I’m a huge fan of Alaska—a landscape of unforgiving weather patterns, inaccessible terrain, savage animals, and undeniable pristine beauty. I’m also a nature lover and spend as much time outdoors as possible, often hiking and marveling at spectacular vistas like those found in The Damnable Legacy. But I’m also an avid observer of the human race and am fascinated by all sorts of behaviors: why we pursue our passions, how we love and grieve, and whether we can really change who we are at the core.
I’m recommending Raven Stole the Moonfor a few reasons. First, it addresses maternal guilt and loss, which are important themes in my novel. Second, it incorporates Native Alaskan mysticism, drawing on the author’s Tlingit heritage. I am always intrigued by spiritual lore, and one of my characters, who also has a Native Alaskan background, relies on nature to anticipate—or even predict—the future. And finally, I’m an overall fan of the author (who also wrote The Art of Racing in the Rain) and found the book to be entertaining—and let’s face it, entertainment is one of the key reasons we read!
In this haunting debut, Garth Stein brilliantly invokes his Native American heritage and its folklore to create a mesmerising supernatural thriller. When Jenna Rosen, a grieving young mother, returns to the remote Alaskan town where her young son drowned, she discovers that the truth about her son's death is shrouded in legend - and buried in a terrifying netherworld between life and death. Armed with nothing but a mother's protective instincts, Jenna's quest for the truth is about to pull her into a terrifying and life changing abyss. Helped by a young man who falls in love with her, Jenna…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
A double homicide in Sicily. Innocent, eccentric, small-town characters. The Mafia, the church, and a stifling, frightening nightmare world portrayed with humor, humanity, and a diamond-tipped eye for detail: that’s Leonardo Sciascia’s 1960s detective novel classic, To Each His Own (A ciascuno il suo). The writing is clean, clear, nervy, and seductive—some of the best crime writing, period. It even survives translation. This book is at least as good as The Godfather and better than anything by Andrea Camilleri. As you turn the pages, you’re not only transported to off-the-beaten-track, real-deal Sicily. You feel the grit. You smell it. You enter the heads and hearts of Sicilians. Written over 50 years ago, To Each His Own needs no refreshing. That world never changes.
This letter is your death sentence. To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead.The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
When I emigrated from the UK to Western Australia as a child, one of my first big moments was learning about sharks and realising swimming in the ocean was not the same as in the sea. Ever since writing my thriller The Shark, I’ve been on the lookout for novels with sharks in the title or on the page. Real sharks, human sharks, property sharks, sharks of the mind and the heart, these are stories that have influenced me, entertained me, beguiled, terrified, and at times utterly blindsided me.
I read Jaws, aged twelve, when I was scouring my parents’ bookshelves in search of sex scenes.
It didn’t deliver on that front, but was, as was the movie, a blockbuster summer thriller that terrified and captivated me in equal measure. Swimming in the Indian Ocean was never the same again.
First published in 1974, Jaws is of its time but worth a revisit for the iconic, flawed protagonist, Police Chief Brody, the vivid setting, and hero’s journey plot.
Peter Benchley's Jaws first appeared in 1974. As well as Steven Spielberg's film adaptation, the novel has sold over twenty million copies around the world, creating a legend that refuses to die.
It's never safe to go back in the water . . .
It was just another day in the life of a small Atlantic resort until the terror from the deep came to prey on unwary holiday makers. The first sign of trouble - a warning of what was to come - took the form of a young woman's body, or what was left of it, washed up…
I’ve been a horror fan since I first read The Fog by James Herbert at much too young an age. Being British-born and now Australian, the horror I write is almost always set outside America (and the UK more and more often), and I’m always on the lookout for good horror fiction set in different places. I’m fascinated by cultural folklore and mythology and how people create stories to understand the world. For three years, I was President of the Australasian Horror Writers Association.
Clive Barker is one of my favorite authors and greatly influenced me. This is his first novel but also, in my opinion, one of his best. I love books that blend crime and horror, particularly supernatural horror. I enjoyed the interplay here between the protagonist, recently released from prison, and the wealthy Londoner he starts to work for as a bodyguard.
I was hooked by the slow ramping up of danger throughout the book as the characters get more deeply entangled in the supernatural elements. I love Barker’s lyrical style and amazing use of language, and this remains one of the best horror novels I’ve ever read.
"ONE OF THE BEST HORROR NOVELS IN A VERY LONG TIME...do not miss it!"-USA Today
There are things worse than death. There are games so seductively evil, so wondrously vile, no gambler can resist. Amid the shadow-scarred rubble of World War II, Joseph Whitehead dared to challenge the dark champion of life's ultimate game. Now a millionaire, locked in a terror-shrouded fortress of his own design, Joseph Whitehead has hell to pay. And no soul is safe from this ravaging fear, the resurrected fury, the unspeakable desire of...
