Books like Case Histories — picked by fans

The film adaptations make True Grit look like a Western. It is not.

It is an Arkansas book, and Mattie Ross is an Arkansas character: fourteen years old, tiny, and completely on board with the violence she knows avenging her father's murder will require. She has courage and goal-oriented ruthlessness.

Mattie’s fortitude underlines the gap between what my characters can see for themselves and what they can actually reach. That gap is at the heart of what my novella is about.

I love character rich, slow-burn reads and Waters always delivers.

The Paying Guests is set in 1922 London and eloquently (with psychological twists) reveals the effects of post-WWI. During the war, the protagonist, 27-year-old Francis, had found her independence in many liberating ways, and Mrs. Wray, her mother, clung to her genteel social status. Now that her husband and sons are dead, they’re forced to scrub their own floors and take in boarders, i.e., “paying guests,” Leonard and Lillian, a modern lower-class couple, in order to keep their home.

I never suspected what would ensue—from clandestine lovers to empowered women, to murder. Waters paints the changing times, social constraints, and class distinctions with a fine-tipped pen.

Elmore Leonard has a pitch-perfect literary style combined with an uncanny understanding of the underworld of crime. 

Obviously, the author is influenced by Hemingway’s stylistic approaches, but with none of the self-consciousness and pretense that sometimes mars that author’s work.

I also admire his picture of a modern American city and the low-life denizens that most people ignore or shun, but whom he makes quite believable.  

I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.

The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”

This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.

Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.

I’ve always been fascinated by strange social enclaves and secretive, sealed-off, private worlds, and this book has both.

But in fact, the thing I admire most here is the sense of place and atmosphere. Tartt writes with a lush, immersive style which I found is increasingly compelling as the book went on.

Using a murder as the gateway drug to what’s really a literary fiction character study is both sneaky and brilliant: I was hooked by the story in the first chapter, but once I’d finished the book, it was Richard’s voice, those eerie characters, their strange insular co-dependency, and the biting Vermont winter landscape that really stayed with me.

Raymond Carney—savvy furniture store owner in 1960s Harlem; a small-time, look-the-other-way fence for stolen goods—is one of the most likable criminals I’ve ever read about.

He dreams of moving his young family on up to a nice apartment on Riverside Dr. and scraps for every dollar. His hustling ways occasionally flare into big-time crime or revenge, but his insights into the teeming city are always keen.

Whitehead can do it all: perfectly observed details of the time and place, great characters, wry humor, surprising plot developments, devastating emotional scenes. The implications of race and class are deftly drawn. The prose is gorgeous.

Really, no American writer is better than Whitehead right now. A fun and profound ride. 

I can’t even tell you how many times in many years working for newspapers that I rushed out after hearing a body had been found in an empty house or neglected alley. In almost every case, I would arrive to have police officers tell me, “No story here. No homicide. Just another overdose.” The newspaper didn’t tally overdose deaths as it did murders, even if many fatalities are linked to heroin that has been mixed with fentanyl without the users’ knowledge. It’s very rare for those who sell the killer substance to face homicide charges. 

The city is basically another character in this book. While the opioid epidemic had touched communities across the country, Philadelphia’s Kensington neighborhood is widely acknowledged as a disaster zone. A 2018 New York Times article called Kensington is the largest open-air narcotics market on the east coast. 

The plot centers on Philadelphia police officer Mickey… show more.

James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.

Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.

Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.

Being a New Yorker, I’m a sucker for any true New York books, and this one is as authentic as they come. I also really appreciated how believable Chiara Corelli is. She has all the right mix of ethical and tough, but she is also a fully realized person with both external and internal goals and needs. Really good police procedural with a healthy dose of humanity.