Books like Rust Belt Boy — picked by fans

An engaging story of how a person can transform her life through travel and formal education.

While teaching English at a community college, I assigned this memoir to my students. Many of my students came from disadvantaged backgrounds and could identify with the childhood hardships and abuse experienced by Tara Westover.

I was delighted to share a story that resonates with my own life and demonstrates how a young person, even against overwhelming obstacles, can overcome insecurities, transform personal views, and navigate beyond the limitations imposed by one’s childhood.

Since I spent part of my childhood living within an hour of Cambridge University, I also enjoyed the part of the story that transpired in the halls and turrets of an old English institution.

I was heavily influenced by the storytelling and humor in this memoir, as well as the comic and childish cover and illustrations. Although I had a very different upbringing, I wrote in a similar style. Roald Dahl's tales of his own childhood are completely fascinating and fiendishly funny, especially for adults. He tells of crazy conflicts in his English schools with headmasters and teachers, and I had similar experiences. He writes of a visit to a chocolate factory, whereas our town’s factories were not so innocent. The air was filled with the by-products of pesticide, herbicide, plastics, fertilizer, and steel castings production, as well as a slaughterhouse. Roald Dahl employed a professional illustrator to add humor, whereas I decided to learn how to draw, coming up with over 50 illustrations to amplify the humor.

I recommend this book because it takes the reader to a totally different world of a child growing up in the 1940s and 50s in Kenya, East Africa, during the war between the British colonials and Mau Mau freedom fighters. The author was born into a typical African compound ruled by a patriarch with four wives. He had many adventures in his attempts to escape the restrictions of his native culture. In Chapter 3 of my memoir, titled “First Dreams of Africa,” I describe how I saw shapes which looked like African animals on a hill, the other side of the chemical factory and town dump. That’s when I started to dream about going to a more verdant faraway land. Ngugi wa Thiong'o became a novelist and playwright and I became an international film and media producer, and much later a creative nonfiction writer. 

T.W. Neal grows up with parents who opt to live on a sparsely populated Hawaiian island, not wearing clothes, surfing, smoking Marijuana, and eating magic mushrooms. The family lives in a van or in housing with few modern amenities and the author attends school on the island only sporadically. Due to her mother’s mental illness and her father’s alcohol abuse, she at times, has to run the household. With difficulty she connects with relatives and a few teachers and begins to reach for a lifeline to break free from the life her parents chose. She wants to go to college and eventually is able to leave the island and pursue a mainstream life. It is astounding that a person growing up in such circumstances would have the desire and determination to forge a different life.

Of course, if you’re talking classic impulse-control-challenged YA heroes, you’re almost obligated to mention Holden Caulfield.

So, okay: Holden Caulfield. But now let’s talk about Earl, who is not the protagonist of Me, Earl, and the Dying Girl, but the protagonist’s incredibly foul-mouthed, incredibly short, incredibly angry, incredibly funny sidekick and creative partner, who will windmill-kick you in the head if you mention his height to him.

Nonetheless, when alerted to the fact that the Girl is indeed Dying, it’s Earl who insists that Greg (Me) step up and be her friend, and it’s Earl who has the moral compass to teach Greg that compassion is more important than dignity. Earl might be a chain-smoking high-school dropout, but he has standards. 

Annie Dillard, probably best known for her book Pilgrim at Tinker Creek, is masterful with words and brings all of her writing abilities to this memoir of growing up in Pittsburgh. For a city girl, she is especially entranced by nature as she gathers in her bedroom a rock collection that seems to foretell a career as a geologist that never happened. But it’s her tales of her father that are the most striking to me because as a child I didn’t know any fathers quite like him. He once set off alone on a long-planned river trip from Pittsburgh to New Orleans. Most wonderful of all, he had a role in the 1968 cult classic Night of the Living Dead. Finally, think of the title Dillard chose for her memoir: An American Childhood. In many ways, her childhood was no more unique than any other… show more.

She Gets the Girl was such a cute sapphic romance, the kind of romance I wished I had experienced when I was younger.

I enjoyed that it was set freshman year of college, rather than high school like most young adult books, and the very distinct personalities of both main characters. It was a really fun read and I honestly wish it didn’t have to end. I also can totally see this being made into a movie.

While a lot of attention has been paid to the industrial decline in cities, the loss of jobs in industries such as mining has caused distress in rural areas. Recently, we have seen rises in drug abuse, overdose deaths, and suicides in rural America. Jennifer Silva did fieldwork in a rural Pennsylvania area that has experienced these shocks to its system, and she shows us the difficulties its residents are having.

I found McBride’s novel a wild ride, full of humor, unexpected twists, and a dazzling array of quirky characters. Set in Chicken Hill, a neighborhood on the proverbial “other side of the tracks,” the residents––Blacks, Jews, Italians, the disabled, and other assorted folks––come to depend on each other. I admire how he treats all, except the bigots, with deep respect and love, notwithstanding their failings or moral flaws. After all, life is complicated.

McBride captures each of their individual dialects and rhythms of speech. So many characters! But every single one turns out to be necessary, because in the end it is the community they co-create that matters. Community, compassion, bonds across race, ethnicity, ability, and age: I believe this book carries an essential message for our time.

This book is a great companion volume to Adam Begley’s Updike biography of some years ago, but it is more like reading a lively autobiography because we follow Updike in his own words from his school years, through Harvard, his first publishing successes, and his many letters to friends and fellow authors, to the end of his life.

Mary McCarthy, Joyce Carol Oates, and Ian McEwan are just the few we witness Updike in fascinating and intimate “conversation” with on every topic imaginable, including theories of fiction, the publishing industry, personal problems and conflicts, good and bad behaviors, you name it.

That the letters are so uncensored is what grabbed me as a reader, especially. The material is raw but presented still through Updike’s high, articulate, often humorous style. I found the reading experience delightful, especially for such a long book from such a prolific author.