Here are 34 books that Inspector Wexford fans have personally recommended once you finish the Inspector Wexford series.
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I have always been intrigued by missing persons. I wonder how their family copes with having no closure on the situation and how they can live wondering where their loved one is and whether they are dead or alive. I have read these recommended books many times to satisfy this craving. I enjoy a sense of the macabre even though the story may be about mundane everyday topics. This only adds to the sense of dread and wonder. I enjoy the intriguing twists and turns, keeping me on my toes and wanting more until the end. I hope you enjoy the books on this list as much as I have.
I was intrigued by the twists and turns in this story. The writing is matter-of-fact, describing everyday events that culminate in a wonderfully unexpected ending.
I love the characters and, even though the main character is really not nice, I was drawn to him, realising that the influence of your parents, your upbringing, can affect who you are.
A psychological thriller following Teddy Brex, a handsome, young autistic man who comes to the aid of Francine Hill, a beautiful young woman traumatised by the murder of her mother, and now stifled by the overprotectiveness of an obsessive stepmother; but Teddy has already committed two murders.
I have always been intrigued by missing persons. I wonder how their family copes with having no closure on the situation and how they can live wondering where their loved one is and whether they are dead or alive. I have read these recommended books many times to satisfy this craving. I enjoy a sense of the macabre even though the story may be about mundane everyday topics. This only adds to the sense of dread and wonder. I enjoy the intriguing twists and turns, keeping me on my toes and wanting more until the end. I hope you enjoy the books on this list as much as I have.
I recommend this book and the author’s fabulous writing, comprising of
dread and humour (which I love), all rolled into one. Three separate case
histories, interlinked, each littered with fabulous, memorable
characters. Jackson Brodie, the Detective trying to solve the case, is one of the best, with brilliant detective skills and a haunting
personal life.
An intriguing mix of family drama and mystery, giving it
more depth than just an ordinary thriller. I have read this book many
times, and it’s always new, never boring, and the ending is still a surprise.
Case one: A little girl goes missing in the night. Case two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.Thirty years after the first incident, as private investigator Jackson Brodie begins investigating all three cases, startling connections and discoveries emerge ...
Do you see the pattern in the five books I’ve recommended? In each of them, a woman writer explores the darker side of human nature and lures the law-abiding reader to explore it, too. I do not expect to ever commit a murder or to have to cover one up for the sake of a loved one. But could I? Could the person next to me in the grocery store line? Hmmm, I wonder. Traditional mystery stories and police procedurals reassure the reader that in the end, justice will be served and order restored. The women writers of noir/psychological suspense make us contemplate the world very differently.
The Blank Wallis a departure from my first three recommendations. It focuses on a woman who leads a frazzled but ordinary life during World War II. She must keep her family and home going while her husband is at war. She has to fight a source of evil that invades her home to preserve the norms that seem all-important to her. The fight means stepping outside of those very norms. I recommend this book as an exploration of what it means to do whatever it takes to protect a loved one.
In The Blank Wall (1947) ‘a suburban matron, harassed by wartime domestic problems – her husband is overseas – finds herself implicated in the murder of her young daughter’s extremely unattractive beau’ (The New Yorker). An outstanding example of the psychological thriller genre, ‘worthy of the great Patricia Highsmith herself,’ as Lady Antonia Fraser said in the Spectator, it was filmed as The Reckless Moment in 1949 and as The Deep End in 2001, starring Tilda Swinton. In 1950 Raymond Chandler asked his English publisher, ‘Does anybody in England publish Elisabeth Sanxay Holding? For my money she’s the top suspense…
I’ve been reading crime fiction all my life. I love following the detective sifting through the evidence—the clues, the false trails, and the eventual denouement. It was a crime fiction book that made me realise that history is not fixed but is, in fact, detective work. It changes as more evidence is discovered or a new interpretation is accepted. That book made me decide to take history as my subject at university and I spent six deliriously happy years examining evidence, evaluating it, and, reaching conclusions. Amongst my case studies were the princes in the tower, the gunpowder plot, and witchcraft. Happy days!
Frieda Klein is a psychotherapist dedicated to helping her patients overcome their private horrors. She tells them that they are in a safe place with her—nothing will go beyond these walls. Until one day, a patient’s dreams and desires accord so closely to the case of a missing child that she decides to break that promise.
She finds herself involved in a complex police investigation that can only be solved with her specialist insight. The tension mounts to breaking point as she tracks down the killer, ending in a shocking climax that comes straight out of the left field.
