When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
I wrote
Melancholic Parables: Being for the Antiselving Reader
Whimsical and dolorous, ironic and absurd, this slippery assortment of stories and fragments masks existential dysphoria with deceptive simplicity and…
I haven’t read a better book in a long time than YZ Chin’s collection of linked stories.
At the centre of a panoply of characters and ways of thinking, we find Isabella Sin, a woman who might be taken as a personification of Malaysia, a troubled young nation searching for an identity as it struggles against its own history.
Not unlike what is required of her country, what is ultimately required of Isabella is to “become who she was.” YZ Chin’s voice offers the sort of nuance and depth that I feel characterises the best in literary fiction.
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” ―Ana Castillo, author of So Far from God and prize judge
In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl―and frustrated writer―transformed into a prisoner of conscience in…
Miriam Cohen gives us a series of stories loosely linked by recurring characters and contiguous themes.
In the world of these stories, childhood is bewildering and dreadful, while adults fail grotesquely to be adults—some never manage to stop being children, yet they never quite lose our sympathy.
If you love modern literary fiction, you will take as much delight in Cohen’s ruthless humour as you do in the exquisite prose and razor-keen insights which lurk on every page.
An “acute portrayal of failed relationships and struggles to transcend social norms,”―New York Times Book Review (editor's choice)
“Readers can detect deadpan realism influences of Lorrie Moore and the feminism of Angela Carter in these stories, but the work is distinctly and originally Cohen's voice. . . . [The] plots and these characters will stay for a while. Make room for them."―PopMatters
"These shockingly insightful stories, riddled with breathtaking observation, are also, frequently, laugh out loud funny. Wisdom and hilarity are such a gorgeous couple, and Miriam Cohen makes the absolute most of this pairing. Evocative of Lorrie Moore at…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
More than any other book here, Cathy Ulrich’s flash fiction collection epitomises the “linked story” concept in terms of form and theme (as opposed to plot).
Each short piece is addressed to “you”, and “you” are a woman who has been murdered. We may learn little or nothing concrete about the dead character each story addresses, but the absence of that stolen life leaves an outline of what’s been lost, a haunting negative image of the life she might otherwise have lived.
What results is a moving, subtle illustration of the humanity of the absent “you”.
Cathy Ulrich's debut short story collection, GHOSTS OF YOU, seeks out the names of the lost and finds the person behind the sensationalism. It examines some of the most common tropes in mystery and crime storytelling, in which the narrative always begins with the body of yet another murdered woman. They are mothers and daughters, teachers and students, lovers and wives, actresses and extras. Their lives have been taken, but their stories still remain. This is how they set the plot in motion...
On my list, this is the only book of poetry, but the emotional journey its linked poems chart makes it perfect for inclusion.
Gilgamesh finds his wild friend Enkidu, loves him, loses him—and is racked by grief. The poems bear us through myriad forms of yearning for a bosom companion who will never come home—a plot of emotions, not events.
A finalist in the Grayson Books Poetry Contest in 2020, the inventively structured book features each poem in English and Spanish on facing pages.
In this bilingual collection of poems, inspired by the Epic of Gilgamesh, the king grieves the disappearance of his wild friend Enkidu. Each poem appears in English and Spanish, translated by the author. When you are not talking to me, I conjure you. When I lose my way between campfires, you are with me. When my body wastes away, you are in me. When I want to be somewhere else, you stalk me. A finalist in the 2020 Grayson Books Poetry Contest.
En esta colección bilingüe de poemas, inspirada en la Epopeya de Gilgamesh, el rey llora la partida de…
A witchy paranormal cozy mystery told through the eyes of a fiercely clever (and undeniably fabulous) feline familiar.
I’m Juno. Snow-white fur, sharp-witted, and currently stuck working magical animal control in the enchanted town of Crimson Cove. My witch, Zandra Crypt, and I only came here to find her missing…
As an immigrant to Malaysia, I can attest that the delightful stories in this collection are electric with Malaysian spirit.
The magic in these tales is literally magic, sometimes whimsical, sometimes discomfiting, imbued with warm and ironic wit. The throughline linking the stories is that they focus either on experiences of the uncanny in Malaysia, or the uncanny experiences of Malaysians abroad.
The included story “If At First You Don’t Succeed, Try, Try Again” won a Hugo award, but my personal favourite may be “The Terra-cotta Bride.”
Nineteen sparkling stories that weave between the lands of the living and the lands of the dead. Spirits Abroad is an expanded edition of Zen Cho's Crawford Award winning debut collection with nine added stories including Hugo Award winner "If at First You Don't Succeed, Try, Try Again." A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate…
Whimsical and dolorous, ironic and absurd, this slippery assortment of stories and fragments masks existential dysphoria with deceptive simplicity and hangdog comedy. The recurring character of Bellatrix Sakakino appears and vanishes throughout the book, daisy-chaining the stories into an extended meditation on whether she really is who she is, or was, or will someday be—all the while asking us to read what is not there, what is also there, what is parabolic.
“Encounters with to be and not to be: vulnerable yet ungovernable, tragicomic and ignormal. Shimmering reinvention.” — Tucker Lieberman, author of Most Famous Short Film of All Time
Haunted by her choices, including marrying an abusive con man, thirty-five-year-old Elizabeth has been unable to speak for two years. She is further devastated when she learns an old boyfriend has died. Nothing in her life…
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the dead—letters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.
