91 Books Like Ombria in Shadow

Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.

I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.

Peake writes with the experience of someone who paints and that has a remarkable effect on his use of imagery. There are certain figurative turns of phrases he uses, such as “a face like scrunched up paper” or describing a cat purring as “the sound of an ocean inside a shell,” that click in my mind like—yes! You’ve put that into words! And Titus Groan is, once again, full of that amazing and immersive wordsmithery that elevates the text into something cinematic.

I listened to this book in my first interaction with it and I love authors who’s narrative doesn’t talk down to me. Hope Mirlees’ prose is incredibly fun, but subtle. Fairies are real here, with unpredictable ways and alluring fairy fruit.

I loved the exploration of a world of mystery beyond the bounds of human control. Mirlees’ tone reminds me of Susan Collins’ Jonathan Strange and Mr. Norrell, which I also loved. 

I love this beautifully-told story with its bold message about believing in yourself and the power of forgiveness. This native Alaskan legend tells of two old women from long ago. When the tribe faces severe famine during a dangerously cold winter, they abandon the two old “useless” women with no food, leaving them to starve.

Now, the two old women must learn to believe in themselves and fight the elements to survive. They remember forgotten wisdom from their youth–how to make snares and find fish under the ice. They not only survive, but thrive. But once they do, their ultimate challenge is to forgive those who left them to die. Because now the tribe is struggling and will not survive without their help. 

One of the most daring and original voices I have read in recent years. 

I admire Kirsty Logan’s boldness in imagining and describing personal viewpoints and her unique interpretation of possible alternate realities. She shows the courage to commit to ideas and storylines that are original, innovative, and beyond the imagination of most people.

The two darkest stories are "Watch the wall, my darling, while the Gentlemen go by", a menacing tale of abuse, kidnapping, and violence, and "Half Sick of Shadows". The latter is profoundly moving and disturbing and almost unbelievable in its callousness.

A writer whose progress I will follow with interest.

This is the only graphic novel/comic book on my list and it goes above and beyond in art and story.

I have enjoyed reading the Harrow County stories many times. I prefer the collected edition where you can take your time and read comic issues 1-16 of Darkhorse Comics Harrow County. The artwork pulls you in, and the story is filled with zippy turns and good dialogue.

It pulls from many of the books I've mentioned in building an early American horror story that heads off in multiple directions. I can smell the grass and trees, hear the click-clack of the horse-pulled carts, and taste autumn in the air while reading these books.

A topic for another time would be examining the different experiences when reading a graphic novel compared to a novel. The strengths and weaknesses, what exactly the illustrations add, but for a horror fan who has never… show more.

I once made the mistake of reading several of James’ ghost stories, one after another, while alone in the house.

I was making a cup of coffee when something started scratching stealthily at the inside of a cupboard door. I had to lower myself from the ceiling before I discovered that some scrunched carrier bags hung inside the cupboard had unscrunched, causing the ghostly scratching. But that’s why I love James’ ghost stories.

Warning: Never read more than one a day.

We all think we know "A Christmas Carol" but after the Muppet version, I find myself thinking of it as simply comical.

Until I re-read it, I forget just how chilling the ghosts who visit Scrooge are. And I love "Captain Murderer," Dickens’ account of how his nursemaid terrified him with scary tales, because it takes me back to my own childhood love of terrors.

Then there are stories like "The Signalman," which is not at all funny, darkened with the signalman’s dreadful loneliness and apprehension.

Dickens was a Master. Even his humorous ghost stories have an edge of fear.

This is another book that really hit me right between the eyes as a kid, and revisiting it with my kids as an adult, it’s nothing short of just creepy weirdness.

Guillermo Del Toro once said that kids' stories should be frightening, and this definitely fits the bill. The best part about it is how short the stories are, too, so I was able to break it up with my kid into a number of sittings.