Here are 66 books that Death Gate fans have personally recommended once you finish the Death Gate series.
Book DNA is a community of authors and super-readers sharing their favorite books with the world.
Children have vivid imaginations, and while mine was initially drawn to science fiction, I discovered my true passion for fantasy upon reading The Hobbit as a teenager. Since that day, escaping into fantasy worlds—whether it be through books, movies, TV, roleplaying, and video games—became my passion and hobby, leading me down many roads, including writing game reviews, a short story, a novel, and an extensive collection of fantasy-related replicas and statues. Ultimately, that endless feeling of wonder and exploration, adventure and danger is what convinced me to become an author; these five books sitting at the top of a long list that inspired me to reach that goal.
When I learned that this novel and the epic series that followed were, in fact, a chronicle of the tabletop role-playing adventures by the authors and their friends, it became my introduction to the massive world of Dungeons & Dragons.
That such creativity and imagination could be sparked by playing a game was a life-altering event that propelled me not only to play it but would eventually inspire me to write my own book series.
A classic tale of heroism and adventure, the original Dragonlance Chronicles perfectly blends all the best qualities of high fantasy, including some well-timed moments of humor that had me genuinely laughing out loud.
This Dungeons & Dragons-inspired fantasy adventure is the first installment in the beloved Dragonlance Chronicles, set in the magical world of Krynn
Once merely creatures of legend, the dragons have returned to Krynn. But with their arrival comes the departure of the old gods—and all healing magic. As war threatens to engulf the land, lifelong friends reunite for an adventure that will change their lives and shape their world forever . . .
When Tanis, Sturm, Caramon, Raistlin, Flint, and Tasslehoff see a woman use a blue crystal staff to heal a villager, they wonder if it's a sign the…
As a child, my imagination and love of art drew me to comic books, and later, to immersive, worldbuilding fantasy. My 26-year hiatus from devoted creative pursuits while serving in the Air Force rewarded me with amazing experiences around the globe. As an Airman, naturalist, and scuba diver, I have been immersed in worldly ‘extremes’: the best and worst of humankind; nature’s most remote places and incredible creatures; and troubled regions afflicted by climate change and conflict. I now distill my experiences and creativity into the genre of “eco-fantasy.” The books of my diverse selection also leverage and explore worldly and otherworldly ‘extremes’ to elevate their stories. Enjoy!
It would be the most extreme of criminal acts for this beloved book not to be my ‘list topper!’ Reading this book instilled an instant love of good fantasy storytelling in me early on. It defines the fantasy genre, exemplifying the absolute best extremes in great world-building, characters, and epic storytelling.
Tolkien set the high bar I strive for in all areas in my own writing with one of the most memorable stories in one of the most unforgettable worlds of all time … and he managed to pull it all off within the context of a single book! No matter how many times I go back and re-read this one, I find something new to cherish, and you will too!
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid…
Children have vivid imaginations, and while mine was initially drawn to science fiction, I discovered my true passion for fantasy upon reading The Hobbit as a teenager. Since that day, escaping into fantasy worlds—whether it be through books, movies, TV, roleplaying, and video games—became my passion and hobby, leading me down many roads, including writing game reviews, a short story, a novel, and an extensive collection of fantasy-related replicas and statues. Ultimately, that endless feeling of wonder and exploration, adventure and danger is what convinced me to become an author; these five books sitting at the top of a long list that inspired me to reach that goal.
I’ve always had a fascination with prophecies and the ubiquitous role they play in works of fantasy—it’s a tried-and-true literary device, and I don’t think there is another series that embodies the principle of fate better than Eddings’ Belgariad series.
The title of this first book sets that up most perfectly. From the first few pages, I was instantly drawn into this world, which takes the concept of uniquely varied traveling companions to a whole other level.
Not only are the characters all well fleshed out with personalities and motivations that kept me invested the whole way, but the book (and series) was also replete with another thing I love so much about fantasy novels—going on a grand, action-filled journey through numerous, fascinating locations.
The first part of a saga set against a history of 7000 years of struggles of gods and kings and men. Long ago, the evil god Torak sought dominion and drove men and gods to war. Belgarath the Sorcerer led a quest to reclaim the Orb of Aldur - but so long as it lay at Riva, men would be safe.
I write stories where consequence comes first. I grew up immersed in Greek/Egyptian mythology and fairy tales, but I was always more drawn to the parts they left out. I wanted to know what daily life looked like for someone like Hercules, not just the story beats. Or what happens when the moral of the story isn’t learned. My passion lies in exploring the cost of power, the wounds we carry (that are often excluded from stories), and the myths we create to justify them. I believe the best fantasy doesn’t just help us escape the world, it helps us to look at ours differently.
