Here are 100 books that Our Little Cruelties fans have personally recommended if you like
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I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.
The first line had me hooked: “It would be inaccurate to say that my childhood was normal before they came.”
That one sentence fired up my imagination, and the story kept me turning the pages late into the night. Libby, an adoptee, unexpectedly inherits a once-grand mansion in London’s Chelsea, only to discover it comes with a grim family history that’s nothing like the fanciful one she’d imagined.
I’m particularly drawn to novels like this one, with multiple narrators and intertwining timelines.
'I swear I didn't breathe the whole time I was reading it. Gripping, pacy, brilliantly twisty.' CLARE MACKINTOSH
'Creepy, intricate and utterly immersive: an excellent holiday read.' GUARDIAN
'A twisty and engrossing story of betrayal and redemption.' IAN RANKIN ____________________________
FROM THE #1 BESTSELLING AUTHOR OF THEN SHE WAS GONE
In a large house in London's fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up.
In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note.
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
The twists! The turns! The head-spinning lies! The problem with being an author is that I often know within a few pages exactly how a book will end. Although it doesn’t bother me (because the journey is just as important as the destination, in my opinion), it’s always really exciting when I come across a book where I have no clue WTF is going on.
The layers of deception, half-truths, lies, manipulations…they had me wondering where on earth this was going. I defy anyone to work out everything that’s going on.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER
“Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie.
Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has…
I am a writer of psychological thrillers. I have a keen interest in psychology and how events and experiences in our childhood shape who we become. When I work on a new book, I always build a detailed profile of my characters’ childhoods – and as I write thrillers, these are often challenging ones with issues like narcissistic parents or siblings, coping with grief, mental illness, or bullying. My plot will always be at least partly driven by the secrets my characters form in their childhood or early life, and so I also really value this depth in the psychological thrillers I read.
The opening to this psychological thriller is stunning. Beautifully written, dark, tense and emotional – there is no way you can’t read on. And the rest of the book is equally good. There’s a complex plot that is revealed in bite-sized chunks at just the right time, the two main characters are likeable and authentic, and Cummin’s writing style keeps you just on the right side of ‘on edge’ throughout the book. But the reason this thriller really stood out for me is how it explores intense relationships formed in childhood under extreme conditions, and how they play out in adulthood decades later.
When I Was Ten is the stay-up-all-night thriller by acclaimed crime author Fiona Cummins.
'Grips like a vice' - Val McDermid 'Absorbing, tense and beautifully paced' - Daily Mail
Twenty-one years ago, Dr Richard Carter and his wife Pamela were killed in what has become the most infamous double murder of the modern age.
Their ten year-old daughter - nicknamed the Angel of Death - spent eight years in a children's secure unit and is living quietly under an assumed name with a family of her own.
Now, on the anniversary of the trial, a documentary team has tracked down…
"I'm Nicky. Your little sister." With these words from a stranger, Hilda's quiet existence in a marshland cottage with her rescue cats is turned upside down. She resolves to find out the truth about her parents' marriage, her father's secret life and her mother's untimely death.
I am a writer of psychological thrillers. I have a keen interest in psychology and how events and experiences in our childhood shape who we become. When I work on a new book, I always build a detailed profile of my characters’ childhoods – and as I write thrillers, these are often challenging ones with issues like narcissistic parents or siblings, coping with grief, mental illness, or bullying. My plot will always be at least partly driven by the secrets my characters form in their childhood or early life, and so I also really value this depth in the psychological thrillers I read.
The first thing that drew me into this book is the feeling of “I could see that happening… what would I do if it were me?” The second really enticing element comes when McAllister introduces a future timeline where the three siblings have had a falling out and their cover-up plan seems to have not worked. There is then a constant question of how did they get from here to there? The book is further enriched by the interesting relationships between the two sisters and brother. They each have their role in the family dynamic, largely set by a traumatic event in their childhood, and these have a significant impact on how they respond – individually and collectively – to this new highly stressful event.
THE SUNDAY TIMES BESTSELLING RICHARD & JUDY SUMMER PICK AND THIS SUMMER'S MOST COMPULSIVE NOVEL
'Incredibly tense and gripping' ADELE PARKS 'Kept me guessing and kept me fooled. Clever, pacy and so gripping that my heart raced' C.L. TAYOR 'This absolutely blew me away. Properly unputdownable' 5***** READER REVIEW 'Another unputdownable what-would-you-do thriller, rich with McAllister's trademark twists and emotional depth' ERIN KELLY ________
What would you do to protect your family?
