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Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
Meet dashing Jesamiah Acorne, pirate extraordinaire. This cocky, handsome young man proves to have as many layers as an onion, and right at the center lies the traumatic experiences at the hand of his much older brother. Jesamiah has become a pirate to escape—but also because of his love of the sea. Never will he love anyone as much as he loves the sea and his ships—well, until Tiola enters his life under relatively dramatic circumstances.
This is a book firmly grounded in research, be it of the historical context or of 18th-century ships. It is because of that foundation that Ms. Hollick’s pirate yarn grows into something utterly addictive. How fortunate that this is only the first book in the series!
The Time : The Golden Age of Piracy - 1716. The Place : The Pirate Round - from the South African Coast to the Caribbean. Escaping the bullying of his elder half-brother, from the age of fifteen Jesamiah Acorne has been a pirate with only two loves - his ship and his freedom. But his life is to change when he and his crewmates unsuccessfully attack a merchant ship off the coast of South Africa. He is to meet Tiola Oldstagh an insignificant girl, or so he assumes - until she rescues him from a vicious attack, and almost certain…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
Rebel Knot is set in 17th-century Ireland, torn apart by religious conflict between Catholics and Protestants. This is a war-ravaged Ireland, a land where hope is in short supply and peace is more of a dream than a possibility. And yet, in the midst of all that violence fragile love can flourish—even between people who belong on opposite sides of the religious fence. Ms. Bazos does a fantastic job of transporting the reader back in time, and her two main characters, Niall and Ainé, are wonderfully complex and relatable. The harshness of the times is vividly depicted—as is the growing attraction between the innocent and traumatised Ainé and her new protector, Niall.
Ireland 1652: In the desperate, final days of the English invasion . . .
A fey young woman, Áine Callaghan, is the sole survivor of an attack by English marauders. When Irish soldier Niall O'Coneill discovers his own kin slaughtered in the same massacre, he vows to hunt down the men responsible. He takes Áine under his protection and together they reach the safety of an encampment held by the Irish forces in Tipperary.
Hardly a safe haven, the camp is rife with danger and intrigue. Áine is a stranger with the old stories stirring on her tongue and rumours…
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
Several years ago, I came across a series of books set in Roma Nova, a surviving remnant of the Roman Empire. I was fascinated by Ms. Morton’s description of this (unfortunately non-existent) country and her casual references to Roman rites and traditions that had somehow survived to modern times. Julia Prima is the foundation story, set in the 4th century when the Roman Empire is crumbling at the edges. Ms. Morton brings the uncertainties of the times to vivid life. The conflicts between Christians and pagans are exploding, previously safe roads are plagued by bandits and through all this Julia rides towards the distant Rome, determined to find the man she loves. ‘Nuff said, methinks!
"You should have trusted me. You should have given me a choice." AD 370, Roman frontier province of Noricum. Staying faithful to the Roman gods in a Christian empire can be lethal. Half-divorced Julia Bacausa is condemned to an emotional desert and a forced marriage, Lucius Apulius barely clings onto his posting in a military backwater. Strongly drawn to each other, they are soon separated, but Julia is determined not to lose the only man she will love.
Neither wholly married nor wholly divorced, Julia is trapped in the power struggle between the Christian church and her pagan ruler father.…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
It is always fascinating when a novel has you discovering periods and countries you know little about. Ms. Flynn’s novel throws this reader straight into the complexities of post-war British Malaysia. Yes, the British are still in control, but the old world order is being challenged. While the rubber plantations remain owned by white planters, the Malays, the Chinese, and the Indians want their share and communist insurgents spread violence and fear. In the midst of all this upheaval stands Jasmine, on the cusp of womanhood. Over a period of several months, she will experience everything from first love to betrayal. She emerges somewhat wiser, somewhat bruised. But that, after all, is what growing up entails, isn’t it?
Sixteen-year-old Jasmine Barrington hates everything about living in Kenya and longs to return to the island of Penang in British colonial Malaya where she was born. Expulsion from her Nairobi convent school offers a welcome escape – the chance to stay with her parents’ friends, Mary and Reggie Hyde-Underwood on their Penang rubber estate.
But this is 1948 and communist insurgents are embarking on a reign of terror in what becomes the Malayan Emergency. Jasmine unearths a shocking secret as her own life is put in danger. Throughout the turmoil, her one constant is her passion for painting.
I am the author of sixteen novels—six of them set in the mid-seventeenth century. The English Civil Wars and their aftermath is a period very close to my heart—combining as it does fascinating personalities, incredibly complicated politics, and all the drama and bloodshed of civil conflict. My greatest pleasure has been finding and featuring real men whose names are now largely forgotten.
First published in 1847, the writing style seems somewhat ponderous these days. I read it when I was about twelve—and this is where I discovered the English Civil War. It begins in 1647 and tells the story of four children who, their home burned by Parliamentary soldiers, flee to hide in the forest during a time of danger, persecution, and war. Its bias is unashamedly Royalist but that isn’t necessarily a flaw.
