Here are 24 books that Penguin Ink fans have personally recommended once you finish the Penguin Ink series.
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When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
I recommend this book as often as I can. Edgier and more disturbing than the film adaptation, Heller’s novel offers not one but two women doing terrible things.
Sheba is the art instructor hiding her illicit meetings with a student and running around like a teenager in what must be one of recent literature’s more reprehensible midlife crises. Barbara is the cynical older woman, the veteran teacher with a busy schedule and a barren personal life.
Sheba appeals to Barbara as a friend, to keep her secret. Barbara responds with feigned concern, then with affection, desire, jealousy, and a malicious desire to control Sheba, to jerk her chain and watch her dance. For sheer emotional power dynamics between two women, this book is hard to beat.
Film tie-in edition of Zoe Heller's darkly compelling Booker shortlisted novel. The film of Notes on a Scandal received four Oscar nominations and stars Cate Blanchett and Judi Dench.
From the first day that the beguiling Sheba Hart joins the staff of St George's history teacher Barbara Covett is convinced she has found a kindred spirit. Barbara's loyalty to her new friend is passionate and unstinting and when Sheba is discovered having an illicit affair with one of her pupils, Barbara quickly elects herself as Sheba's chief defender. But all is not as it first seems in this dark story…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
Why people lie is often as interesting as the lie itself for me. This book lays this out as Korede finds herself being a protective big sister to the beautiful Ayoola, a woman with an unfortunate hobby of bumping off men she dates. Despite the darkness of the subject matter, it’s a story full of humor as Korede finds herself telling lie after lie and getting in way over her head to cover up her sister’s murders.
I’ve got two sisters (none of us serial killers!), and it’s funny how much of this tale is relatable! It’s fresh and sharp, with a rich vein of humor that had me chuckling through much of it.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
Okay, it’s not told by a liar, but it is a fascinating nonfiction deep dive into psychopaths, how many there are, what makes someone a psychopath, the impact it can have on coming across one, and so much more. This is a subject that I can’t seem to get enough of–perhaps because I’m a really bad liar! I couldn’t put it down, and after reading the book, I bought the audiobook version, too.
Psychopaths realize pretty early on in their lives that they aren’t like other people and have to find ways to pretend to be. It’s not that they’re bad people. It’s just that they think differently from most of the population, so they learn early on to disguise that by studying and mimicking everyone else. Their ‘otherness’ fascinates me, I suppose not least because I’m quite an intuitive, emotional person.
What if society wasn't fundamentally rational, but was motivated by insanity? This thought sets Jon Ronson on an utterly compelling adventure into the world of madness.
Along the way, Jon meets psychopaths, those whose lives have been touched by madness and those whose job it is to diagnose it, including the influential psychologist who developed the Psychopath Test, from whom Jon learns the art of psychopath-spotting. A skill which seemingly reveals that madness could indeed be at the heart of everything . . .
Combining Jon Ronson's trademark humour, charm and investigative incision, The Psychopath Test is both entertaining and…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
The twists! The turns! The head-spinning lies! The problem with being an author is that I often know within a few pages exactly how a book will end. Although it doesn’t bother me (because the journey is just as important as the destination, in my opinion), it’s always really exciting when I come across a book where I have no clue WTF is going on.
The layers of deception, half-truths, lies, manipulations…they had me wondering where on earth this was going. I defy anyone to work out everything that’s going on.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER
“Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie.
Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.
I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.
It is a masterful use of the narrative voice in crime fiction at its best.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
Anybody I’ve ever talked mysteries with has heard me struggle to impart just how much I admire this book: the clarity and precision of Rendell’s narration, the brisk confidence in every characterization, and the way she challenges the conventional structure of the mystery novel from the first line: “Eunice Parchman killed the Coverdale family because she could not read or write.”
With that first line, I know the crime, the victims, the killer, even the motive—and yet I am utterly compelled to read on. I’ve read it four times, maybe more. I’m in awe of her confidence driving this book, and I love to be her passenger.
A gripping tragedy of crime and class, widely regarded as one of multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell's seminal masterworks and a crime fiction classic. Fans of PD James, Ann Cleeves and Donna Leon will not be disappointed.
'One of her masterpieces' -- Telegraph 'A classic' - The Times 'Quite possibly the best crime book I have ever read' -- ***** Reader review 'One hell of a book' -- ***** Reader review 'An altogether engrossing book' -- ***** Reader review 'A compelling and addictive read' -- ***** Reader review 'An absolute classic - can only be described…
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
I like stories in which ordinary people are tested, really driven to the breaking point.
At the center of this novel, a grieving school teacher addresses her final class before the scheduled break. Gradually and with ever-increasing suspense, we learn that the teacher has uncovered the awful circumstances behind the recent death of her child.
In this powerful, well-paced story of innocence and cruelty, the central character is a typical educator, a dedicated person with a lot of responsibilities who has been pushed beyond the limit. She isn’t a psychopath. Her actions merely demonstrate how far a sane, self-sacrificing person might go, in the name of justice for a loved one.
