Here are 100 books that Case Histories fans have personally recommended if you like
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I’ve been hooked on crime fiction since I was old enough to heft around the collected adventures of Sherlock Holmes, and the older I get, the more I appreciate funny books about the excruciating ways that people interact with each other. I also love a book that does two things well, so a crime novel/comedy of manners is about the best reading experience I can imagine.
I’ve read this book multiple times over various stages of my life, and I find it funnier and funnier (and more and more impressive) the older I get.
This novel has so much going on: yes, technically it’s a Western, but it’s also a crime novel about the corrosive power of revenge, a buddy comedy about a fourteen-year-old girl and an over-the-hill U.S. Marshal, an oddball historical novel, and a meditation on youth and morality.
And more things, probably, that I’ll spot next time I inevitably pick it up again.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
On a foggy morning in New York City, a man and a woman run into each other, literally. The man, a writer, invites the woman, an artist, for coffee. They married just two months later. And four years later, their marriage is crumbling. On a foggy morning in New York…
My favorite novels explore the workings of the human psyche. I want to finish a book thinking Damn, that was a good read—and realize only later that I learned something about psychology, medicine, or history. There are dozens of writers I'd like to add to my list, but these are the five I'd choose if I were stranded on a desert island and allowed to take just five books. Sure, I go dark—the human mind is dark; human history is dark. But there must be beauty to balance the darkness, whether that beauty is in the plot and characterizations, or simply in the elegant use of language.
Everything Sarah Waters writes is great, but this one is my favorite.
Waters is highly literary—her command of language and vocabulary is impressive—yet she is not afraid to roll around in the mud as her characters engage in petty deception, then...larger crimes.
Set in the early 1920's, the story is as alive and real and immediate as if it were happening right now. I love the way Waters includes plenty of historical details, from language to furniture and architecture, but she never gets lost in it—her characters are real and nuanced and very human. They are driven by need, greed, lust, anger—the real emotions that often trigger violent crimes.
This novel from the internationally bestselling author of The Little Stranger, is a brilliant 'page-turning melodrama and a fascinating portrait of London of the verge of great change' (Guardian)
It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.
I’ve been hooked on crime fiction since I was old enough to heft around the collected adventures of Sherlock Holmes, and the older I get, the more I appreciate funny books about the excruciating ways that people interact with each other. I also love a book that does two things well, so a crime novel/comedy of manners is about the best reading experience I can imagine.
I love the opening of this novel: an offhand-feeling anecdote about Chili Palmer, the central character, getting his jacket stolen from a restaurant in Miami Beach. It feels breezy and inconsequential, but it does so much work to set the tone, establish the stakes, and introduce key characters.
I’m also a sucker for a fish-out-of-water comedy, although maybe this book is the opposite of that: tough-guy loan shark Chili Palmer falls in with a group of hapless Hollywood types and ends up thriving through the novel’s sometimes violent, sometimes funny twists and turns.
A thriller filled with Leonard's signatures - scathing wit, crackling dialogue, twisted plot, mad scams - and set in the drug sodden world of Hollywood.
A decades-old secret. A missing woman. A private investigator with everything to prove.
Newly minted PI Paula Moore takes on her first case: find Marion Taylor, who vanished from Portsmouth, England, years ago. Paula’s search leads her across the ocean to San Francisco—only to discover Marion has changed her name,…
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.
The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”
The bestselling debut, with over a million copies sold, that launched Tana French, author of the forthcoming novel The Searcher and "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
"Required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting." -The New York Times
Now airing as a Starz series.
As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.
Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.
_________________________ Josephine Tey's classic novel about Richard III, the hunchback king whose skeleton was famously discovered in a council car park, investigates his role in the death of his nephews, the princes in the Tower, and his own death at the Battle of Bosworth.
Richard III reigned for only two years, and for centuries he was villified as the hunch-backed wicked uncle, murderer of the princes in the Tower. Josephine Tey's novel The Daughter of Time is an investigation into the real facts behind the last Plantagenet king's reign, and an attempt to right what many believe to be the…
I’ve always thought that the most clear-eyed, unforgiving observers in literature are teenagers, not because adolescence is simple (it’s the opposite), but because young people haven’t yet learned to shrug and look away. The novels I've chosen here all have central characters who see the adult world's failures, hypocrisies, and prejudices with a directness that most of us gradually lose; and they all use coming of age as a way to confront a world that is already, in some fundamental way, broken – by grief, violence, or the gap between what adults promise and what they deliver. Those are exactly the themes I love to write about.
I’ve always been fascinated by strange social enclaves and secretive, sealed-off, private worlds, and this book has both.
But in fact, the thing I admire most here is the sense of place and atmosphere. Tartt writes with a lush, immersive style which I found is increasingly compelling as the book went on.
