Here are 100 books that Bats of the Republic fans have personally recommended if you like
Bats of the Republic.
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I’ve been reading and writing stories for as long as I can remember—and the weird ones have always been my favorite. I discovered many of my favorite books by wandering into my local library, telling the librarian about my strange reading interests, and allowing them to set me up with literary masterpieces of the most unusual kind. Once I knew how to bend the rules of genre and form to create something original, I took to creating my own weird stories, and have been doing so ever since in my novels, short stories, D&D characters, and bedtime stories for my bird.
A Prayer for the Dying is the only full-length novel I’ve ever read entirely in second-person perspective—which makes for a white-knuckle-grip adventure as the narrator drags the reader along a dark, haunted path, which is also a little bit on fire.
This ghost story full of living people (at first) follows a hard-working and dedicated protagonist who tries to protect his little town of Friendship as it faces disaster after horrible disaster. The narrative of the story unfurls like a tidal wave—terrifying, yet impossible to look away from as it sweeps away everything in its path. This scary story is definitely not for the faint of heart.
Set in a leafy Wisconsin town just after the American Civil War, this story opens one languid summer's day. Only slowly do events reveal themselves as sinister as one neighbour after another succumbs to a creeping, fatal disease.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been reading and writing stories for as long as I can remember—and the weird ones have always been my favorite. I discovered many of my favorite books by wandering into my local library, telling the librarian about my strange reading interests, and allowing them to set me up with literary masterpieces of the most unusual kind. Once I knew how to bend the rules of genre and form to create something original, I took to creating my own weird stories, and have been doing so ever since in my novels, short stories, D&D characters, and bedtime stories for my bird.
Due to my short attention span, I was hesitant to read this book at first, due to the words “History” and “Memoir” in the title; however, “Dragons” sold me, and I’m very glad it did.
This book reads like a classic Victorian travel narrative, following an intelligent and likable protagonist in her quest to learn more about the natural life around her—namely, dragons. The way this genre-bending novel treats dragons, showing them in scientific diagrams and field drawings, makes for an interesting semi-fantasy world that’s exciting to step into and so much fun to explore.
Everyone knows Isabella, Lady Trent, to be the world's preeminent dragon naturalist. Here at last, in her own words, is the true story of a pioneering spirit who risked her reputation, prospects, and her life to satisfy scientific curiosity; of how she sought true love despite her lamentable eccentricities; and of her thrilling expedition to the mountains of Vystrana, where she made discoveries that would change the world.
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is possibly the best known book on my list, yet it took me a long time to discover it.
This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.
Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
From the first page, this story felt intimate and infinite all at once.
It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.
Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.
It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!
This one’s actually the middle book of Attwood’s Maddaddam trilogy, which deals with the results of “the waterless flood,” a viral pandemic which has wiped out most of civilisation.
The Year of the Flood focuses on the lower classes, which again interests me in terms of the effect on “ordinary” people. There’s a dystopian element here, as Attwood explores the religious sect in which the protagonists find themselves.
NATIONAL BESTSELLER • From the bestselling author of The Handmaid's Tale and The Testaments—the second book of the internationally celebrated MaddAddam trilogy, set in the visionary world of Oryx and Crake, is at once a moving tale of lasting friendship and a landmark work of speculative fiction.
The long-feared waterless flood has occurred, altering Earth as we know it and obliterating most human life. Among the survivors are Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, who is barricaded inside a luxurious spa. Amid shadowy, corrupt ruling powers and new, gene-spliced life…
Chris Philbrook spent almost two decades figuring out he didn’t want to use his business degree for business, and his psychology degree for mental health. Instead, he started writing books about zombies, several of which went on to hit bestseller status, and life has been far better as a result. He has authored over 25 books now, spanning multiple genres.
Autumn is a two-stage apocalypse story that spills out the horror of the world ending from a mysterious infection, followed up by a second, species-crushing wave of terror as the dead return to life to finish the job the infection began. Autumn is dark, and brutal, and is an older book in the genre, but a refreshing take on the trope of zombies. It’s filled with beautiful imagery and characters with depth and runs into a six-book series.
In less than twenty-four hours a vicious and virulent viral epidemic destroys virtually all of the population. Billions are killed, within minutes. There are no symptoms and no warnings; within moments of infection each victim suffers a violent and agonising death. At the end of ten minutes, only a handful of survivors remain. By the end of the first day those survivors wish they were dead. By the end of the first week, as the dead get up and walk, they know they are in hell. AUTUMN, the classic free underground novel finally bursts into the mainstream. It is cold,…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a horror writer whose interests tend to favor morbid topics that are often neglected, end-of-the-world stories have fascinated me since I first read Stephen King’s The Stand at far too young of an age. I love how these works enable the exploration of life, death, and survival. My appreciation for the subject matter deepened during my studies in Seton Hill University’s Writing Popular Fiction MFA program, where I learned how genre fiction has the unique ability to both enlighten and entertain readers. This inspired me to write my post-apocalyptic horror novel, What Remains.
