Here are 100 books that Spirits Abroad fans have personally recommended if you like
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When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
I haven’t read a better book in a long time than YZ Chin’s collection of linked stories.
At the centre of a panoply of characters and ways of thinking, we find Isabella Sin, a woman who might be taken as a personification of Malaysia, a troubled young nation searching for an identity as it struggles against its own history.
Not unlike what is required of her country, what is ultimately required of Isabella is to “become who she was.” YZ Chin’s voice offers the sort of nuance and depth that I feel characterises the best in literary fiction.
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” ―Ana Castillo, author of So Far from God and prize judge
In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl―and frustrated writer―transformed into a prisoner of conscience in…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
Miriam Cohen gives us a series of stories loosely linked by recurring characters and contiguous themes.
In the world of these stories, childhood is bewildering and dreadful, while adults fail grotesquely to be adults—some never manage to stop being children, yet they never quite lose our sympathy.
If you love modern literary fiction, you will take as much delight in Cohen’s ruthless humour as you do in the exquisite prose and razor-keen insights which lurk on every page.
An “acute portrayal of failed relationships and struggles to transcend social norms,”―New York Times Book Review (editor's choice)
“Readers can detect deadpan realism influences of Lorrie Moore and the feminism of Angela Carter in these stories, but the work is distinctly and originally Cohen's voice. . . . [The] plots and these characters will stay for a while. Make room for them."―PopMatters
"These shockingly insightful stories, riddled with breathtaking observation, are also, frequently, laugh out loud funny. Wisdom and hilarity are such a gorgeous couple, and Miriam Cohen makes the absolute most of this pairing. Evocative of Lorrie Moore at…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
More than any other book here, Cathy Ulrich’s flash fiction collection epitomises the “linked story” concept in terms of form and theme (as opposed to plot).
Each short piece is addressed to “you”, and “you” are a woman who has been murdered. We may learn little or nothing concrete about the dead character each story addresses, but the absence of that stolen life leaves an outline of what’s been lost, a haunting negative image of the life she might otherwise have lived.
What results is a moving, subtle illustration of the humanity of the absent “you”.
Cathy Ulrich's debut short story collection, GHOSTS OF YOU, seeks out the names of the lost and finds the person behind the sensationalism. It examines some of the most common tropes in mystery and crime storytelling, in which the narrative always begins with the body of yet another murdered woman. They are mothers and daughters, teachers and students, lovers and wives, actresses and extras. Their lives have been taken, but their stories still remain. This is how they set the plot in motion...
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
On my list, this is the only book of poetry, but the emotional journey its linked poems chart makes it perfect for inclusion.
Gilgamesh finds his wild friend Enkidu, loves him, loses him—and is racked by grief. The poems bear us through myriad forms of yearning for a bosom companion who will never come home—a plot of emotions, not events.
A finalist in the Grayson Books Poetry Contest in 2020, the inventively structured book features each poem in English and Spanish on facing pages.
In this bilingual collection of poems, inspired by the Epic of Gilgamesh, the king grieves the disappearance of his wild friend Enkidu. Each poem appears in English and Spanish, translated by the author. When you are not talking to me, I conjure you. When I lose my way between campfires, you are with me. When my body wastes away, you are in me. When I want to be somewhere else, you stalk me. A finalist in the 2020 Grayson Books Poetry Contest.
En esta colección bilingüe de poemas, inspirada en la Epopeya de Gilgamesh, el rey llora la partida de…
As an engineer for multiple space projects (including the ISS, Gateway, and commercial space), it seems like I should be a strict sci-fi person. But I love sci-fi and fantasy equally, and I love books that break through the wall between them. Especially in space opera, you can play with how much technology and how much magic shaped a world and a culture. Zooming in, that will greatly influence the characters. Some make it esoteric and exclusive, where others make it more common.All of them transport readers to magical, expansive universes.
The great thing about this one is how closely related the magic and technology are—the magic is really used to manipulate technology. For example, Mechanists can tap into the inner workings of machines, while Datamancers can comb through data even better than AI. The book features fantastic action sequences at a breakneck pace, and a lovable rag-tag team thrown-in together to defeat a terrifying villain named Mother.
Furious and fun, the first book in this bold, new science fiction adventure series follows a crew of outcasts as they try to find a legendary ship that just might be the key to savings themselves-and the universe.
Boots Elsworth was a famous treasure hunter in another life, but now she's washed up. She makes her meager living faking salvage legends and selling them to the highest bidder, but this time she got something real--the story of the Harrow, a famous warship, capable of untold destruction.
Nilah Brio is the top driver in the Pan Galactic Racing Federation and the…
As an engineer for multiple space projects (including the ISS, Gateway, and commercial space), it seems like I should be a strict sci-fi person. But I love sci-fi and fantasy equally, and I love books that break through the wall between them. Especially in space opera, you can play with how much technology and how much magic shaped a world and a culture. Zooming in, that will greatly influence the characters. Some make it esoteric and exclusive, where others make it more common.All of them transport readers to magical, expansive universes.
The writing is really strong in this one, with vivid descriptions and great metaphors. The badass main character walks a thin line between hero and anti-hero, but she still shows vulnerabilities that make her relatable. The novella features a small cast with a tight story, so it’s a fast read that’ll keep you on the edge of your seat.
Being an Assassin on Ares might mean rubbing elbows with the filth of the Infinite Universe, but at least she’s free. Her ability to imagine is perfectly suited to kill, and all Andria has to do is bag the prize money and consider the next Contract on the list.
