82 Books Like The Last of Her Kind

Who knew a book about sleeping could be so funny and engaging?

As someone who constantly wants and needs more rest, I related to the protagonist’s hunch that a year of (almost uninterrupted) sleep would change her life. And it does, though not at all in the way she expects.

Moshfegh writes about trips to the local bodega and the edgy conceptual art scene in such a brilliant way that the book will (perhaps, unfortunately!) keep you up late.

This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)

I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.

Before reaching middle school, I pretty much believed that my friends—who they were and how many I had—determined my value. But my circle could be fickle; girls were ostracized for minor infractions (you bought the same coat as me!) I lived with daily fear of being dropped.

So Cat’s Eye captivated me with its lack of sentimentality in depicting (some) girls’ friendships. Elaine, a middle-aged artist, returns alone to Toronto, the city where she grew up,  for a retrospective of her work. The trip gives Elaine space to reflect on her life in that city, and Cordelia, her childhood “friend”, is central to her memories.

Cordelia tormented and humiliated Elaine, even putting her life in danger, yet Elaine remained loyal to her for years. It felt very real to me that this toxic relationship would continue to preoccupy Elaine into her functional adulthood. Girlhood friendships are often fraught, and Atwood… show more.

This, Sally Rooney’s first novel, was greeted with widespread critical acclaim. Fresh, witty, knowing, and au courant in its exploration of present-day sexual and romantic entanglements, the novel was clearly the work of a major talent. 

Both Conversations and Rooney’s highly popular second novel, Normal People, have been adapted for television. Perhaps you’ve seen one or both and have read the novels as a result. If not, I urge you to do so, beginning with Conversations. 

I haven’t yet watched either adaptation, but I believe that watching and reading have different sorts of advantages. Against the immediacy and vividness of watching TV shows, reading the novel will allow you to move at your own pace, to savor Rooney’s verbal dexterity, to revisit earlier scenes, and to discover their added significance. Watch (if you haven’t already), read, enjoy!

I loved this book for its innovative approach to time travel. It’s not concerned with altering history but about time travel on a granular level. Alice travels back to her 16th birthday, which her 40-year-old self knows was a pivotal night. 

In the present day, Alice has remained friends with her high school best friend, Sam. I suspect many authors would have had them lose touch as adults and I loved that the novel is not predictably about Alice revisiting their high school friendship.

I also appreciated how Alice is entranced, at first, by the freedom of being a teenager again, but she’s soon caught up in the same struggles. Sam is her through-line, her confidant, helping her decide what in her life should change and what should not.

While many novels about female friendship focus on young women, The Weekend follows three women in their seventies, whose decades-long friendship has sustained them through illness, infidelity, divorce – and recently the death of their fourth close friend, Sylvie.

Drawn together over a weekend to clear out Sylvie’s house, the remaining women must grapple with their shared past and uncertain future. I loved this glimpse into the lives of older women – a reality not often portrayed in fiction – and admired Wood’s ability to make each of her three narrators flawed, relatable, and human.

If you like immersive character-driven novels, this book won’t disappoint.

Nothing Special follows Mae, a teenager in 1967, who drops out of school and becomes a typist in Andy Warhol’s Factory studio.

Transcribing taped conversations of Warhol and his contemporaries, Mae feels like she’s entered a new world – along with Shelley, a fellow typist who soon becomes a close friend. But is Shelley all she seems? This is a closely observed psychological novel exploring what it means to truly know another person, and how much we have the right to expect from our friends.

The writing zips along effortlessly, driven by Mae’s poised, ironic voice, which expertly captures the ersatz confidence of being young.  

If you like lushly written literary fiction about art, desire, friendship, and ambition, you’ll love The Strays.

Lily and Eva meet as children, and Eva – the daughter of a famous modernist artist – soon draws solitary Lily into her avant-garde family life. As the years pass and the two begin to leave childhood behind, their relationship makes new demands of them both.

Although The Strays features a large cast of characters in its makeshift family of artists, the connection between Eva and Lily is the beating heart of the novel, and is by turns tender, destructive, and tragic. 

It is beautifully written, which is one reason I love it so much. I’ve re-read it several times. I’ve never been to Kentucky, where much of it is set, but everything Ann Patchett describes is as vivid as a photograph. The protagonist, Rose, leaves her husband when she finds out she’s pregnant and enters a Catholic home for unwed mothers, intending to give her baby up.

It touched me how the very private Rose bonds with her roommate, Angie. She feels protective of her, and Angie, in turn, leans on Rose. Yet they know they will leave each other behind. I found it poignant that all the young women in the home rely on each other far more than the nuns in charge.

Friendship takes work. These ongoing, necessary maintenance efforts are not the dramatic material of most friendship novels, but this book is all the more admirable for examining its realities.

This book tells the story of May, an independent, not unhappy but somewhat lonely woman on the brink of 40, who hasn’t made much effort with her far-flung friends—or any friends—in years. Presented with a 30-day leave from her job as a gardener at a university, she makes plans to visit four old friends for a few days each.

May is warmly welcomed, though the reunions are often stilted, sometimes awkward, and that’s what makes them honest: you can’t skip the hard parts when you’re learning a new rhythm, even with an old friend. Post-pandemic, this is an especially good book for people trying to find their way back to IRL friendships.