Here are 87 books that Raven Stole the Moon fans have personally recommended if you like
Raven Stole the Moon.
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I didnât sit down to write Carried Away with a personal sermon in my back pocket. No buried lessons or hidden curriculumâit was just a story I wanted to tell. But stories have a way of outsmarting you.Â
So when I chose these books, I wasnât looking for perfect comparisonsâI was looking for echoes. Some of these books will drag you through POW camps or strand you on a lifeboat with a tiger; others will lean in and whisper that youâve been running a program and calling it personality. A few say the quiet part out loudâabout grit, meaning, and purpose. Others ring you up with fable, abstractions, or science, but they leave their mark just the same.Â
This book hit me as both tragic and strangely hopeful.
Chris McCandless walked into the Alaskan wilderness with little more than a backpack and a stubborn streak, and people have argued ever since: was he brave, reckless, or just plain stupid? But his compulsion isnât as rare as we might think. In my book, Cole feels the same tugâescape the sterile shoebox apartment and the $8 lattes. This canât be all there is.
What drew me in wasnât the verdict but his hunger for something realâstripping away every layer of artifice most of us cling to. Krakauer tells it with empathy and curiosity, letting you wrestle with the questions instead of handing you neatly typed answers. I recommend it because it forces you to stare down your own compromises: freedom versus responsibility, idealism versus pragmatism.
Admire Chris or dismiss him, you wonât forget him. And the story lingers like aâŠ
Krakauerâs page-turning bestseller explores a famed missing person mystery while unraveling the larger riddles it holds: the profound pull of the American wilderness on our imagination; the allure of high-risk activities to young men of a certain cast of mind; the complex, charged bond between fathers and sons.
"Terrifying... Eloquent... A heart-rending drama of human yearning." âNew York Times
In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned allâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
Iâm a historian who knows women have long lived not-sad lives without children. Iâve spent years researching the full and vibrant lives women without children lived throughout historyâlives that often were only possible becausethey didnât have the responsibilities of motherhood. Iâm also a woman living a decidedly not-sad life without kids. And yet, in popular imagination, a woman without kids must be longing to be a mother or grieving the fact that she isnât. I know firsthand that it can be isolating not to have kids. But in writing about the sheer variety of lives non-mothers lived in the past, Iâm trying to show that weâre not alone.
Unlike Iveyâs other book The Snow Child, which grapples with the grief of infertility (a book I also love!), this book considers the opportunities a life without children allows for.
It opens with Lieutenant Colonel Allan Forrester as he prepares to lead an expedition into Alaska in 1885. His wife, Sophie, is an explorer in her own right and plans to accompany himâuntil they realize sheâs pregnant and decide she has to stay behind.
Spoiler: Sophie miscarries and learns she will likely never be able to carry a baby to term. But this isnât an endpoint for Sophie: instead, it sets her on a path toward professional and creative success, as well as love and happiness in her marriage.
Weâre used to reading about how motherhood gives life meaningâI loved Iveyâs portrait of how nothaving kids can do the same.
SHORTLISTED FOR THE EDWARD STANFORD TRAVEL WRITING AWARDS 2016.
Set in the Alaskan landscape that she brought to stunningly vivid life in THE SNOW CHILD (a Sunday Times bestseller, Richard and Judy pick and finalist for the Pulitzer Prize), Eowyn Ivey's TO THE BRIGHT EDGE OF THE WORLD is a breathtaking story of discovery set at the end of the nineteenth century, sure to appeal to fans of A PLACE CALLED WINTER.
'A clever, ambitious novel' The Sunday Times
'Persuasive and vivid... what could be a better beach read than an Arctic adventure?' Guardian
'Stunning and intriguing... the reader finishesâŠ
As a former U.S. Navy Aviation Rescue Swimmer and sponsored mountaineer, Iâve always been wired a bit differently. Whether itâs jumping from a helicopter to save a drowning person or topping out on the highest peak in the world, Iâm always drawn to adventure and, specifically, stories of survival. Having operated in highly traumatic environments, Iâve gleaned a lot of wisdom through the years, which Iâm now able to retell through my writing. I hope you enjoy the books on this list and they have a profound impact on you the same way they did on me!
Having climbed North Americaâs highest peak 3 times, Denaliâs Howl describes a horrific situation on a mountain Iâm all too familiar with.
The weather patterns, distance, and size of Denali make it an unforgiving peak to climb. I couldnât put this book down as Hall recounted the dire scenario the climbers went through resulting in tragedy.
In the summer of 1967, twelve young men ascended Alaska's Mount McKinley-known to the locals as Denali. Engulfed by a once-in-alifetime blizzard, only five made it back down.
