included story “If At First You Don’t Succeed, Try, Try Again” won a Hugo award, but my personal favourite may be “The Terra-cotta Bride.”

I’m a huge Michael Crichton fan, you know, the guy who wrote Jurassic Park. He actually wrote lots of other books, every one a masterpiece, but this may be my favorite (and it’s hard to pick a favorite Chrichton, I am second guessing myself as I wrote this!).

In this book, one of his longest, Crichton tackles climate change, and no, don’t roll your eyes, this is a face paced thriller that will have you struggling to discern science from fiction.

We can learn a lot about urban refugees from works of fiction. This short story is a tragic tale of Boniface Louis R. Kuseremane, a Rwandese prince, who finds himself in Kenya’s capital, Nairobi.

The story does well to remind us that refugees come from all backgrounds and how quickly support and wealth can disappear. Nairobi initially exists as a stop-off on route to continued comforts in Europe, but the protagonist finds himself trapped on a downward spiral as his social and material privileges slip away.

Yvonne Adhiambo Owuor is most well known for her beautifully written novels Dust and The Dragonfly Sea, but long before these, her short story Weight of Whispers won the prestigious Caine Prize for African Writing.

This is a rare book that we won't get to see published nowadays. Van drew a lot of information about the food cultures, cuisine, and fisheries on the Sabah side of the South China Sea.

If read carefully, it also gives a glimpse into the Borneo side of the South China Sea and its neighboring region.