Here are 71 books that Lud-in-the-Mist fans have personally recommended if you like
Lud-in-the-Mist.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.
I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya's fate. For years she follows him in love and in war, and bears the scars. But eventually Marya returns to her birthplace - only to discover a starveling city, haunted by death. Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
I write speculative fiction books that feature hidden or secret locations. I enjoy writing about closed communities where different rules apply, and they are less susceptible to outside intervention. Places where those in power can ‘get away with things’. I base the topography on real locations and adapt them for my purposes. I can visualise the locations, which are an amalgam of the real and the imaginary. For consistency, I draw maps incorporating real physical landmarks.
When in unfamiliar settings, people often feel isolated. This makes it easier to portray them as exposed or insecure, creating an atmosphere of fear or suspicion and opening up plot possibilities.
I have always been impressed by this Gothic masterpiece set in the giant, crumbling castle of Gormenghast, a community of traditions and strict rules enforced by a Master of Ritual.
The birth of Titus shakes the community and reawakens divisions of entitlement and hierarchy and prompts the rise to influence of Steerpike, an ambitious kitchen boy who aspires to become Master of Ritual.
The story, whose weirdness is underlined by character names including Lord Sepulchrave, Fuchsia Groan, Sourdust and Prunesquallor, works through multiple conspiracies to achieve their aims. The book absorbs the reader into its strange, unique world through its strange cast and language.
The first volume of the GORMENGHAST trilogy of fantasy novels. Titus Groan is born the heir to Gormenghast castle, and finds himself in a world predetermined by complex rituals that have been made obscure by the passage of time. Along the corridors of the castle, the child encounters some of the dark characters who will shape his life.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
As the saying goes, I could tell you, but then I'd have to kill you. Ahem. Not actually. Breaking cover doesn't typically demand killing people. But I might lose my security clearance and my diplomatic immunity in Fairy. Which I don't want to do, so shall we say I have a lively imagination and no personal knowledge about spy craft or espionage either in this world or in Fairy? Promise. I know nothing. And anyway, you can't prove it!
This book gets both mine and my eleven-year-old daughter’s vote. My daughter doesn’t like small talk, but when we were reading this adventure, this world got her talking and also imagining fan fiction!
Jessie lives on the Indiana frontier in the 1800s when diphtheria strikes her village, but she finds her way to the modern world in search of a cure. The stakes are high and the story made us feel like we were there!
Return to the classic middle grade time-bending thriller Running Out of Time by Margaret Peterson Haddix, almost thirty years following its first publication, with this stunning repackage.
Clifton, Indiana, 1840. Jessie Keyser lives with her family in a small log cabin. Her father is a blacksmith and her mother cares for her and her siblings—though, at night, Jessie’s mother also secretly tends anyone who gets sick in their village.
Lately, more and more people have been falling ill. Especially the other kids in Jessie’s one-room schoolhouse. Quarantine signs appear on the local homes. And Jessie’s mother looks worried. Very worried.…
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
The late great Patricia McKillip is one of the finest prose writers in the fantasy genre. Through her meticulous wordsmithing, the twin settings of Ombria come to life on the page. Some settings and imagery have been branded into my brain since the very first time I read it.
After I finished my first readthrough I immediately started the second, as I’d gotten so entranced by the story and the atmosphere that the words disappeared from the page. The second readthrough was for my writer brain to fully absorb it and what made it effective.
The Prince of Ombria is dying, and already his sinister great-aunt is plotting to seize power. The Black Pearl is feared throughout the land, and the city folk know her reign will be a terrible one. Only the prince's son can stop her from seizing the throne but he's just a boy - barely worth the trouble of doing away with.
Ombria, it seems, is doomed. And yet, beneath the streets, in a buried world of shadows and ghosts, a mysterious sorceress is weaving new spells, watched over by a girl sculpted entirely from wax ...
As the saying goes, I could tell you, but then I'd have to kill you. Ahem. Not actually. Breaking cover doesn't typically demand killing people. But I might lose my security clearance and my diplomatic immunity in Fairy. Which I don't want to do, so shall we say I have a lively imagination and no personal knowledge about spy craft or espionage either in this world or in Fairy? Promise. I know nothing. And anyway, you can't prove it!
This one is a great example of a middle-grade fantasy that deserves more attention. It pulled me right in and wouldn’t let go with its authentic Irish folklore and vivid narrative. Author Pat O’Shea is from Ireland and the sense of place is rich with history and atmosphere.
Brigit’s spunk is a perfect counterpoint to Pidge’s sober personality, and they were my friends. We were on an adventure together.
Set in the world of Irish mythology, The Hounds of the Morrigan tells of the coming of the great queen, the Morrigan, from out of the west to free the snake Olc Glas, and to bring destruction to the world. Two children, Pidge and Brigit, are chosen to thwart the Morrigan.
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
As the saying goes, I could tell you, but then I'd have to kill you. Ahem. Not actually. Breaking cover doesn't typically demand killing people. But I might lose my security clearance and my diplomatic immunity in Fairy. Which I don't want to do, so shall we say I have a lively imagination and no personal knowledge about spy craft or espionage either in this world or in Fairy? Promise. I know nothing. And anyway, you can't prove it!
