31 books like Gormenghast Trilogy

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.

I listened to this book in my first interaction with it and I love authors who’s narrative doesn’t talk down to me. Hope Mirlees’ prose is incredibly fun, but subtle. Fairies are real here, with unpredictable ways and alluring fairy fruit.

I loved the exploration of a world of mystery beyond the bounds of human control. Mirlees’ tone reminds me of Susan Collins’ Jonathan Strange and Mr. Norrell, which I also loved. 

The late great Patricia McKillip is one of the finest prose writers in the fantasy genre. Through her meticulous wordsmithing, the twin settings of Ombria come to life on the page. Some settings and imagery have been branded into my brain since the very first time I read it.

After I finished my first readthrough I immediately started the second, as I’d gotten so entranced by the story and the atmosphere that the words disappeared from the page. The second readthrough was for my writer brain to fully absorb it and what made it effective.

Liking Terry Pratchett is a bit like liking pizza: not terribly remarkable.

Pratchett is a master storyteller who commands not only tropes but the idea behind them with such skill that I can read one of his books and never realize I’m getting the most profound lesson of my life. I could have recommended any of his books, and more to the point, any of his City Watch books, but I single out this particular book for a reason. I’m a humanist, like Pratchett, and this book explores his humanism most effectively.

And it’s also an amazing mystery and incredible comedy. 

Robert Sheckley stands out from his contemporaries of the golden age of science fiction by being not just great but also often very funny. 

Sheckley has a wry, insightful wit, which puts him in a class of his own among the giants of the post-WW2 era. Start with his eight stories of the AAA Ace Interplanetary Decontamination Service. Great idea, great characters, great settings (two shysters running a fly-by-night planetary fixer-upper service, on the cheap): they are light, effortless, unpretentious, insightful, and brilliant. 

It’s basically Ghostbusters in space. What more could you want?

I guess we have a theme because this second book is also a story in which a woman discovers unusual powers and must use them to outsmart a cunning man who seeks to dominate her. It’s hard not to be taken by protagonist Anyanwu, who learns to navigate her shapeshifting and mindreading abilities, not for ill intent.

Yet, like many stories of powerful women, she ultimately must use her wiles and intelligence to play the long game against her foe. It’s full of gripping plot, harrowing scenarios, beautiful writing, and a powerful protagonist you won’t ever forget.

This coming-of-age story centers on Jaxom, a young dragon rider and future lord of a hold, and his bonded dragon Ruth, a rare, small, and often silly white dragon. Jaxom thinks his greatest problem is the bullies who mock him for his status and his dragon’s unusual size, but as he strives to prove his naysayers wrong, he ends up thrown in the middle of political machinations far beyond what he could have dreamed. I love Ruth’s almost childlike nature and his fearless willingness to rise to whatever challenge they faced. Their friendship, and unique relationship with the tiny fire lizards of the land, was charming at every turn. 

I have loved this novel since first reading it in college—probably when I should have been studying for exams! 

Double Indemnity is one of the first and best American noir novels and served as the basis for the 1944 film by the same name. The novel taught me about the classic noir trap: a basically good but flawed man helps a basically bad but attractive woman in an effort to murder her husband, the good/flawed man hoping to end up with both the woman and the money.

But things seem fated to go wrong, and what starts out as a bleak tale ends up even bleaker—at the dark end of a one-way street. Since reading this powerful novel—and seeing the equally powerful film with its crackling dialogue by famed hardboiled crime writer Raymond Chandler—I have never looked at life quite the same way again.

I was instantly transported by this epic saga of high fantasy steeped in legend and myth. The beautiful descriptions of the rugged, dreamlike, and sometimes sinister lands and fabulous otherworld dimensions of the Elder Isles, make Lyonesse an incomparable read. I love Vance’s stunning prose style, his razor-sharp dry humour, and the complexity of his characters. It is boundary-defying fantasy, mercifully devoid of elves, dwarves, and dragons but brimful with intrigues and subplots, unexpected twists, sudden violence, acts of heroism, and scenes of tragedy, love, strangeness, and betrayal. Lyonesse is magic from beginning to end.

In my view, a great murder mystery should have a lot of possibilities, and science fiction just adds deeper layers of intrigue, and this is what The City and The City has in spades – literal layers and intrigue.

Here, two cities exist in the same place, yet the citizens of each one must ignore the citizens of the other. It is a crime to notice the citizens of the other city. When a murder occurs and our detective investigates, he only has jurisdiction in one city.

But what really blew my mind about this book was that, though it is science fiction, there is no physical or scientific reason that the cities are separate and occupy the same place. The division is only in the minds of the inhabitants!