I recommend The Last of Her Kind by Sigrid Nunez because I found it an absorbing portrait of a friendship in which I wasn’t sure if the two people in it even liked each other. Georgette, called George, is from a working-class family, and Ann is her wealthy college roommate. It is the late 1960s. For me, the book had a fresh angle on the protest movements. George’s focus in college is trying to pull herself up.

To me, George and Ann’s friendship is like a house on a cliff–dangerous, depending on what door you open. This book has stayed with me because it explores why people remain friends, even if the relationship is difficult to the point of pain. 

LeMasters hung out at a tavern in Wisconsin from 1967 to 1972, talking to factory workers who held well-paying, unionized jobs in the heyday of American industrial production. Working-class lives are so different now that I wish I could enter a time machine and travel back to the 1960s and talk to working-class men then. LeMasters’s book is as close as one can get to doing that. He describes the outlook of the tavern regulars on their work, their families, and the world around them. Despite their prosperity, they express attitudes about public life that, in some respects, would not sound out of place in a focus group of working-class adults today.   

I chose this book for two reasons. First, Cowie masterfully documents the hugely significant political and social shift that took place in the 1970s, as America transitioned from the liberalism of the New Deal era to the conservatism of the Reagan revolution. And second, he assumes that culture is just as important as economics in the constructions of and understandings of social class.  Cowie engages the reader in a fascinating look at popular culture to reveal the ways in which a coherent white, working-class male identity fell apart, a process that contributed to the overall decline in organized labor’s power in this crucial decade.  As a bonus, the book is beautifully written. 

Dougherty, a New York Times reporter, gives a timely review of how zoning and environmental regulations have made California the nation's poster child for overpriced housing. More encouragingly, he profiles several of the leaders who are fighting for reforms, including leaders of "YIMBY" movement (Yes In My Back Yard) and a state senator, Scott Wiener, whose initiatives have influenced state legislation to promote environmentally friendly infill development.

A short but beautiful book, full of wisdom, personal reflections, and compelling truths about men and masculinities.

This was one of the first books on men and masculinities to be published in the UK, and I read it in the early 90s. I found it profoundly helpful in guiding me to become a profeminist man. I particularly appreciate Tolson’s gentle but persuasive arguments wherein he deconstructs what it means to be a working-class British man, showing how ‘patriarchal masculinity’ gets created through, for example, family, relationships, institutions, work, and peer-group pressure.

The book is part autobiographical and throughout Tolson is openly reflective on his own masculinity and the contradictions it creates in him. I recently reread this book and was so impressed at how Tolson’s insights into the state of men over 50 years ago remain relevant to this day. 

This book is one of the texts that gave rise to Italian “operaismo.”

For me, as for many other Marx scholars, it is a fundamental text that teaches how to look at capitalist relations from the perspective of class struggle. This shift in perspective means looking at capital as a response to a conflict that forces it into constant restructuring, innovation, and reconfiguration.

The conflict also innervates workers' institutions, so that sometimes a refusal to participate in a strike can also be read and acted upon as a refusal to participate in the union's reformist and compromising politics. It is a way of reading social relations to free their political potential.

This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have… show more.

This book is both an attempt to reclaim the legacy of the Paris Commune for our time and a rich and stimulating investigation of the Commune as “a working laboratory of political invention.” The focus is not on the traditional narrative culminating with the slaughter of Bloody Week. It is on the efforts of individuals—some far removed from the Communards’ Paris—to imagine a world marked by the inversion of longstanding hierarchies and divisions.

What makes the book especially compelling is Ross’s ability to “think with” both Communards like Elisabeth Dmitrieff and Elisée Reclus and outsiders like Kropotkin and Marx as they “open up the field of the possible” in reflecting on the Commune.

This book began the entire City Mysteries genre. When French novelist Eugène Sue published it serially in 1842-1843, it took the world by storm and became an instant bestseller. I love the intrigue in the novel. The main character, Prince Rodolphe, is in disguise as a working man in Paris among criminals and the poor with the intent to help them.

I love how the novel shows the complex personalities of the different characters and their backstories, explaining how many became criminals. The novel is full of Gothic atmosphere and helped to change the Gothic from being set in crumbling castles and the past to the present-day and the modern city. This Gothic cityscape reflected the trauma and displacement many felt living in crime-ridden metropolises.

This was one of the first of many childhood and youth memoirs I read while writing my book. The author, Paul Hertneky, had a similar experience to mine in a larger immigrant-filled steel mill town, Ambridge, Pennsylvania. It’s an entertaining story of how he almost became a permanent resident, working in the mill like his father, but finally escaped this industrially-polluted environment, as I did. My hometown also had many newly-arrived immigrants and, at one time, I was also thinking of following in my father’s footsteps. The big difference is that my hometown never became part of the rust belt, although its deep water wells had to be closed down. It grew in size and the chemical factory, which once produced DDT and Agent Orange, remains in place today, very close to houses, but with more environmental controls. Still, the parallels between our two stories are interesting.