When an illegitimate Contract goes according to plan, everything goes wrong for her and her partner. They have a month before they’re put on trial and chained for murder. As time runs out and unlikely alliances form, Andria’s ready to pay whatever…
As an engineer for multiple space projects (including the ISS, Gateway, and commercial space), it seems like I should be a strict sci-fi person. But I love sci-fi and fantasy equally, and I love books that break through the wall between them. Especially in space opera, you can play with how much technology and how much magic shaped a world and a culture. Zooming in, that will greatly influence the characters. Some make it esoteric and exclusive, where others make it more common.All of them transport readers to magical, expansive universes.
Nyxia, the first in a young adult trilogy, introduces the reader to an Earth that has found a foreign substance called nyxia on another planet. Use of nyxia basically grants magical abilities to the user, and the more clever the user, the more capability it has. The cast is very diverse, the main character’s voice is refreshing, and the dialogue is realistic. It’s a fast, easy read with a relatable main character. And the plot only thickens as the series goes on…
“A high-octane thriller . . . Nyxia grabs you from the first line and never lets go.” —Marie Lu, #1 New York Times bestselling author of Warcross
Every life has a price in this sci-fi thriller—the first in a trilogy—that has the nonstop action of The Maze Runner and the high-stakes space setting of Illuminae.
What would you be willing to risk for a lifetime of fortune?
Emmett Atwater isn’t just leaving Detroit; he’s leaving Earth. Why the Babel Corporation recruited him is a mystery, but the number of zeroes on their contract has him boarding their lightship and hoping…
I’ve always been a fan of swords and sorcery, but Urban Fantasy brings those elements into a more relatable field, turning real-world locations into sandboxes filled with magic and monsters. I might love Aragorn as a character, but I can’t fully relate to him. Now, give me an “average” guy with real-world problems, running around a modern metropolis, slinging spells, and fighting monsters in dark alleys, and I’m right there with him. Urban Fantasy opens up the imagination to anything you want. Dragons in New York? Sure. Giants using the Eiffel Tower as a baseball bat? Why the hell not? Nothing is off-limits. It’s just pure, unadulterated fun.
An immortal druid and a talking dog. What’s not to love?
Think American Gods, but funnier. In the Iron Druid Chronicles, the gods are real, and Atticus O’Sullivan loves to piss them off. The immediate blending of humor and suspense pulled me in right from the start, and I didn’t stop reading until well beyond this book and only took a breath when I ran out of books.
The first novel in the New York Times bestselling Iron Druid Chronicles—the hilarious, action-packed tales of a two-thousand-year-old Druid pursued by ancient gods in the modern world
“A page-turning and often laugh-out-loud-funny caper through a mix of the modern and the mythic.”—Ari Marmell, author of The Warlord’s Legacy
Atticus O’Sullivan is the last of the ancient druids. He has been on the run for more than two thousand years and he’s tired of it. The Irish gods who want to kill him are after an enchanted sword he stole in a first-century battle, and when they find him managing an…
I was a scared kid who loved spooky stories. I can still remember sitting on the couch, reading Frankenstein by Mary Shelley, mumbling the words aloud, both terrified and enthralled. I checked out every book in the library on Bigfoot, the Abominable Snowman, the Loch Ness Monster, werewolves, and vampires. I’ve hiked the Pacific Northwest, sailed Loch Ness, and chased a ghost light on a mountain. While I missed Bigfoot and Nessie, I caught the ghost. Now I write the kind of spooky monster mystery books I’ve loved for a lifetime.
I was a scared kid. Reading spooky books like this masterpiece of middle grade horror let me experience fear in a safe, fun way.
When I saw the timid protagonist Lewis face his fears, it gave me the courage to face my own. Bellairs weaves a creepy mansion setting, zany yet lovable characters, creative magic, deft humor, genuine scares, and a mysteriously hidden clock ticking down to doomsday into a gorgeous tapestry.
The American classic - now a major motion picture from Steven Spielberg's Amblin Entertainment, starring Cate Blanchett, Jack Black and Kyle MacLachlan
Lewis Barnavelt doesn't have time on his side...
When Lewis Barnavelt, an orphan, comes to stay with his uncle Jonathan, he expects to meet an ordinary person. But he is wrong. Uncle Jonathan and his next-door neighbour, Mrs Zimmermann, are both witches! Lewis couldn't be happier. What's not to like about seeing his uncle practise spells and eating Mrs Zimmermann's delicious cookies?
At first, watching magic is enough. Then Lewis experiments with magic himself and unknowingly resurrects the…
Though I write, I will always be a LitRPG reader first. I enjoy these stories for their ability to craft interesting magical worlds, their creativity of plot, and their breadth of scope. Some LitRPGs are two-dimensional, which have their place, but each of the stories I’ve listed here are most definitely not. They act as my inspiration, both in how I wish to write and in how I’d like to be more creative overall. My day job is as a technical writer for a software company, and LitRPG stories got me back into reading, forced me to think more creatively, and allowed me to follow my dream of writing my own.
This book surprised the heck out of me. In a genre where overpowered main characters are the norm, this story proved that even the greatest of powers can have limitations. It proves that with enough creativity, even the simplest of abilities can astound and amaze. The story also does an amazing job of mixing in intrigue and mystery without needing to constantly explain or do information dumps. I could blather on about this story, but above all else, the way in which it was executed makes it a must-mention on this list.
A world on the precipice of the apocalypse. A secret forged in the flames of war. A chance to start over.
For John Sutton, only one of those three things matters.
Retired from a decade of brutal war, he wants nothing more than a quiet pastoral life while he does his best to stem the steady increase of his Doom Points before they hit 100, signaling the start of the end.
He’s been given a small farm on the outskirts of the empire as a thanks for his service, but no matter how far he travels, it's impossible to escape…
