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To Each His Own.
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I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Tangled canals. Crooked alleyways. Slumping palazzi 500-hundred years old. Venice is Italy’s most atmospheric city, right? Maybe. Genoa runs a close second. Both are misunderstood and misrepresented in literature. Outsiders don’t dip below the theme-park surface. Except for the late, great Michael Dibden. Dead Lagoon features Commissario Aurelio Zen, a flawlessly drawn Italian detective. What makes me so sure? Genetics, experience, passion. My mother’s family is Venetian (via Rome). I’ve spent decades diving deep into the Lagoon City. I even did a year of college there. When I follow Zen into those crumbling palaces to unnail their intrigues, or watch him dart down bleak alleys stinking of fish and corruption, I know the writing rings true. Dibden “gets” Italy, unlike other, better-known novelists using Venice as a soft-boiled backdrop.
Among the emerging generation of crime writers, none is as stylish and intelligent as Michael Dibdin, who, in Dead Lagoon, gives us a deliciously creepy new novel featuring the urbane and skeptical Aurelio Zen, a detective whose unenviable task it is to combat crime in a country where today's superiors may be tomorrow's defendants.Zen returns to his native Venice. He is searching for the ghostly tormentors of a half-demented contessa and a vanished American millionaire whose family is paying Zen under the table to determine his whereabouts-dead or alive. But he keeps stumbling over corpses that are distressingly concrete: from…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.
I’ve always thought that this is one of the most brilliantly constructed plots in literature. First serialized in 1859-60, Collins’ story revolves around the mysterious figure of the Woman in White, who always induces a shiver of dread and pity, even on subsequent re-readings. And I don’t think I’ve ever encountered a more terrifyingly memorable mastermind villain than the one Collins gives us here.
Threatened innocence, eerie encounters, dastardly deeds—this book has it all. But best of all is the character of Marian Halcombe, who breaks gender barriers to defend her sister. She is one of the models for my own intrepid Victorian detective, Esther Hardy.
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'The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared.'
One of the earliest works of 'detective' fiction with a narrative woven together from multiple characters, Wilkie Collins partly based his infamous novel on a real-life eighteenth century case of abduction and wrongful imprisonment. In 1859, the story caused a sensation with its readers, hooking their attention with the ghostly first scene where the mysterious 'Woman in White'…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)
The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.
And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Do you want the gritty, pungent beauty of Paris during the heyday of the Romantics—the 1830s? You want perversion, decadence, a crazy, kinky plot revolving around sex, dominance, Sapphic passion, murder, and intrigue, set in the Trocadero neighborhood? Only Honoré de Balzac could dream up something this wild and get away with it. One of the wonders of this short novel is how, through casual descriptions, Paris comes to life. It’s not a picture-postcard version of the city. Au contraire. It’s a seamy, real place I recognize after 35 years living there. While I was reading The Girl with the Golden Eyes, I actually went out and found the locations. The city has changed less than you’d think in 190 years. Above all, the seamy, perverse side remains.
Beginning with a visceral description of the society and politics of Paris, The Girl with the Golden Eyes considers the sex life of the upper class by its raw depiction of the underside of Parisian life. Henri de Marsay is a young, rich man who is nearly devoid of morals and virtue. After he meets Paquita Valdes, a mysterious and beautiful woman, he becomes infested with a deviant lust for her. When his plan to seduce her succeeds, Henri and Paquita maintain an intensely sexual relationship. However, when Henri starts to suspect Paquita is involved with another lover, he becomes…
I grew up in New Orleans around Cajun French and Italians. My father spoke Cajun French, English, and Sicilian. I grew up thinking his Sicilian was Italian mixed with Cajun French. We considered ourselves Italian, never aware that my grandparents, paternal and maternal, emigrated from Sicily and were born just after Sicily became part of Italy (1861). Knowing nothing of Sicily, including the Sicilian spelling of my own surname and my father’s Sicilian first name, I used the computer to contact distant relatives in Sicily, discover records online, and eventually visited Sicily to find actual documents. My research led to my passion and my first book, After Laughing Comes Crying.