I can’t remember if I read WOT or GOT first… but this book was one of my entries into epic fantasy.
It begins with normal people trying to figure out something they can’t fully understand, and fearing being powerless in the face of what’s coming. Jordon really takes his time to slowly build the world, but even then, it feels like it is already established, and it is the reader who is new here.
What made it memorable was the way it balanced massive stakes with human fragility. It explores the theme that power isn’t always just a gift or a curse; it can be a burden that costs the wielders and those who are in orbit of it.
The Wheel of Time turns and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. What was, what will be, and what is, may yet fall under the Shadow.
When a vicious band of half-men, half beasts invade the Two Rivers seeking their master's enemy, Moiraine persuades Rand al'Thor and his friends to leave their home and enter a larger unimaginable world filled with dangers waiting in the shadows and in the light .
For me, one of the most exciting things about a great book is discovering the world in which the story takes place. I absolutely love it when I find a story with a rich tapestry into which the characters are woven and which brings the story to life. If the world created by an author tantalizes the senses and feels believable (no matter how fantastical), it makes the characters and story feel real. This makes it feel like the stakes and the consequences of the character’s actions matter in the context of the world and brings us along on the journey and all the possibilities that await the reader.
I do not think any list relating to fantasy books would be complete without an entry from David Gemmell, a true gold standard of the genre. Legend is another book I first fell in love with as a teenager. I loved the simple enough premise: countless enemies at the gates of a fortress, and if the fortress falls, the Drenai Empire falls.
The story also introduces what I believe to be one of the most iconic heroes in heroic fantasy, the Deathwalker—Druss The Legend. While there were battles like nothing I had ever read before it was the interaction between the characters and the fellowship of the embattled defenders which brought me into this world fully as I read. The expert craft of the story made me really care about each of the characters and their fate.
There is an expertly realised villain in Ulric, the leader of the enemy,…
“David Gemmell tells a tale of very real adventure, the stuff of true epic fantasy.”—R. A. Salvatore
Druss, Captain of the Ax, is the stuff of legends. Tales of his battles are told throughout the land, and the stories expand with each telling. But Druss himself grows older, until finally, the warrior turns his back on glory and retreats to his mountain lair. There he awaits his old enemy: death.
But far below, the barbarian Nadir hordes are on the march. All that stands between them and the Drenai people is a mighty six-walled fortress, Dros Delnoch—a great citadel that…
I’m a lifelong reader, and over the years I’ve probably gotten to know thousands of characters. I don’t like it when they die, but their deaths can be so moving if done well. It really frustrates me when a beloved character dies and it doesn’t amount to anything. I’ve gotten attached to these people–they shouldn’t just die without impacting anything! But I love it when a death results in a plot twist or meaningful consequences for the remaining characters.
This one has some mature images that aren’t for everybody–you’ve been warned! Nearly all of this book takes place in a single room where the main character is cuffed to a bedframe.
This should have been boring–she can’t even move–but I found it a great psychological thriller with a believable setup and a genuine problem to be addressed.
But this time Jesse doesn't want to play. Lying there, spread-eagled and handcuffed to the bedstead while he looms and drools over her, she feels angry and humiliated.
So she kicks out hard. Aims to hit him where it hurts.
He isn't meant to die, leaving Jesse alone and helpless in a lakeside holiday cabin. Miles from anywhere. No-one to hear her screams.
Alone. Except for the stray dog that smells her blood, the voices in her head which begin to chatter, and the board which creaks stealthily at nightfall, signalling…
I've always been a reader. In my childhood, I read Hardy Boys novels by the bucketload. I loved scholastic book fairs, pouring over the lists to find new books to read. Then my uncle gave me The Hobbit followed by giving me a hardback set of Lord of the Rings for Christmas of the 6th Grade. After that, my mother gave me Pawn of Prophecy, which cemented my love of the genre. I write fantasy because of all the books I listed. Each one led me down a path that ended with me publishing my first novel.
I picked this book up as a lark at the SeaTac Borders Bookstore while waiting to fly down to my grandparents' 50th wedding anniversary celebration. I can't really say why I bought it, but I have never had a book series that challenged me more.
The philosophy and metaphysics of this world had me thinking like no other books did. It pushed me to write far more gray characters and to see a human as a flawed yet beautiful amalgamation of strengths and weaknesses. Bakker is fearless in his subject matters, and I try to be as well. I write about the best and worst of humanity because of the depths of Bakker's broken characters.