I was first introduced to the film adaptation of The Road in my early teens when I went through all five stages of grief in the span of 1 hour and 51 minutes.
I then made a beeline to the bookstore for a copy of McCarthy’s novel, which subsequently solidified my love of end-of-the-world stories in how they can examine what it means to survive.
The Road is a story that has stayed with me over the subsequent decade and a half and greatly influenced my post-apocalyptic novel.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
In my day job working for a charity, I work with emergency planners, examining how we can minimise the harm caused by disasters, including outbreaks of disease. I’m fascinated by the measures in place to deal with catastrophes, and how contingency planners respond on a practical and a human level. When writing my novel about a killer virus, I devoured both fiction and non-fiction books tackling pandemics ranging from the Black Death to Aids. I am confident I know the skills needed to survive when a pandemic reduces the world’s population to a small, doughty band of survivors. I am not confident I possess these skills.
Louise Welsh has written three novels about a pandemic called the Sweats – her Plague Times trilogy. This is the second book in the series. I particularly liked this one because its protagonist, Magnus, is a Scottish not-very-good stand-up comedian, and I too was once a not-very-good aspiring comic! After a series of unfortunate events, Magnus ends up in prison, where the disease is rife. Breaking out, he decides to make for his childhood home on Orkney, accompanied by fellow escapee Jeb. The fast-moving plot will keep you racing through this book.
Longlisted for the Theakstons Old Peculiar Crime Novel of the Year
The second instalment in the thrilling new Plague Times trilogy from the author of A Lovely Way to Burn.
Magnus McFall was a comic on the brink of his big break when the world came to an end. Now, he is a man on the run and there is nothing to laugh about.
Thrown into unwilling partnership with an escaped convict, Magnus flees the desolation of London to make the long journey north, clinging to his hope that the sickness has not reached his family on their remote Scottish…
In June of 2020, I published a cult escape/pandemic mashup novel, Agnes at the End of the World. Of course, pandemic novels aren’t for everyone right now, but there are some readers, like myself, who seek out what frightens us in fiction to survive our present moment. I read a bajillion pandemic novels before embarking on my own, and I hope that it helps someone, as novels have always helped me. Ultimately, every pandemic novel is about social ills, large and small, and about grief. They remind us that we’re all in this complex world together, telling stories around a campfire to shine some light in the dark.
A Beginning at the End is probably the novel I’d recommend to most readers now, because it’s not just about a pandemic—it’s the story of a pandemic’s long aftermath. The novel paints of picture of societal resilience and growth, and individuals holding out hope for the future after the greatest of tragedies.
From the New York Times bestselling author of Star Wars: Brotherhood
Four survivors come together as the country rebuilds in the aftermath of a devastating pandemic. A character-driven postapocalyptic suspense with an intimate, hopeful look at how people can move forward by creating something better.
Six years after a virus wiped out most of the planet’s population, former pop star Moira is living under a new identity to escape her past—until her domineering father launches a sweeping public search to track her down. Desperate for a fresh start herself, jaded event planner Krista navigates the world for those still too…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As an avid explorer having thrice traveled around the world, living and working in over 40 countries, my inspirations as so originally science fiction have found grounding. I looked to level my imagination in the real world and filtered out the impossible from the unnecessary on a path to utopia. Sharing our ideas, exposing misgivings too, all contribute to a shared realization of human potential. This is much of the reason for who I am as a founder of business platforms I designed to achieve things that I envisage as helpful, necessary, and constructive contributions to our world. Those software endeavours underway in 2022, and a longtime coming still, are Horoscorpio and De Democracy.
For the vastly impossible feat of presenting a sequel to a thoroughly immersive narrative, this did impress. The lead out of the original gives the feeling of the impossible and so it was delivered. Brokering A.C. Clarke's range of brilliance plus getting into the popular references of my youth, in the cyberpunk, virtual reality, corporate elite defining drama, aren't we all familiar with dystopia by now? Where or when does the apocalypse become inevitable and what are you steering towards there or then? I was awe-inspired by this handling of ethical uses of hyper-tech which is one I left up to my reader's imagination by the end of my own series. Whether imagined VR can ever become a coded reality, or if it's only ever going to be imagination, this is the challenge of the Age of Aquarius.
Days after winning OASIS founder James Halliday's contest, Wade Watts makes a discovery that changes everything.
Hidden within Halliday's vaults, waiting for his heir to find it, lies a technological advancement that will once again change the world and make the OASIS a thousand times more wondrous - and addictive - than even Wade dreamed possible.
With it comes a new riddle, and a new quest: a last Easter egg from Halliday, hinting at a mysterious prize.
And an unexpected, impossibly powerful, and dangerous new rival awaits, one who'll kill millions to get what he wants.