"Complex psychological suspense at its best." -Booklist (starred review)
Immensely intelligent and poignantly human, Frieda Klein has captivated book critics and crime readers everywhere with her debut outing as Blue Monday's iconoclastic heroine. A psychotherapist and insomniac who spends her nights walking along the ancient rivers that lie beneath modern London, Frieda stars in a dazzling new crime series in which the terrors of the mind spill over into real life.
When five-year-old Matthew Farraday is abducted, Frieda cannot ignore the fact that his photograph perfectly matches the boy one of…
I’ve been reading crime fiction all my life. I love following the detective sifting through the evidence—the clues, the false trails, and the eventual denouement. It was a crime fiction book that made me realise that history is not fixed but is, in fact, detective work. It changes as more evidence is discovered or a new interpretation is accepted. That book made me decide to take history as my subject at university and I spent six deliriously happy years examining evidence, evaluating it, and, reaching conclusions. Amongst my case studies were the princes in the tower, the gunpowder plot, and witchcraft. Happy days!
I discovered Belinda Bauer through my local book club and have been addicted ever since. Her plots are thrilling, dark, and original.
The opening scene in this one will draw you in immediately and you will have trouble putting the book down until you have reached the end. It is the story of three children whose mother just disappeared one day. She told them to wait in the car and she walked away andnever came back!
Jack has to look after his sisters in any way he can. He goes to some very dark places, always wondering what happened to his mother.
The tension throughout is unbelievably high.
This story terrifies me and attracts me. I read it again and again, and it still gets me every time.
Crime & Thriller Book of the Year (Specsavers National Book Awards) Longlisted for the Man Booker Prize 2018.
'The best crime novel I've read in a very long time.' VAL MCDERMID
SNAP DECISIONS CAN BE DANGEROUS . . .
On a stifling summer's day, eleven-year-old Jack and his two sisters sit in their broken-down car, waiting for their mother to come back and rescue them. Jack's in charge, she'd said. I won't be long.
But she doesn't come back. She never comes back. And life as the children know it is changed for ever.
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.
Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.
_________________________ Josephine Tey's classic novel about Richard III, the hunchback king whose skeleton was famously discovered in a council car park, investigates his role in the death of his nephews, the princes in the Tower, and his own death at the Battle of Bosworth.
Richard III reigned for only two years, and for centuries he was villified as the hunch-backed wicked uncle, murderer of the princes in the Tower. Josephine Tey's novel The Daughter of Time is an investigation into the real facts behind the last Plantagenet king's reign, and an attempt to right what many believe to be the…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)
The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.
And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.
I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.
It is a masterful use of the narrative voice in crime fiction at its best.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
Anybody I’ve ever talked mysteries with has heard me struggle to impart just how much I admire this book: the clarity and precision of Rendell’s narration, the brisk confidence in every characterization, and the way she challenges the conventional structure of the mystery novel from the first line: “Eunice Parchman killed the Coverdale family because she could not read or write.”
With that first line, I know the crime, the victims, the killer, even the motive—and yet I am utterly compelled to read on. I’ve read it four times, maybe more. I’m in awe of her confidence driving this book, and I love to be her passenger.
A gripping tragedy of crime and class, widely regarded as one of multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell's seminal masterworks and a crime fiction classic. Fans of PD James, Ann Cleeves and Donna Leon will not be disappointed.
'One of her masterpieces' -- Telegraph 'A classic' - The Times 'Quite possibly the best crime book I have ever read' -- ***** Reader review 'One hell of a book' -- ***** Reader review 'An altogether engrossing book' -- ***** Reader review 'A compelling and addictive read' -- ***** Reader review 'An absolute classic - can only be described…
Some writers produce historically important novels of our life and times. I’ve always preferred the “smaller,” timeless stories that dig deep into domestic lives and relationships. For me, the best adventures are always the psychological ones. The bond between mothers and daughters is a rich, if perhaps underexplored, source of literary tension. Often fraught and a battle between deep love and debilitating frustration, it’s the stuff of the highest drama. In The Youngster, the daughter and mother have landed in a place of mutual love, which is then tested by extraordinary – and shocking – circumstances.
This lesser-known psychological thriller by the celebrated crime writer takes us into the claustrophobic world of a dangerously dysfunctional mother and daughter relationship.
There’s nothing slight about this dark and twisty page-turner, which explores how parental obsession can be passed down so disastrously to the next generation.
A psychological thriller about an isolated young woman and her murderous mother from the New York Times–bestselling author of The Girl Next Door.
Far from London, the isolated estate called Shrove House looms over the English countryside. Inside, two women hide from the world. For sixteen years, Eve has protected her daughter, Liza, from the corrupting influence of modern life, never letting her outside, hiding her from those who visit, and killing to keep her safe. Raised in her mother’s shadow, Liza has never questioned that this is the way things must be—until the night the police come to call,…