I am a writer of psychological thrillers. I have a keen interest in psychology and how events and experiences in our childhood shape who we become. When I work on a new book, I always build a detailed profile of my characters’ childhoods – and as I write thrillers, these are often challenging ones with issues like narcissistic parents or siblings, coping with grief, mental illness, or bullying. My plot will always be at least partly driven by the secrets my characters form in their childhood or early life, and so I also really value this depth in the psychological thrillers I read.
This is a story about three brothers. It starts with the funeral of one of them (you don’t know which) and goes back over their lives to unravel the mystery. They are all very different and none of them are likeable, and yet I found myself invested in all of them, trying my hardest to like them despite what they did – to each other and more widely. The book explores some serious issues around mental health and addiction, and I felt Nugent did this incredibly well – with both sympathy and clearly lots of research. The story is also told very skillfully. It uses multiple characters and jumps between timelines but reads very smoothly.
My twenty novels tend to focus on characters who face great challenges, and I have a particular appreciation for beautiful prose. I don’t read for distraction or entertainment, but to be enlightened, moved, and made more compassionate about different kinds of people in different environments.
I think Robert Stone was one of the greatest American novelists of the recent era, a man with a profound concern for how political situations affect the individual. I love Stone’s ability to delve into complex situations.
This is fiction, unlike the last two recommendations mentioned above, and takes place in Central America during the Seventies. I love books about political situations, and I love novels set in other countries. Stone is a master of both.
He was also a humble, good man, though maybe I’m not completely objective because he provided a generous blurb for my first novel. I had the pleasure of spending a little time with him after my novel was published, and I found him to be brilliant, funny, modest, and just a fun person to be around.
Like Dostoevsky, he was able to delve into deep matters by telling a great story with amazing characters.…
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this book because, long ago, it was one of the books that sparked my initial interest in the Second World War and the Holocaust. Through Wouk’s vivid and wonderful story of a fictional family living through the period, he also unexpectedly provided me with a terrific foundation of well-researched historical knowledge.
I had read the prequel a few years earlier and when I discovered this book was coming out (as a poor student, I couldn’t afford it), I eagerly asked for it for Christmas. When the big day arrived, I gleefully tore open the present and spent the next two days reading it nonstop, ignoring all else.
A masterpiece of historical fiction and "a journey of extraordinary riches" (New York Times Book Review), War and Remembrance stands as perhaps the great novel of America's "Greatest Generation."
These two classic works capture the tide of world events even as they unfold the compelling tale of a single American family drawn into the very center of the war's maelstrom.
The multimillion-copy bestsellers that capture all the drama, romance, heroism, and tragedy of the Second World War -- and that constitute Wouk's crowning achievement -- are available for the first time in trade paperback.
I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.
For older readers, The Hideaway blends themes of domestic violence, difficult family life, community, environment, and care together. Besides an unbearable home life, we are shown how Billy, our main character, finds safety and space in the unlikely setting of a graveyard. His relationship with the old man he meets and the careful work they engage in, help maintain the old man's connection with the past, and Billy's connection with the present. Beautifully illustrated by Smy, and written by her also, this book celebrates the graveyard not as a spooky or scary site, but as a special place where we remember, connect with, and love those we have lost.
The wonderful long-awaited second novel from Pam Smy, celebrated author and illustrator of Thornhill.
The Hideaway tells the story of a boy, Billy McKenna, who runs away from a difficult situation at home and takes refuge in an overgrown graveyard. While hiding there he meets an elderly man who is tending the graves in preparation for a day in November when something magical is set to happen.
The book is written in two alternating narratives, both different aspects of the same story. One thread tells of Billy's experience of hiding away in the graveyard, his mixed-up feelings and emotions, and…
One of Dr. Mark Lin's patients is killed by a suicide bomber blowing up a clinic. Everyone points the finger at anti-abortion extremists. Mark, however, has a different theory about the culprit: a secretive healing cult called the Path to Purity.
Robert
Harris has created a complex tale from historical truths. And once again, it is the people—the characters who inhabit this book make it special.
Thomas Jericho is on the edge. It’s 1943, and he has suffered a breakdown trying
to crack the Enigma code, solve the mystery of his missing girlfriend, and simultaneously grapple with his own demons. He is so finely drawn and
desperately fragile that we wonder how he can go on, yet he does.
Jericho
exists in the grim yet wonderfully atmospheric setting of wartime England as we
move from Cambridge to Bletchley Park. This beautifully written book is a spy
thriller, a love story, and a murder mystery all in one.
It is 1943, and a team of cryptanalysts led by Tom Jericho have broken the Enigma code of Hitler's U-boats. But inside the code-breaking centre, a woman disappears and authorities suspect the presence of a traitor, it is only when Jericho himself falls under suspicion that he must unmask the spy.