ANYTHING.
During a family holiday in Italy, you get an urgent call from your sister.
There's been an accident: she hit a man with her car and he's…
Like anyone else who takes an interest in Ireland, I’ve been fascinated by the long and often very difficult history of the island’s experience of religion. Where I live, in county Antrim, religious imagery appears everywhere – in churches and schools, obviously, but also on signboards posted onto trees, and in the colourful rags that are still hung up to decorate holy wells. This book is the fruit of twenty years of thinking about Christian Ireland - its long and difficult history, and its sudden and difficult collapse.
I’m fascinated by the ways in which Christian communities remember pre-Christian cultures. In Beowulf, for example, historians in medieval England incorporated Christian themes into a story that had emerged in pagan times on the other side of the North Sea. In Ireland, Christian historians were much less interested in sanctifying their own island’s pre-Christian myth. Instead, they recorded all kinds of stories with little effort to make them fit within a Christian worldview as if they took delight in pagan culture for its own sake. But what is the historical value of these stories?
In this outstanding book, J.P. Mallory reads early Irish literature as bearing witness to the material cultures of the early medieval period – and even the periods preceding it.
Following his account of Irish origins as evidenced by archaeology, genetics and linguistics, J. P. Mallory returns to the subject to interrogate what he calls the `Irish Dreamtime': the native Irish retelling of their own origins, as related by medieval manuscripts. He attempts to explore the reality of this version of the earliest history of Ireland, which places apparently `mythological' events on a concrete timeline of invasions, colonizations and royal reigns that extends even further back in time than the history of Classical Greece. Can the accounts of this `Dreamtime' really inform us of the way of life in Iron…
I love great writing and great storytelling too. As a child I liked nothing more than when my father made up bedtime stories for me. As I’ve gotten older, I’ve come to appreciate how writers work exceptionally hard not just at getting the plot of a story right but in the words they chose. Being Irish, I love to support the wealth of enviably good writers that seem to spill out from these shores. In each of these books you will find love and loss and laughter. It never fails to make me smile when abroad to see one of these guys on the shelves of the bookshops I visit.
David has lost his wife far too early. A man in mourning, he relives their twenty years together and sees that the ground beneath them had shifted and he had simply not noticed, or was it more that he had chosen not to. The writing here is spectacular and the theme of love and loss so very moving. Set between Ireland and Spain, McMahon captures the sublime and mundane nature of long-term love with exceptional skill. Another reason I like this book is that in my debut novel, my main character Maurice Hannigan, while very different from David, was also a widower, and naturally, the issue of loss figured heavily so I feel a bond to this book that is very special.
'A poignant, gentle and astutely observed novel about marriage and the evolution of love' Sunday Times, NOVELS OF THE YEAR 2020 ________________
Is there such a thing as a perfect marriage?
David thought so. But when his wife Mary Rose dies suddenly he has to think again. In reliving their twenty years together David sees that the ground beneath them had shifted and he simply hadn't noticed. Or had chosen not to.
Figuring out who Mary Rose really was and the secrets that she kept - some of these hidden in plain sight - makes David wonder if he really…
I am a Wolfhound parent and the author of books about this majestic breed. I have studied everything I could find about the Wolfhound since I first lost my heart to one many years ago, meeting breeders and owners alike to learn everything I could about their temperament and health. I have attended many dog shows and symposiums to further my knowledge of my breed. Having shared my life with this dog, unlike any other, I devour books written by other Wolfhound owners.
This is one of my special favorites. I know Amanda personally and knew and grew to love the real Millie and Bridie.
Arohuani is a magical kingdom ruled by Irish Wolfhound Queen Millie. When a dark force rises in the land, her daughter, Princess Bridie leads an army of wolfhounds to defeat the evil. This is one of my favorite books because it transports the reader to a world ruled by gently, loving hounds. I reread it yearly.
