Here are 69 books that The White Dragon fans have personally recommended if you like
The White Dragon.
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I have a passion for reading and telling tales. But I am a Christian first and foremost, and when I am not studying the Bible, I love to write when my mind is at rest and not too busy with life’s responsibilities. I love fantasy as it has a rich capacity for symbolism, and Jesus taught with parables. Symbolism in storytelling is such a potent way to convey truths and stimulate thought as thoughts work like seeds. It only takes one seed to germinate and sprout. It takes a humble heart to listen and consider something new we haven’t thought of before. And epic tales have a strong impact for touching hearts, for it had truly reached mine.
I would have thought to list another book here, and for sure, there are truly many books to be read that could easily be listed here, and despite that, this is listing Tolkien’s works for a third time; the truth simply stands in my library that his works are simply that great.
So far be it that the renowned book of The Lord of the Rings be not included. I had been introduced to Tolkien and fantasy’s more serious nature by my dad and grandfather with readings of The Hobbit, and by it, I was already enamored with the world of Middle-earth, as Bilbo was my hero.
I loved the classic animated cartoon adaptations back then by Rankin and Bass, and Bakshi, which at the time was my main exposure to The Lord of the Rings, along with commentaries from my dad, until I finally read it at the time…
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
Jen Hewitt, a quiet geology graduate student, doesn't actually believe in time travel. Were it possible, rocks from the age of dinosaurs should already be cluttered with artifacts from future time-tourists. Nevertheless, she proves with fellow geologist Jonathan Renner that a human skeleton encased in Pleistocene rock came from their…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
This book is prophecy, power, and paranoia wrapped in a sandstorm.
It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.
It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I’ve always been fascinated by the concept of time travel, especially how it can pull you into an entirely different timeline and make you question the choices that shape your life. As a reader, I’m drawn to stories where time travel isn’t just a plot device but a way to explore themes of fate, identity, and the consequences of our actions. Over the years, I’ve delved into countless books that do just that—books that transport me to worlds both familiar and entirely new. This list reflects my passion for time travel stories that not only entertain but make me think long after I’ve turned the last page.
This is a wonderful blend of magic, history, and romance that completely swept me away. I loved how Harkness created a world where science and magic coexist, and the way she weaves historical references into a modern love story stole my heart.
The relationship between Diana and Matthew feels real, complicated, and deeply emotional, and I found myself fully invested in their journey. What really hooked me was the rich world-building, with its intricate details of witches, vampires, and daemons, making it feel like a universe I could dive into again and again. This is an annual reread for me. Book 1 in a wonderful series.
In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont.
"She plunged her blade into his chest, feeling it grind along his ribs..."
Outcast swordfighter, Kyer Halidan, was abandoned in a cornfield at age three. Now, twenty years on, she’s searching for answers: Who left her there? And why?
Kyer doesn’t suffer fools, and when she kills a man in…
I have been a huge fan of fantasy since I was a child, starting off with high fantasy before trying out urban. The genre helps me escape from the real world for a while and fires my imagination. I write fantasy books because there is no limit on what you can do with characters and storyline. I write for pleasure and I hope others get enjoyment out of my work. I read a lot, not to get ideas, but just for the pure pleasure of reading. There is just something about the feeling of turning the pages of a printed book you can’t get anywhere else.
This is the first book in a series that goes on and on, following the life of a couple of characters as the world changes around them. Spanning two different worlds, this first book builds up a number of characters you want to keep reading about. As the series continues through time, new threats to the two worlds introduce new characters. What I like most about this series is it keeps moving the worlds forward instead of stagnating.
In the westernmost province of the Kingdom of the Isles, upon the world of Midkemia, an orphan kitchen boy named Pug was made apprentice to the magician Kulgan.
Here starts an adventure that will span lifetimes and worlds. Discover where the story begins.
The world had changed even before I discovered the foreign ship wrecked on the shore below Crydee Castle, but it was the harbinger of the chaos and death that was coming to our door.
War had come to the Kingdom of the Isles, and in the years that followed it would scatter my friends across the world.…
I write stories where consequence comes first. I grew up immersed in Greek/Egyptian mythology and fairy tales, but I was always more drawn to the parts they left out. I wanted to know what daily life looked like for someone like Hercules, not just the story beats. Or what happens when the moral of the story isn’t learned. My passion lies in exploring the cost of power, the wounds we carry (that are often excluded from stories), and the myths we create to justify them. I believe the best fantasy doesn’t just help us escape the world, it helps us to look at ours differently.
I can’t remember if I read WOT or GOT first… but this book was one of my entries into epic fantasy.
It begins with normal people trying to figure out something they can’t fully understand, and fearing being powerless in the face of what’s coming. Jordon really takes his time to slowly build the world, but even then, it feels like it is already established, and it is the reader who is new here.
What made it memorable was the way it balanced massive stakes with human fragility. It explores the theme that power isn’t always just a gift or a curse; it can be a burden that costs the wielders and those who are in orbit of it.
The Wheel of Time turns and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. What was, what will be, and what is, may yet fall under the Shadow.
When a vicious band of half-men, half beasts invade the Two Rivers seeking their master's enemy, Moiraine persuades Rand al'Thor and his friends to leave their home and enter a larger unimaginable world filled with dangers waiting in the shadows and in the light .
I’m an author who grew up reading books with supernatural elements, whether it was a version of this world (paranormal fantasy) or other worlds (fantasy). I’m always looking for fantasy elements mixed with romance, so it’s not a huge surprise that I wrote in the genre. I went to Seton Hill University to get my Master’s in Fine Arts in Writing Popular Fiction and am a USA Today Best-selling author. Books and reading (and writing!) are my passions, and I hope you enjoy this list of books I’ve reread countless times.