Ettore Grillo is a retired criminal attorney from Enna, Sicily, who spends his time writing and traveling. This is the second edition of his first book. I am drawn to historical fiction and creative fiction writing. They are wonderfully entertaining ways to learn about cultures and history within the story’s setting and plot. Grillo teaches about life in Enna, Sicily including the feasts, the traditions, and the people who are held together by customs while trying to solve a family mystery.
Is there life after death? A Hidden Sicilian History: Second Edition presents an intriguing and easy-to-read historical novel that starts with the investigation of a mysterious death.
While doing research in the public library in Enna, Sicily, a young man notices an ancient scroll has drifted from a shelf onto the floor. It appears to have slipped from a gap between two volumes about the Spanish Inquisition.
Though he expects it to be related to life in Sicily at the time of Spanish rule, instead the handwritten scroll reports a singular drama that was performed on the stage of the…
I've been thinking and writing about food ever since I spent a year in the Soviet Union many decades ago and discovered that food is a wonderfully immediate way to enter into another culture. My first cookbook led to a stint as a spokesperson for Stolichnaya vodka when it was first introduced to the US—a fascinating exercise in cross-cultural communication during the Cold War. In 2001 I founded Gastronomica: The Journal of Food and Culture, which deepened my interest in culinary cultures around the world. Cookbooks aren't just about recipes. For me, the best ones include personal stories and history that transport you to other realms.
This book immediately swept me up in its glorious evocation of Sicily: the island's ancient history, the ways of its people, and above all the flavors of the sun-kissed land. In gorgeous prose, American-born Mary Taylor Simeti combines the illuminating insights of an outside observer with a passion for her adopted homeland. The recipes range from the cucina povera that sustained most of Sicily's inhabitants over the centuries to the ornate court cuisine that developed in the 16th century. We also journey to Sicily's convents, where the nuns became famous for their wondrous confections with fanciful names like "Virgins' Breasts" and "Chancellor's Buttocks."
This gem is more than just a cookbook. Walk through history with Pomp and Sustenance author Mary Taylor Simeti as she shares the secrets and eccentricities of Sicilian cuisine. Straddling the East and West, Christian and Muslim, land and sea, this Mediterranean island is a place of unique convergence. Nowhere is cultural convergence more evident than in Sicily’s regional culinary traditions and food culture. Simeti narrates this centuries-long journey, with wit and humor, making this historical cookbook a joy to own and use. More than just history, Pomp and Sustenance is filled with wonderful recipes. impressive in their style, scope,…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Often, historians choose their field or specialty, but sometimes, the field chooses the historian. Being a historian of southern Italy, the land of my ancestors reflects far more than a merely academic interest. As a personal pursuit, it isn’t just what I am but who I am. I write the kind of books that I wish had existed when I wrote my first peer-reviewed article in 1984. This has come to include everything from general histories to specialised studies to translations of medieval chronicles. Through the website Best of Sicily, online since 1999, my work has reached a readership of millions over the course of two decades.
This is the first general history of Sicily’s Muslims in English and the lengthiest, full of information, with a special emphasis on the era from the Aghlabid conquest in 827 until the demise of the Kalbid emirs around 1070.
Leonard Chiarelli’s endnotes are more interesting than the main texts of most other books on this topic, striking for details such as phylogeography (genetics) and his discovery of an Ibadi community in Sicily.
The author is unique among Anglophone Arabists for being raised speaking Sicilian as well as English, something that facilitates his unique ability to explain which Sicilian words derive from Arabic. This is something that, as a Sicilian, I appreciate.
A History of Muslim Sicily is a study of the period of Muslim Arab rule on the island from A.D. 827 to the Norman conquest in A.D. 1070. It is first the detailed study in English covering the various aspects of this 243-year period. It incorporates new Arabic sources and draws upon archaeological studies that hitherto have not been used. The book covers the political, social, economic, demographic, and cultural impacts that during this period forever changed the islands character. All aspects of society underwent change, making Sicily part of the Arabo-Muslim world for more than two hundred years. The…
I’ve been a traveler and a dreamer ever since I was a little girl. I used to write to the tourism bureaus of different countries and tape pictures of faraway places onto the walls of my bedroom. It’s no surprise I ended up living in Europe, my home base for excursions all over the world. My historical fiction always features places that mean a lot to me, whether it’s Germany (where I live now), or Sicily – where my mother’s family came from. Digging into my Sicilian heritage and the culture and life of the island for my third novel was like discovering a new home.