In the magical kingdom Arohanui, ruled by the wise and gentle Wolfhounds of the royal house of Kuri te Aroha, a dark force rises. The queen's daughter Bridie commands the guard of the only passage into the kingdom but as vigilant as she and her ladies are, evil finds its entry into their stronghold. They must forge unexpected alliances with others of their kind, along with the magical and unusual creatures of the kingdom, if they are to defeat this evil.
The Battle for Arohanui will be fierce, from the mountains, across the plains and to the shores of the…
I’m a bright bubbly person with a dark, sinister imagination. As an Irish journalist turned fiction writer, the thrillers I write reflect some of the challenging crime scenes I’ve reported from. While the whodunnit element in crime-writing is extremely important, equally, I prefer to have my readers fascinated with the whydoneit. I love writing about dark pasts, buried secrets, simmering resentments, and how they shape my characters in such a way that creates delicious unease and urgency. I like to use settings like tiny Irish villages to enhance the often insular nature of locals protecting their own. The picturesque settings in my books create mood and tension and which include the landscape as character.
Towering headlands, windswept beaches, derelict houses. Ruined churches. Author Andrea Carter admits that her entire Innisowen mystery series is inspired by place – landscape and buildings which gives her novels atmosphere and depth.
Her latest offering is Death Writes, set in the stunning Northern Irish location of Glendara.
In Glendara, preparations are underway for Glenfest, Glendara's literary festival. Phyllis Kettle, the local bookshop owner, is especially pleased to have persuaded Gavin Featherstone, the local best-selling recluse writer, to take part.
The festival begins, and an eager crowd awaits Featherstone's appearance on stage. He is unexpectedly engaging, but when he stands to read from his new book, he stumbles and keels over on the platform.
Solicitor and local woman Benedicta O Keefe discovers that she holds Featherstone's will at the office, drafted by her predecessor. Soon, she's drawn into a complicated legal wrangle over the man's estate involving his family…
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
In 1899, the Irish novelist, Hannah Lynch wrote her memoir Autobiography of a Child. She caused controversy in Ireland and abroad by attempting to represent her childhood up to the age of twelve narrated through the child’s voice, a strategy I adopted but from the ageing child’s point of view where the language and thought process become more complex as I grow older. Her use of adult reflection upon the child’s unstable memory demonstrates an original understanding of the child’s point of view and its representation. Hannah uncovered the inescapable cycle of harsh treatment by her parents within a large family and the physical abuse by nuns at school. Her book reinforces the unreliability of memory for autobiography and helped me to accept that total veracity is not possible.
It is a powerful first-person narrative follows the story of a young Irish girl from her earliest memory to around twelve years of age, tracing the shaping of "the Dublin Angela" into "the English Angela" and ultimately Angela of Lysterby, "the Irish rebel." This tale is told from the perspective of her older self, now "a hopeless wanderer" with youth and optimism behind her. The narrative opens with a startling sketch of Angela's mother, "a handsome, cold-eyed woman, who did not love me," before relating fragmented memories of an idyllic time spent in rural Kildare while "put out to nurse"…
For centuries, Ireland struggled to gain independence from Britain. Many Irish abroad, in the USA and elsewhere, helped to arm and fund that struggle. My Grandfather Kenny in Dublin was among those who helped Arthur Griffith, founder of the Sinn Féin liberation movement, to promote his ideas in the early twentieth century. Grandfather also sought support for the educational initiatives of Patrick Pearse before the British executed Pearse as a leading rebel in 1916. Between 1905 and 1923, a revolutionary movement in Ireland broke Britain’s resolve. The independent Irish state was founded, comprising all but six of the thirty-two counties of Ireland.
Townshend is a foremost British historian of his country’s rule in Ireland. He and the late Michael Hopkinson (whose books include Green Against Green about the Irish Civil War) are among British academics who have helped to educate the UK public on the impact of imperialism in Ireland.
Townshend astutely argues that the Catholic dimension of Irish republicanism has distinguished it from other forms.
A gripping narrative of the most critical years in modern Ireland's history, from Charles Townshend
The protracted, terrible fight for independence pitted the Irish against the British and the Irish against other Irish. It was both a physical battle of shocking violence against a regime increasingly seen as alien and unacceptable and an intellectual battle for a new sort of country. The damage done, the betrayals and grim compromises put the new nation into a state of trauma for at least a generation, but at a nearly unacceptable cost the struggle ended: a new republic was born.