I adored Howl’s Moving Castle but that novel probably isn’t Diana Wynne Jones’ best book. This compilation includes Charmed Life and The Lives of Christopher Chant in a fantasy world of magicians and bureaucratic management of magic. You would think in a world where magic is real it might get boring, but I trust Jones because she knows how to protect magic from becoming common, always respecting magic's economy.
Surprises abound in these stories, but it's easy to let go of my critical mind and just have fun. Bonus fact: Diana Wynne Jones was a student of JRR Tolkien’s at Oxford. I laughed my head off when I read Wynne’s descriptions of Tolkien’s lectures online. She is fascinating and also hilarious.
In this multiple parallel universes of the Twelve Related Worlds, only an enchanter with nine lives is powerful enough to control the rampant misuse of magic--and to hold the title Chrestomanci...
The Chants are a family strong in magic, but neither Christopher Chant nor Cat Chant can work even the simplest of spells. Who could have dreamed that both Christopher and Cat were born with nine lives--or that they could lose them so quickly?
As the saying goes, I could tell you, but then I'd have to kill you. Ahem. Not actually. Breaking cover doesn't typically demand killing people. But I might lose my security clearance and my diplomatic immunity in Fairy. Which I don't want to do, so shall we say I have a lively imagination and no personal knowledge about spy craft or espionage either in this world or in Fairy? Promise. I know nothing. And anyway, you can't prove it!
My fifth-grade teacher read this book to my class in 1987, and it lit my imagination on fire!
I would have gone to school, even if it were optional while she was reading this story about three children who learn how to “see” their way to a world of magic and adventure. They ultimately discover myriad and sundry wonderful creatures in a fantasy world where wonder abounds.
I love the understanding that magic is right under our noses, just waiting to be discovered!
The Last of the Really Great Whangdoodles was the second children’s novel ever written by Julie Andrews, the beloved star of Mary Poppins and The Sound of Music. Perfect for young readers who love whimsical stories about magic!
The Whangdoodle was once the wisest, the kindest, and the most extraordinary creature in the world. Then he disappeared and created a wonderful land for himself and all the other remarkable animals—the ten-legged Sidewinders, the little furry Flukes, the friendly Whiffle Bird, and the treacherous, "oily" Prock. It was an almost perfect place where the last of the really great Whangdoodles could…
Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles.
This book, the first in a trilogy, ticks off several of my favorite genres and tropes. It’s a retelling of the Scottish ballad of Tam Lin (which I love), it’s set in a small college town, and it deals with a strange otherworld community beneath the surface. Following her older sister’s suicide, Finn Sullivan and her father relocated to upstate New York. Here, Finn’s path crosses that of the powerful, mysterious Fata family, and gets herself pulled into a strange new world that’s as beautiful as it is threatening.
Combining the sorcery of The Night Circus with the malefic suspense of A Secret History, Thorn Jack is a spectacular, modern retelling of the ancient Scottish ballad, Tam Lin-a beguiling fusion of love, fantasy, and myth that echoes the imaginative artistry of the works of Neil Gaiman, Cassandra Clare, and Melissa Marr. In the wake of her older sister's suicide, Finn Sullivan and her father move to a quaint town in upstate New York. Populated with socialites, hippies, and dramatic artists, every corner of this new place holds bright possibilities-and dark enigmas, including the devastatingly attractive Jack Fata, scion of…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
As a reader, I have always been partial to fantasy—the sweeping worlds, the heroics, the adventures, and the characters. I grew up immersed in fantasy, and as I began my writing journey, I remained immersed in it. I love being transported to another world and escaping the mundane of life, exchanging it, if only briefly, for a life of excitement and magic. I am a fantasy romance writer at heart, and my writing personifies my love affair with both fantasy and romance. To me, romance is just as tantalizing as world-building. My books consist of powerful romances that weave perfectly with the magical world in which they bloom.
A more recent read for me was The Wicked Woods Chronicles by Indie author L. V. Russell.
Russell weaves a tale of faeries and love in this dark fantasy that is wickedly satisfying. Teya stumbles into the forest of the faerie and finds herself entangled with creatures ranging from monstrous to beautiful.
When she meets Laphaniel, it is not love at first sight, but as her journey into the land of the faeries continues, love blooms in unexpected ways. This love story is set in a world that is mystical and enchanting while horrifying at the same time.
The romance is prevalent throughout the series, beckoning us to read further to discover Teya and Laphaniel’s fate.
The woods are dark and wicked, and perhaps some things would be better off staying lost…
Teya Jenkins is ten years old when her sister is taken. Niven is never found, because no one knows where to look. No one but Teya that is, who heard the whispers of the trees and saw the beautiful creatures that dwelled in the shadows.
It is only after another tragedy, years later, that Teya finally dares to enter the forest that haunts her dreams, determined to bring home her sister and mend the fractured remains of her family.