I’m a fan of gangster books and movies, but there’s nothing quite like learning about the real brutality and power of the original Sicilian mafia.
Dickie’s book takes a historical view, showing why that kind of organization developed in Sicily of all places, and how the Sicilians have protected it, and fought against it. The anecdotes are sometimes funny and sometimes truly chilling.
If you’re as interested in the history of organized crime as I am, this is a must read.
Hailed in Italy as the best book ever written about the mafia in any language, Cosa Nostra is a fascinating, violent, and darkly comic account that reads like fiction and takes us deep into the inner sanctum of this secret society where few have dared to tread.In this gripping history of the Sicilian mafia, John Dickie uses startling new research to reveal the inner workings of this secret society with a murderous record. He explains how the mafia began, how it responds to threats and challenges, and introduces us to the real-life characters that inspired the American imagination for generations,…
Like many travelers and writers, I was drawn to the Mediterranean Sea because of its vibrant cultures, sun-drenched landscapes, and delicious foods. As a medieval historian, I am attracted to stories of people and cultures in communication with each other across religious and cultural divides. I found the perfect combination in the history of Sicily, which in the Middle Ages had populations of Greek Christians, Latin Christians, Muslims, and Jews living together in both peace and conflict. I study the histories of travel, trade, and exchange in and around Sicily, which allows me to think about big questions of how medieval people related to each other even when they came from different religions or cultures.
No other book has inspired my own work as much as this one, although it is about far more than the history of Sicily.
McCormick found extensive evidence for travel and communication in the early medieval Mediterranean—a period in which it was previously thought that long-distance trade had all but stopped after the decline of the Roman Empire.
McCormick’s method was to collect every tiny anecdote he could find about something or someone that went from one place to another across the Sea. All these tidbits of data added up to something huge, and showed clearly that travel and exchange across the Mediterranean did not end when the Roman Empire did. To the contrary, the Mediterranean Sea in these centuries was teeming with people of all faiths, carrying coins and packages of trade goods on ships sailing between Christian and Muslim controlled regions.
For fifty years debate has raged about early European commerce during the period between antiquity and the middle ages. Was there trade? If so, in what - and with whom? New evidence and new ways of looking at old evidence are now breaking the stalemate. Analysis of communications - the movements of people, ideas and things - is transforming our vision of Europe and the Mediterranean in the age of Charlemagne and Harun al Rashid. This is the first comprehensive analysis of the economic transition during this period for over sixty years. Using new materials and new methodology, it will…
Very little has been written in English about Sicilian women. Most of the studies written in English about the women of southern Italy are the work of foreigners who discovered our region in adulthood. While some non-Italian colleagues have produced fine work, my books reflect the perspective of a scholar who, being Sicilian, has been familiar with the region and its people all her life. This is seen in my knowledge of the Sicilian language, from which I've translated texts, and even the medieval cuisine mentioned in my books. Viva la Sicilia!
Memoirs authored in recent years tend to get excessively personal, even intimate, and a number have been written by foreign women who end up living in Sicily.
Theresa Maggio is a bit different because she is the granddaughter of Sicilians, so she already has a keen sense of the culture. She ends up with a fisherman who leads the Mattanza, a method of capturing large tuna in huge nets. Alas, the Mattanza is no longer practiced, but this is an interesting story. There's also a sequel with a focus on visiting small towns.
A magnificent journey inside the world of a Sicilian fishing community and its thousand-year-old rituals. Every spring for untold centuries, great schools of giant bluefin tuna have swum through the Strait of Gibraltar to spawn in the Mediterranean Sea. And there, for untold centuries, men have been waiting for them. In this stunning debut, Theresa Maggio brings us inside the insular world of the tonnara-the ritual trapping and killing of bluefin enacted by fishermen since the Stone Age. In a single, bloody spectacle-called the mattanza-the fishermen harvest the bluefin, lifting them by hand from the Chamber of Death, the last…
