89 Books Like Gerald's Game

Want to laugh out loud? Then read The Princess Bride. I’m sure you’ve seen the classic movie version, but you owe it to yourself to go back to the source material by William Goldman. I never knew a book could be so funny!

The narrative stretches the boundaries of storytelling, taking the reader down a path that is touching, scary, and hilarious in turns. I loved the absurdist characters. I loved even more Goldman’s clear, comic voice throughout.

I was overwhelmed by this crazy, lovable, frightening novel. It fit right in with my paranormal/horror bend when I read it many years ago, and it provoked my interest in writing a few titles in the genre.

It fits the unique, quirky character theme perfectly with a first person narrative by a young, charismatic fry cook-writer-memoirist named Odd (real name) Thomas with a sixth sense, able to see demons when they arrive just before tragedy occurs. Yowza. His accomplice is his girlfriend and love interest, aptly named Stormy, who is not similarly gifted and seems to have more common sense than Odd.

When I was a kid, a favorite uncle gave me a later book in this series, and I was immediately entranced by the combination of humor and fantasy–I love both genres, and I’d never seen them done together before. This is the first book in that much-loved and reread series.

It starts when Garkin, an irascible old wizard, summons a demon to impress his mouthy apprentice. Garkin then gets killed, which releases the demon and launches the mouthy apprentice, Skeeve, into a series of outlandish adventures. It’s a dark start to a light book, full of trope reversals and puns. I loved it as a kid and as an adult.

I read this whole series as a teenager, and I remember loving it but not following it very well–the story is spread over seven books, each flowing logically and naturally into the next. It was a little too big and complex for me at the time. I’ve started rereading them as an adult, and they are phenomenal.

The four-elements theme of world-building seemed very simple at first, even a little gimmicky, but as I got into it and discovered how the worlds were interconnected, it all fell into place for me: worlds meant to be elegantly interdependent are instead standing–and faltering–alone. I like how the worlds are populated by real people leading real lives, bringing the whole big picture to a more relatable level.

For all the highly enjoyable shenanigans around using time travel to prevent JFK’s assassination, I came away loving this book for reasons I don’t normally associate with King–I genuinely loved his characters. Jake Epping is a sympathetic lead, and I became far more invested in his love for Sadie than in the assassination-thwarting.

I’d hesitate to say this is King’s finest book, but of those I’ve read, it’s definitely my favourite. I found the climax so emotionally satisfying; it genuinely moved me.

This book is a literary novel set in part on the Moon. That’s not a sentence you’ll read often, which is a big part of why I love this novel—it’s not what I expected, even though there’s a big hint in the title.

Like many readers, my introduction to Emily St. John Mandel was her post-apocalyptic novel Station Eleven. In that story, the most interesting characters aren’t concerned with simple survival…if they are going to fight to live, they want a culture worth fighting for. When I picked this book up, I deliberately chose not to read the story summary and was completely caught off guard by how the novel unfolded. Typically, stories questioning time and our perception of reality do so by sending the protagonist on a dangerous quest looking for answers.

Like all my favorite novels, the scope is intimate and vast in this one. The story… show more.

I love a good re-imagined fairytale, and Tidbeck delivers...except it's more like she took all the fairy tales, smashed them, and reassembled them in a mosaic that's both familiar and alien at the same time.

Dora and Thistle are two among many children trapped in the Garden, servants to the fairy-like overlords who, when those children grow up, will eat them. Dora and Thistle escape, but so does one of the wicked overlords....

The prose is gorgeous, and the story is all the things fairytales should be: magical, terrifying, fantastic, with journeys and helpers and—well. I won't tell you if the ending is happy or not. Read to the end and find out. 

It may be obvious by now that I’m drawn to stories about complex characters, stories that aren’t afraid to be both humorous and gut wrenching.

Fourteen-year-old Nephele is another protagonist whose voice is immediately endearing, refreshing, and compelling. She’s an outsider, a brilliant math and science nerd who struggles to adjust socially to high school.

She invents a time travel app in order to relive her freshman year and do it right—but instead she becomes stuck in a time loop for ten years, encountering characters and surprises that help her to overcome her loneliness and find herself.

I love it that this book celebrates a smart, quirky character as she learns to look more deeply into her life and navigate her world. 

This clever novel takes the old premise, “What would happen if you went into the past and met yourself?” and magnifies it by multiple degrees.

Returning to the time of the great Chicago fire, the hero ends up meeting several past and/or future versions of himself, each time making his situation more complicated. A quick, enjoyable read.

Setting, setting, setting! Barbara writes such lovely backdrops for her even more lovely characters, and this one takes you way back to the dangerous and politically charged fifteenth century. True to the Highlander kicks off a 4-book series, and each book is as engrossing and detailed as the last. I love when a character has a thing that separates them from the crowd, and that thing for Barbara’s heroine is her beautiful violin playing. Pick this one up, and your heart will be making music too, because this one tugs at the heartstrings.