Andy Hall, a journalist and son of the park superintendent at the time, was living in the park when the tragedy occurred and spent years tracking down rescuers, survivors, lost documents, and recordings of radio communications. In Denali's Howl, Hall reveals the full story of the expedition in a powerful retelling that will mesmerize the climbing community as well as anyone interested in mega-storms and man's sometimes deadly drive to challenge theâŠ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŠ
Iâm a huge fan of Alaskaâa landscape of unforgiving weather patterns, inaccessible terrain, savage animals, and undeniable pristine beauty. Iâm also a nature lover and spend as much time outdoors as possible, often hiking and marveling at spectacular vistas like those found in The Damnable Legacy. But Iâm also an avid observer of the human race and am fascinated by all sorts of behaviors: why we pursue our passions, how we love and grieve, and whether we can really change who we are at the core.
The initial hook inStill Points North was, for me, the opening and its description of the 4-seat plane that the author often flew in with her father. I flew in one when I went to Denali for field research for my novel, and it became not just one of those memories Iâll never forget but also experiential data for my book. I also appreciated how the author so eloquently describes the landscape, comparing and contrasting life in the wilderness with life on the East Coast. But what most impressed me was her revelation, which coincides with the experiences of my novelâs protagonist, that relationships can sometimes be more frightening and challenging than Alaskaâs natural savagery.
Part adventure story, part love story, part homecoming, Still Points North is a page-turning memoir that explores the extremes of belonging and exile, and the difference between how to survive and knowing how to truly live.
Growing up in the wilds of Alaska, seven-year-old Leigh Newman spent her time landing silver salmon, hiking glaciers, and flying in a single-prop plane. But her life split in two when her parents unexpectedly divorced, requiring her to spend summers on the tundra with her âGreat Alaskanâ father and the school year in Baltimore with her more urbane mother.
I grew up in a wilderness cabin in Alaska, surrounded by more wild animals than humans. For many years, I worked in the heavily male-dominated Alaskan fishing industry. I still work as a scientist in rural Alaska. I care passionately about the place, and the truthful stories written about it by people with deep roots and diverse backgrounds here.
I loved this book because it told the inner story of Southeast Alaska, a place where I grew up, a story I had never truly known. Tragic yet also easily relatable, the book tells of a family both deeply injured by and standing up against institutionalized racism. This is the Alaska that tourists do not see but that is powerfully, achingly real.
In the spring, the bear returns to the forest, the glacier returns to its source, and the salmon returns to the fresh water where it was spawned. Drawing on the special relationship that the Native people of southeastern Alaska have always had with nature, Blonde Indian is a story about returning.
Told in eloquent layers that blend Native stories and metaphor with social and spiritual journeys, this enchanting memoir traces the authorâs life from her difficult childhood growing up in the Tlingit community, through her adulthood, during which she lived for some time in Seattle and San Francisco, and eventuallyâŠ
My debut mystery novel takes place in Alaska, a setting I love and think has a distinct personality of its own. My historical novel in progress is set in Hawaii, where I grew up, and it reflects the particular diverse culture of this nostalgic venue. Another work-in-progress is set in post-apocalyptic Argentinaâyou can see the pattern here. Having a cast of interesting, believable characters is essentialâbut bringing them to life in compelling locales enriches and enlarges the story, in my mind. So many wonderful books skillfully fulfill these requirementsâI hope youâll agree these are among the best in the mystery genre!
Itâs no secret that I have a real fondness for Alaskaâits landscape, people, and singular quirkiness. Southeast Alaska, where this novel is set, is its own idiosyncratic microcosm.
The bars for serious drinking, the sideways rain, the grab bag of misfit charactersâis John Straley at his best in this novel. In his no-holds-barred yet fond portrayal of Alaska, where his protagonist spends most of his days in an alcoholic but observant haze, the 49th state is like a walk-on character actor who ends up eating the scenery.Â
The First Cecil Younger investigation set in Sitka, Alaska
Cecil Younger, local Alaskan investigator, is neither good at his job nor great at staying sober. When an old Tlingit woman, unimpressed by the policeâs investigation, hires him to discover why her son, a big game guide, was murdered, he takes the case without much conviction that heâll discover anything new. But after a failed assassination attempt and the discovery of previously missed evidence, Younger finds himself traveling across Alaska to discover the truth in a midst of conspiracies, politics, and Tlingit mythology. High drama meets local color as Cecil YoungerâŠ
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheâŠ
Iâm a long-time Alaskan (and former Alaska writer laureate) with a passion for my placeâits people, environment, and history. Iâve always read widely in its literature and have watched it mature from superficial âlast frontierâ stories into a complex and diverse wealth of authentic and well-told stories. Since 2015 Iâve reviewed books for the Anchorage Daily News and have made it my business to know and support the growing Alaska writing community. Alaska is particularly strong in nonfiction writing while fiction (other than mysteries and short stories) has been slower to develop, and Iâve chosen to highlight five examples of novels that present truths through imaginative leaps.
Set in Southeast Alaska, Jimmy Bluefeather honestly depicts both environmental and generational change.
A Tlingit-Norwegian canoe carver anticipates the end of his life while his grandson struggles with his own future and a whale biologist resists authority in favor of moral action. Heacox grounds his beautifully-written story in considerable research as well as with respect for cultural beliefs and practices.