Chronicles of the One starts with this book, and it is a wild ride. It’s postapocalyptic but with a supernatural edge to it. There’s a plague that sweeps the world, but most of the ones left standing after it have some supernatural abilities. It becomes a war to save the world, waged between the supernaturals and the normal humans.
There’s romance—because Nora Roberts is the queen of romance—battles, and a nice HEA (happily ever after) at the end. This whole series is a do-not-miss page-turner.
A stunning new novel from the #1 New York Times bestselling author Nora Roberts―Year One is an epic of hope and horror, chaos and magick, and a journey that will unite a desperate group of people to fight the battle of their lives…
It began on New Year’s Eve.
The sickness came on suddenly, and spread quickly. The fear spread even faster. Within weeks, everything people counted on began to fail them. The electrical grid sputtered; law and government collapsed―and more than half of the world’s population was decimated.
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the world’s power begins to fail, the consequences ripple outward—through prophecy, politics,…
I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.
Between the high-stakes worldbuilding, Earth on the brink of war with Luna while battling a global pandemic, and Marissa Meyer’s fresh sci-fi take on magic, the story drew me in and wouldn’t let me go.
I’m not ashamed to say I devoured this in one sitting. I was fascinated by the lunar people’s ability to use their “gifts” to manipulate bioelectricity, casting glamours and bewitching their victim’s minds. It added yet another layer of tension to the story.
The seamless fusion of dystopia, sci-fi, and elements from classic fairytales creates a powerhouse narrative that centers around Cinder, a cyborg mechanic whose fate is inexplicably twined with the prince’s in a race to find a cure and prevent the impending war.
A forbidden romance. A deadly plague. Earth's fate hinges on one girl . . .
CINDER, a gifted mechanic in New Beijing, is also a cyborg. She's reviled by her stepmother and blamed for her stepsister's sudden illness. But when her life becomes entwined with the handsome Prince Kai's, she finds herself at the centre of a violent struggle between the desires of an evil queen - and a dangerous temptation.
Cinder is caught between duty and freedom, loyalty and betrayal. Now she must uncover secrets about her mysterious past in order to protect Earth's future.
I have always loved a good sassy sidekick, human or otherwise. I started my first book, DragonBond, at the age of fifteen, and throughout the various drafts between its inception and its completion, the dragon Axen’s sass game has always been fierce. Since then, I’ve published a total of thirteen books, seven of which are in the Endonshan Chronicles series. I have a Master’s degree in psychology which I use to create well-rounded characters with unique quirks and personalities. I hope you enjoy these picks and all the snark contained within!
DragonSpell follows a freed slave named Kale who delves into a world of magic, wizards, and dragons when she discovers a clutch of small dragon eggs. She’s sent to rescue a meech dragon egg stolen by the evil Wizard Risto and must find the reclusive Wizard Fenworth to do so. Along the way, some of the dragon eggs hatch into tiny dragons who have special abilities of their own. Their antics alone are enough to keep the pages turning, much less the dramatic adventure and delightful cast of characters accompanying her.
When Kale, a slave girl, finds a dragon egg, she is given the unexpected opportunity to become a servant to Paladin. But on her way to The Hall, where she was to be trained, Kale runs into danger. Rescued by a small band of Paladin’s servants, Kale is turned from her destination.
Feeling afraid and unprepared, Kale embarks on a perilous quest to find the meech dragon egg stolen by the foul Wizard Risto. But their journey is threatened when a key member of the party is captured, leaving the remaining…
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Peake writes with the experience of someone who paints and that has a remarkable effect on his use of imagery. There are certain figurative turns of phrases he uses, such as “a face like scrunched up paper” or describing a cat purring as “the sound of an ocean inside a shell,” that click in my mind like—yes! You’ve put that into words! And Titus Groan is, once again, full of that amazing and immersive wordsmithery that elevates the text into something cinematic.
The first volume of the GORMENGHAST trilogy of fantasy novels. Titus Groan is born the heir to Gormenghast castle, and finds himself in a world predetermined by complex rituals that have been made obscure by the passage of time. Along the corridors of the castle, the child encounters some of the dark characters who will shape his life.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I started writing romance stories when I was about 15 and it was terrible fan fiction with me as the main character interacting with the “romantic hero,” but after a while, I got tired of that, and then I discovered my author mentor, Anne McCaffery and I began to think about creating actual fantasy characters and having them interact with one another in different worlds. The Stone Harp also let me have somewhat of an extra role in the books. My background in art and graphic design also let me use those skills in designing covers and marketing materials as well as illustrations in The Stone Harp and in other projects currently in the works.
This book is filled with a blend of magic, mages, and medieval mysticism! A complete fan of all things medieval, I found this book at the beginning of my jump into world-building. Kurtz’s character development is stellar and taught me to try even harder to develop characters a reader could love or hate. Throughout the entire “Dernyni” series you find many characters that you grow to care deeply about and some you cheer when they meet their demise!
Magic and mysticism come alive in this magnificent historical fantasy from the New York Times–bestselling author of the Chronicles of the Deryni.
Long before Camber was revered as a saint, he was a Deryni noble, one of the most respected of the magical race whose arcane skills set them apart from ordinary humans in the medieval kingdom of Gwynedd.
For nearly a century, Camber’s family has had little choice but to loyally serve the ruling Festils, Deryni usurpers who employed dark magic to wrest the throne from the rightful Haldane liege.