The Darkness That Comes Before is the first book in R. Scott Bakker’s epic fantasy trilogy The Prince of Nothing. Set in a world scarred by an apocalyptic past, four people are swept up in the launch of an imminent crusade, during which they are ensnared by mysterious traveler Anasûrimbor Kellhus, whose magical, philosophical, and military talents have origins in a distant time.
“[An] impressive, challenging debut . . . [the book’s] willingness to take chances and avoid the usual genre clichés should win many discriminating readers.” —Publishers Weekly
I’m a lifelong reader, and over the years I’ve probably gotten to know thousands of characters. I don’t like it when they die, but their deaths can be so moving if done well. It really frustrates me when a beloved character dies and it doesn’t amount to anything. I’ve gotten attached to these people–they shouldn’t just die without impacting anything! But I love it when a death results in a plot twist or meaningful consequences for the remaining characters.
When I was a kid, a favorite uncle gave me a later book in this series, and I was immediately entranced by the combination of humor and fantasy–I love both genres, and I’d never seen them done together before. This is the first book in that much-loved and reread series.
It starts when Garkin, an irascible old wizard, summons a demon to impress his mouthy apprentice. Garkin then gets killed, which releases the demon and launches the mouthy apprentice, Skeeve, into a series of outlandish adventures. It’s a dark start to a light book, full of trope reversals and puns. I loved it as a kid and as an adult.
Skeeve is a magician’s apprentice (and a wanna-be thief) until an assassin’s bolt kills his master, Garkin. Along with Aahz, the green-scaled, purple-tongued demon and master magician summoned by Garkin, he sets out on a quest to get even. The road to vengeance is bound to prove rocky, however, because Skeeve can barely light a candle with his beginning magic, and Aahz has lost his own considerable magical abilities as a consequence of Garkin’s summoning spell. Before they can confront the power-mad wizard who ordered Garkin’s assassination, they must survive a trip to a weird alternate dimension, encounters with Impish…
I love including social issues and controversial topics in my plots. I love underdogs and the downtrodden. I enjoy unique and quirky characters with excellent, appropriate, and sometimes noir-ish voices. Twists and major reveals in genre books and movies are also very important to me. I’m not a subject matter expert in much of anything I write about (thank goodness for the internet), except for one novel yet to be published, which is a major catharsis for me.
I was overwhelmed by this crazy, lovable, frightening novel. It fit right in with my paranormal/horror bend when I read it many years ago, and it provoked my interest in writing a few titles in the genre.
It fits the unique, quirky character theme perfectly with a first person narrative by a young, charismatic fry cook-writer-memoirist named Odd (real name) Thomas with a sixth sense, able to see demons when they arrive just before tragedy occurs. Yowza. His accomplice is his girlfriend and love interest, aptly named Stormy, who is not similarly gifted and seems to have more common sense than Odd.
Meet Odd Thomas, the unassuming young hero of Dean Koontz’s dazzling New York Times bestseller, a gallant sentinel at the crossroads of life and death who offers up his heart in these pages and will forever capture yours.
“The dead don’t talk. I don’t know why.” But they do try to communicate, with a short-order cook in a small desert town serving as their reluctant confidant. Sometimes the silent souls who seek out Odd want justice. Occasionally their otherworldly tips help him prevent a crime. But this time it’s different.
A stranger comes to Pico Mundo, accompanied by a horde…
My psychotherapist has always described me as a black and white thinker. Good and evil. Happy or sad. Up or down. I struggle with shades of gray in my day-to-day life. Which is maybe the reason I am drawn to literature that explores morally ambiguous characters and settings. Not only does every book on this list have no clear hero or villain, but each story forces the reader to question what they think they know about right and wrong. I may be a black and white thinker in every practical sense, but I read and write about people and situations that occupy that very human space of in-between.
Want to laugh out loud? Then read The Princess Bride. I’m sure you’ve seen the classic movie version, but you owe it to yourself to go back to the source material by William Goldman. I never knew a book could be so funny!
The narrative stretches the boundaries of storytelling, taking the reader down a path that is touching, scary, and hilarious in turns. I loved the absurdist characters. I loved even more Goldman’s clear, comic voice throughout.
William Goldman’s beloved story of Buttercup, Westley, and their fellow adventurers.
This tale of true love, high adventure, pirates, princesses, giants, miracles, fencing, and a frightening assortment of wild beasts was unforgettably depicted in the 1987 film directed by Rob Reiner and starring Fred Savage, Robin Wright, and others. But, rich in character and satire, the novel boasts even more layers of ingenious storytelling. Set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin, home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest…