The canoe carver in particular is well-drawn and memorable, with toughness, resilience, and humor earned from living close to the Earth and its waters, in a place of stories. A canoe journey carries the story into a wild landscape, questions about conflicts between economic development and the preservation of lands and cultural values, and understandings of human frailty and strength.
"Part quest, part rebirth, Heacox's debut novel spins a story of Alaska's Tlingit people and the land, an old man dying, and a young man learning to live." -Kirkus Reviews (starred review)
"A splendid, unique gem of a novel." -Library Journal (starred review)
"Heacox does a superb job of transcending his characters' unique geography to create a heartwarming, all-American story." -Booklist
"What makes this story so appealing is the character Old Keb. He is as finely wrought and memorable as any character in contemporary literature and energizes the tale with a humor and warmth thatâŠ
I've never been anything but a writer, despite growing up and spending my first 50 years in Alaska. Alaska has been my major topicâwhat else could it be in that overwhelmingly powerful place?âbut it has also been my frustration, because Alaska is a real place that exists in most readersâ minds only as a romantic vision, and they resist any other version. Like the real Eskimos in my book, whose world is melting from climate change as they pump millions of barrels of crude oil from their homeland. The writers I chose are all Alaskans, like me, who tell those stories about the magical, terrifying place that lies behind the Disney version you already know.
This is an ancient, novel-length tale of a hero in the Alaska wilderness near the dawn of time, confronting the cruelty and grief endemic in a world in which survival always hangs on the luck and skill of the hunter. Oman, who died in 2018 at 102, told me 30 years ago about holding onto the Qayaq story, even through the years when her cultural practices were effectively outlawed. She grew up at a time in Kotzebue when her father, a shaman, could only tell the ancient stories of her Inupiaq people at night, in secret, vouchsafing them with her for another generation. As an adult she continued collecting them, and then, in her old age, published this graceful and haunting story, which seems to reach to us from another world.
This is a splendid presentation of an ancient northern story cycle, brought to life by Lela Kiana Oman, who has been retelling and writing the legends of the Inupiat of the Kobuk Valley, Alaska, nearly all her adult life. In the mid-1940s, she heard these tales from storytellers passing through the mining town of Candle, and translated them from Inupiaq into English. Now, after fifty years, they illuminate one of the world's most vibrant mythologies. The hero is Qayaq, and the cycle traces his wanderings by kayak and on foot along four rivers - the Selawik, the Kobuk, the NoatakâŠ
I have loved animals my entire life. I know first-hand the calming influence the unconditional love of a dog can bring to a person. In contentious Teams meetings on the computer, I pet my dog to keep calm. If I am sad or anxious, I grab the squeaky toy, and we play tug-of-war. I volunteered at the Animal Welfare Association, a no-kill New Jersey Animal Shelter. Through my work, I gained an understanding of how to assess the non-verbal cues of a dog. Iâve learned that it is essential to understand an animalâs body language more so than the standards and behaviors associated with breeds of dogs.
Kate Shugak, a park service ranger in Alaska, solves crimes with the aid of her canine companion, Mutt. Having a part wolf, part dog companion is integral to the story as Kate finds herself in precarious situations amongst the solitary and foreboding landscape. Kate will draw on her Native American heritage and culture to help her find an ancient artifact that has been missing for decades. Mutt leaps to Kateâs rescue as she uncovers the clues that villains are desperate to keep hidden.Â
In the newest entry in Dana Stabenow's "New York Times" bestselling "Kate Shugak" series, Kate and the rest of the Park rats are stunned by the death of Old Sam, Kate's eighty-seven-year-old uncle and foster father. In his will, he leaves almost everything to Kate, including a homestead deep in gold mining country that no one knew he had and a letter that reads simply, 'Find my father.' Easier said than done, since Sam's father is something of a mystery: an outsider who disappeared shortly after learning about Sam's existence, he took with him a priceless tribal artifact, a RussianâŠ
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the worldâs most famous heart surgeon.
In these and other intimate conversations, the bookâŠ
Jackson Ford is the author of The Frost Files series, including The Girl Who Could Move Sh*t with Her Mind and Random Sh*t Flying Through the Air. He may or may not be the alter ego of author Rob Boffard, a South African author based in Vancouver, but he is definitely 100% a jackass.
Nothing wrong with a little bit of erotica. This one not only has one of the best titles of any book ever, it also has its tongue jammed firmly in its cheek. When your inciting incident is a jilted bride walking into a bar in Alaska, in her wedding dressâa bar that happens to be owned by eight brothers, one of whom is named Sebastian Baddâ You know you're in for a good time.
Your wedding day is supposed to be the happiest day of your life, right? Thatâs what they say, at least. I went into that day hoping Iâd get the happiest day of my life. What I got? The worst. I mean, you really canât get any worse of a day without someone actually dying.   SoâŠI may have gotten just a little drunk, and maybe just a tad impetuousâŠÂ  And landed myself in a dive bar somewhere in Alaska, alone, still in my wedding dress, half-wasted and heart-broken.  ***  Eight brothers, one bar.  Sounds like the beginning to a bad joke,âŠ