Using a murder as the gateway drug to what’s really a literary fiction character study is both sneaky and brilliant: I was hooked by the story in the first chapter, but once I’d finished the book, it was Richard’s voice, those eerie characters, their strange insular co-dependency, and the biting Vermont winter landscape that really stayed with me.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
You’re grieving, you’re falling in love and you’re skint. On top of it all, Europe’s going to Hell in a handcart. Things can’t get any worse, can they?
London, 1938. William is grieving over his former teacher and mentor, killed fighting for the Republicans in Spain. As Europe slides towards…
I’ve been hooked on crime fiction since I was old enough to heft around the collected adventures of Sherlock Holmes, and the older I get, the more I appreciate funny books about the excruciating ways that people interact with each other. I also love a book that does two things well, so a crime novel/comedy of manners is about the best reading experience I can imagine.
Colson Whitehead always impresses me with his ability to make potentially tired genre elements feel fresh and vital.
Honestly, I enjoy even a workmanlike heist-gone-wrong story, but this one is firing on all cylinders. There’s a world-weary sense of humor suffusing all of it, coupled with complex, compelling characters that make this an irresistible read for me.
NEW YORK TIMES BESTSELLER • From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, this gloriously entertaining novel is “fast-paced, keen-eyed and very funny ... about race, power and the history of Harlem all disguised as a thrill-ride crime novel" (San Francisco Chronicle).
"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents…
My usual answer, when someone asks me where I live in Philadelphia, is: “Have you seen the Rocky movies, where he’s running through that open fruit/vegetable market? I’m three blocks from there.”I’ve called Philadelphia home for more than 20 years. I’m clearly a big fan, having now written four books about the city. I include a reference to the city’s most famous fictional character in my children’s alphabet book Philadelphia A to Z. In More Philadelphia Murals and the Stories They Tell, I got to tell stories about the country’s largest public art program. In This Used To Be Philadelphia, I told the then and now stories of dozens of city locations.
I can’t even tell you how many times in many years working for newspapers that I rushed out after hearing a body had been found in an empty house or neglected alley. In almost every case, I would arrive to have police officers tell me, “No story here. No homicide. Just another overdose.” The newspaper didn’t tally overdose deaths as it did murders, even if many fatalities are linked to heroin that has been mixed with fentanyl without the users’ knowledge. It’s very rare for those who sell the killer substance to face homicide charges.
The city is basically another character in this book. While the opioid epidemic had touched communities across the country, Philadelphia’s Kensington neighborhood is widely acknowledged as a disaster zone. A 2018 New York Times article called Kensington is the largest open-air narcotics market on the east coast.
The plot centers on Philadelphia police officer Mickey…
NAMED A BEST BOOK OF THE YEAR BY NPR, PARADE, REAL SIMPLE, and BUZZFEED
AN INSTANT NEW YORK TIMES BESTSELLER
A GOOD MORNING AMERICA BOOK CLUB PICK
"[Moore’s] careful balance of the hard-bitten with the heartfelt is what elevates Long Bright River from entertaining page-turner to a book that makes you want to call someone you love.” – The New York Times Book Review
"This is police procedural and a thriller par excellence, one in which the city of Philadelphia itself is a character (think Boston and Mystic River). But…
As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.
Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.
Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.
The highly acclaimed novel based on America's most infamous unsolved murder case. Dive into 1940s Los Angeles as two cops spiral out of control in their hunt for The Black Dahlia's killer in this powerful thriller that is "brutal and at the same time believable" (New York Times). On January 15, 1947, the torture-ravished body of a beautiful young woman is found in a Los Angeles vacant lot. The victim makes headlines as the Black Dahlia -- and so begins the greatest manhunt in California history. Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops,…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
At heart, I just love a juicy story. For about three years of my life, I read nothing but non-fiction and textbooks on psychology, psychotherapy, and analyses of the human condition—everything from case studies to scientific papers. Cross that with an NYPD detective for a husband, and my obsession with the criminal mind, the detective mind, and everything in between was born. I am especially drawn to stories that show how working with the underbelly of society affects a police officer’s psyche. Nobody is unscathed. It is this vision of humanity on the razor’s edge between law and crime that I find most compelling to write and read.
Being a New Yorker, I’m a sucker for any true New York books, and this one is as authentic as they come. I also really appreciated how believable Chiara Corelli is. She has all the right mix of ethical and tough, but she is also a fully realized person with both external and internal goals and needs. Really good police procedural with a healthy dose of humanity.
Just back from her second tour in Afghanistan, NYPD Detective Chiara Corelli goes undercover to expose a ring of dirty cops. But when she’s ordered to kill to prove her loyalty, she aborts the operation without having identified the leaders. Now, Corelli is the one exposed. With her brothers and sisters in blue ostracizing her, can she trust Detective P.J. Parker to watch her back?
Parker is the daughter of a vehement critic of the NYPD. But that doesn’t stop her from wanting to work in the homicide division. And wanting to learn from the best. Unfortunately, Chiara Corelli is…