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I dig deep for research for my novels and am entranced by history. It is the soil we grow from; without a sense of history, we have shallow roots. Many history books, however, are academic and tedious. Accounts by living witnesses – from interviews, letters, diaries – bring the past to life with vivid detail.
A compilation of memoirs and letters by six women from the English Civil War. Immersed in research for a novel, I was up to my ears in pamphlets and battlefields, troop movements, and religious schism; I opened The Grand Quarrel and began reading Brilliana, Lady Harley’s letters to her son at Oxford. (‘I have sent you some juice of liquorice, which you may keep to make use of, if you should have a cold.’)The past was suddenly refreshed.
This work draws together the memoirs of women involved in the English Civil War, on both sides. The accounts of wives and daughters provide an insight into women's experiences of the time for general reader and historian alike. They include the Duchess of Newcastle (who has been called "the first English woman writer") on her husband's role at the battle of Marston Moor in 1644; royalist Lucy Hutchinson, whose writing has the immediacy of a diary; Ann Fanshawe's memoirs of 1676, written so a son could know a father killed in battle (and valued by Virginia Woolf for their "candour…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
Written at the height of the English Civil War, this is perhaps the single most important manifesto for free speech in the English language. But it’s also surprisingly good fun, composed in a vivid, memorable style that brings abstract concepts to life.
Advocating what he terms ‘promiscuous reading,’ Milton encourages us to think for ourselves and resist intellectual authoritarianism. I love his argument for the importance of reading in cultivating independent thought: "A good Booke is the pretious life-blood of a master spirit, imbalm’d and treasur’d up on purpose to a life beyond life." As a writer and literary critic, this life-blood is precious to me, too.
John Milton was celebrated and denounced in his own time both as a poet and as a polemicist. Today he is remembered first and foremost for his poetry, but his great epic Paradise Lost was published very late in his life, in 1667, and in his own time most readers more readily recognised Milton as a writer of prose. This superbly annotated new book is an authoritative edition of Milton's major prose works, including Of Education, The Tenure of Kings and Magistrates and the Divorce tracts, as well as the famous 1644 polemical tract on the opposing licensing and censorship,…
I am the author of sixteen novels—six of them set in the mid-seventeenth century. The English Civil Wars and their aftermath is a period very close to my heart—combining as it does fascinating personalities, incredibly complicated politics, and all the drama and bloodshed of civil conflict. My greatest pleasure has been finding and featuring real men whose names are now largely forgotten.
Set in Cornwall, before and during the Civil War, this is a terrific tale based upon the lives of real people—most notably, perhaps, Sir Richard Grenville the King’s General in the West. It’s the story of the Rashleigh Family and Menabilly—where Daphne du Maurier herself lived.
Well written as one would expect of du Maurier—it’s a beautiful story, beautifully told; absorbing, exciting and hard to put down.
Inspired by a grisly discovery in the nineteenth century, The King's General was the first of du Maurier's novels to be written at Menabilly, the model for Manderley in Rebecca. Set in the seventeenth century, it tells the story of a country and a family riven by civil war, and features one of fiction's most original heroines. Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone. As Richard rises through the ranks of the army, marries and makes enemies,…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
Howard Goodall is one of those authors who explains things incredibly clearly.
I found this book an eye-opener, a way into a deeper understanding of music, and a book to have by my side, to dip into whenever I needed to get an idea straight of understand a concept. Because he writes in such an accessible manner, the complexity of music becomes clearer. There are eye-opening facts, historical stories, and facts alongside well written and informative passages.
Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multi-layered orchestration can seem bewilderingly complex.
In his dynamic tour through 40,000 years of music, from prehistoric instruments to modern-day pop, Howard Goodall leads us through the story of music as it happened, idea by idea, so that each musical innovation-harmony, notation, sung theatre, the orchestra, dance music, recording-strikes us with its original force. Along the way, he also gives refreshingly clear descriptions of what music is and how it works: what scales are all about, why some chords sound discordant,…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m a former journalist. I’m nosey. I like to know what’s going on around me. I like to know how the place I live in has evolved. I was born in the UK, but was taken to southern Africa as a child, so grew up with English parents in a colony of the former British empire. I moved to another former colony - Australia. I worked and lived in London for several years. In all of these places I have been fascinated by the history that shaped them. The books I have recommended and the research I did on my own have all helped me understand my place in the universe.
As an unwitting child of the British Empire, I have, as the modern phrase goes, some lived experience of it.
Much that is written about it has its basis in ideology: empire was glorious; or colonialism is the devil’s work. This book uses ten cities of Empire to search out its on-the-ground history. It is marvelously absorbing and free of cliche, jingoism, or bias. It is fluently written and led me to see these iconic cities in a new light.
From Tristram Hunt, award-winning author of The Frock-Coated Communist and leading UK politician, Ten Cities that Made an Empire presents a new approach to Britain's imperial past through the cities that epitomised it
Since the return of Hong Kong to China in 1997 and the end days of Empire, Britain's colonial past has been the subject of passionate debate. Tristram Hunt goes beyond the now familiar arguments about Empire being good or bad and adopts a fresh approach to Britain's empire and its legacy. Through an exceptional array of first-hand accounts and personal reflections, he portrays the great colonial and…
