This book is a collection of Arabian folk tales, stories that have been told for centuries. It hooked me from the start.

It’s told as a story within a story, and it starts out as the doomed Scheherazade’s ruse to keep a ruthless tyrant from marrying and then killing the women of his kingdom (including her). Every night she builds on the previous night’s story by spinning a different tale of intrigue and excitement, of men and women, children and adults, beggars and royalty, and as the king is drawn into her world, so are we.

Scheherazade is witty and wise, and her stories feature characters, especially women, who are equally cunning and clever, touching on subjects that range from misogyny to love to revenge. This is a must-read.

Three things landed this book on my list.

First, I love the ol’ book-within-a-book mystery trope, and this is probably the finest example I’ve encountered. Again, an editor reads her dead author’s book for clues, and I got to experience that in real-time with her. Second, the central clue around which the story revolves—the dead author’s note explaining why he ostensibly committed suicide—and its role in resolving the mystery was one of the most original formulations I can remember in recent years. It was nicely done. Finally, the story within the story hearkens back to the Golden Age of detective fiction, an era for which I have a soft spot (as a glance at the amount of Agatha Christie on my bookshelves will attest).

Since finishing it, I’ve recommended this book to a half-dozen people and have yet to have somebody tell me later that they weren’t happy with the… show more.

The best way to start a list about books that are part of bigger universes is to start with a book about building universes! The ambiance of this book, the intrigue, and the worldbuilding! Oh my goodness, the worldbuilding! Tie-in novels often get a bad rap, so one can be forgiven for thinking that this book might not be great because it’s based on a video game. But the story of the D’ni civilization that literally crafts worlds with their words that they write in magical books speaks to my author’s soul.

Something that I feel is necessary for a universe to have weight is that there must be an appropriate cost for everything that happens, and every choice that the characters make must follow Newton’s Third Law of Motion (for every action, there is an equal and opposite reaction). This is reflected so beautifully in the way Atrus learns… show more.

The Horse and His Boy is the story-within-a-story of The Chronicles of Narnia that baffles some readers of the series but is beloved to others. I am one of the latter. I have always, since I was a kid, loved this story of longing, coming-of-age, and enemies to friends to lovers—all couched in a race against time to warn Narnia about a coming invasion! Shasta and Aravis are a perfect quarreling couple as they both leave home and comfort to set out into the wide world, and the profound changes they undergo along the way add just the right depth to the classic tale. From start to finish, this is fantasy Bildungsroman at its finest.

Most novels, fantasy or otherwise, use portals to travel between worlds—but why stop there? Story Thieves certainly doesn’t! It takes the whole concept of fictional worlds and brings it one step further—characters can physically step in and out of books, and even influence their contents.

Sounds interesting? I certainly found it to be, and read through each novel in this series within days of its release, not to mention several times later throughout the years. Should you be looking for a bit of fresh air in your library, this is certainly one choice worth considering.

The only male author on this list, Coleman Dowell’s Southern Gothic tale is included because it contains some of the most nuanced writing of female characters I’ve ever encountered. Too Much Flesh tells the narrative of a well-endowed farmer named Jim, his petite wife Effie, and a young man, Jabez, whose mutual obsession with Jim leads to, well, something of a frenetic climax. A story within a story, the tale is told to us by a “spinster schoolteacher” (the book was published in 1977), Miss Ethel, who channels her sexual repression into this story of the farmer.

Neither Miss Ethel nor Jim’s wife, Effie, come across as one-dimensional—they feel and act like real people on the page. Dowell himself was gay and deftly handles this queer narrative in a way that is somehow both quiet and stunning, and makes an interesting case study for the time period and genre. And… show more.

Lawrence Block has written, I don’t know, 33,000 books? That’s inspiration alone. But in Keller, the mononymous title character of Hit Man and star of numerous short stories, he compels readers to root for someone who’s not exactly committing good deeds. I find that intriguing, and Chapel Fox, the antihero of my story within a story, travels down a similar road. You’ll find yourself cheering him on. You shouldn’t.

Julia Langbein is an art historian who specializes in nineteenth-century popular humor. Of course, just because someone studies comedy, it doesn’t mean that they’re funny. Luckily for us, Langbein is hilarious. American Mermaid is, in turns, smart, cheeky, cynical, beautiful, silly, ridiculous, and profound.

I couldn’t put it down, but I know that its quick-read quality was deceptive. American Mermaid, with its story-within-a-story structure, must have taken incredible skill to fine-tune and layer. With this caliber of debut, I can’t wait to see what else Langbein has in store for us. 

Bats of the Republic is by far one of the most engaging, unique reading experiences I have ever had the delight to enjoy. The breathtaking art decorating every page (and I do mean every page, from the copyright page to the back of the dust jacket) enhances a deep and intriguing story.

One of my favorite parts of this book is that every piece of writing you encounter comes from one of the characters in the story. This makes for a completely immersive experience as you flip through maps, examine drawings of new animal species, and even uncover a few secret messages. Dodson’s incredible art and one-of-a-kind narrative style create a complex, deep world that I couldn’t help but fall in love with.

I loved the spare, reflective nature of this book, which is part anthropology, part history, and part life writing from an immensely talented writer.

It’s also a great read for anyone who loves a story-within-a-story, as it layers a lost Indigenous history with the efforts of an unorthodox pair of 19th-century researchers to record everything they could about the /Xam people before their language and culture were lost forever.