The Internationalization of Capital explores the nature of capitalist expansion, providing a wealth of up-to-date empirical data combined with incisive theoretical analyses of the dynamics of international capitalism within a comparative-historical framework. The unique combination of theory and extensive data on the labor force structures of various countries makes this work engaging reading for all who are interested in the class basis of conflicts and crises in the world economy.
Social and Economic Studies
This book explores the nature of capitalist expansion, providing a wealth of up-to-date empirical data combined with incisive theoretical analyses of the dynamics on international capitalism…
I’ve been fascinated by the world of fashion for more than a decade. Back in 2012, a serious bike accident left me incapacitated for the best part of six months. By the time I recovered from my injuries, a chance encounter with a Russian dressmaker would change everything; I decided to learn how to sew. I sat in front of my sewing machine, made my own clothes, and expanded into making dresses for my friends. Since I’ve always enjoyed reading gritty mysteries, it was only natural for me to incorporate my art into my writing. Cold Dresses was born out of a passion for fashion and dark thrillers.
It’s been a while since I have read a book that I not only didn’t want to put down, but I wanted to speed through!
Ah, to be a young art student in Berlin in 2008 (or probably not!) It has it all: love triangles, murder mysteries, doppelgängers, crazy parties, and a lot of paranoia against a backdrop of the art of fashion.
Twisted and ingeniously plotted, it got me hooked until the very last word.
'Full of delicious layers . . . I felt drunk reading it.' Emma Jane Unsworth
Intoxicating, compulsive and blackly funny, Other People's Clothes is the thrilling debut novel from Berlin-based American artist Calla Henkel.2009. Berlin. Two art students arrive from New York, both desperate for the city to solve their problems. Zoe is grieving for her high school best friend, murdered months before in her hometown in Florida. Hailey is rich, obsessed with the exploits of Lindsay Lohan and Britney Spears and wants to be a Warholian legend. Together they rent a once-magnificent apartment from eccentric crime writer Beatrice…
Since my mom pressed an Agatha Christie into my hands at age eight, I’ve been fascinated by mystery novels; when I got older that bled into true crime, and from there psychological non-fiction about psychopathy. What evolutionary purpose do psychopaths serve, is this a label we can confidently assign people or is the spectrum of human behavior a gray horizon we’re still approaching? These are questions I’m always happy to spend an hour or six debating, and this interest in psychopaths was definitely heightened by learning I’m closely related to one.
I’m fascinated by the Manson family; my big bad in my book is essentially doing a Charlie impression, so I’ve read a lot about America’s Boogeyman. This autobiography stands out from the crowd because of its absolutely bonkers voice. Every trigger warning in the world applies, but there are two worthwhile aspects to this lurid tale: one, how much institutional violence created Manson, who spent his adolescence and young adult life in the penal system (when they released him at 32 he begged to stay in jail.) And two, how the charismatic “family” could easily pass for some carefree Instagram influencers these days.
"The myth of Charles Manson is not likely to survive the impact of his own words," Nuel Emmons writes in the introduction to Manson In His Own Words, the shocking true confessions that lay bare the life and mind of the cult leader and notorious criminal. His story provides an enormous amount of new information about his life and how it led to the Tate-LaBianca murders, and reminds us of the complexity of the human condition. Born in the middle of the Great Depression to an unmarried fifteen-year-old, Manson lived through a succession of changing homes and substitute parents, until…
I’m a teacher who has mainly taught the eighth grade. When I read short stories and books aloud to my students, I pay attention to when I feel their interest waning and when they’re completely enthralled. Books are so much more action-driven than they used to be and there is often not a lot of description of setting and appearances. I can tell that my students lose interest in scenes that describe a room, for example, in careful detail. They want to hear about what the characters are saying and doing. They also like to feel like they’re being let in on secrets.
I felt changed after I read it and talked about it with everyone who would listen. Not only is this book a riveting, fast-paced read, but it’s an important novel about assault, grooming, and the abuse of power.
The protagonist is an aspiring teenaged singer who gets discovered and then manipulated and abused by a much older celebrity R&B artist. When she wakes up with her hands covered in his blood and finds him dead, she realizes she has no memory of what occurred the night before. This novel was enticing as much as it was heartbreaking.
An instant New York Times bestseller! "Grown exposes the underbelly of a tough conversation, providing a searing examination of misogynoir, rape culture, and the vulnerability of young black girls. Groundbreaking, heart-wrenching, and essential reading for all in the #MeToo era." -Dhonielle Clayton, New York Times bestselling author of The Belles
Award-winning author Tiffany D. Jackson delivers another riveting, ripped-from-the-headlines mystery that exposes horrific secrets hiding behind the limelight and embraces the power of a young woman's voice.
When legendary R&B artist Korey Fields spots Enchanted Jones at an audition, her dreams of being a famous singer take flight. Until Enchanted…
