100 Books Like Dreaming the Karoo

Untangling the roots of Apartheid is a thorny challenge, but Marq de Villiers’ approach—of telling the story of the Afrikaners, or South Africa’s “white tribe,” through one family’s complex and troubled history—does an excellent job of explaining the mentality that creates hateful systems of oppression. 

I highly recommend this powerful book.

This book is almost a response to, or continuation of, Marq de Villiers’ historical account: one young man’s reflections on returning from exile to a country that had only recently rejected Apartheid.

It’s a deeply personal work in which the author grapples with his conscience as well as the wider culture in which he grew up.

A brilliant, challenging collection of the writings of the great anti-apartheid activist, who stressed the importance of freeing minds as well as bodies. "Inspirational" is an overused word, but it absolutely fits a work this wise, heartfelt, and urgent.

Biko's friendship with the journalist Donald Woods—immortalised in the film Cry, Freedom—is a testament to the power of the pen, and "I Write What I Like" is Biko at his finest, in his own words.

I've loved just about everything that I've read by Gordimer, so it's hard to pick a favorite (The Lying Days is on another of my Shepherd shortlists!), but I've chosen one of her later titles here for balance.

One of the Novel Laureate's great post-apartheid works, this is a book with implications sadly not particular to South Africa—about freedom and accountability, love and family, and the normalization of violence. The style is a little unorthodox and can be tricky to follow, but Gordimer rewards readers who make the effort, which, to my mind, is very much worth the struggle.

This novel is set in the beautiful, moody rainforests of South Africa’s Garden Route and captures the period of gold rush, ivory hunting, and logging at the end of the 19th century. The hero, Saul Barnard, is increasingly disturbed by the destruction of the ancient forest by miners, hunters, and woodcutters, and develops a relationship with one of the region’s reclusive elephants. It’s a novel that not only celebrates this wild corner of South Africa, but is an implicit cry for its conservation. I have spent time camping and hiking in those forests and have developed a love for their leafy embrace.

Bosman is one of South Africa’s finest short story writers and these funny, gentle, poignant tales are set in the wild northern reaches of the country where farmers struggle to make ends meet. I am particularly drawn to the way Bosman captures the landscape of bushveld and Kalahari, of wild animals and a hardy pioneering way of life. It’s also a corner of South Africa that I love to go on safari to enjoy the Big Game experience, encountering elephants, rhinos, lions, and the like…

AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes. 

The ex-pat novel has become something of a South African genre, what with many young people searching for new opportunities overseas, in flight from the old repressive racist regime or, latterly, the corrupt, inefficient new regime. In his debut collection of short stories, The Alphabet of Birds, Naudé referred to "the diaspora of fearful, grim, white children from South Africa," and this novel is another variation on that theme. It’s easy to fall into stereotype and cliché, and part of Naudé’s achievement is to remake the familiar scenario into something wholly original, in an account of his main character’s search for the missing reel of a film made by a Jewish filmmaker in Hitler’s Germany.

The novel contains vivid accounts of life in a ‘squat’ in London, as well as the grim atmosphere of an East German film school under Russian occupation – contrasting with the hedonistic excess of… show more.

I have included When The Lion Feeds because it is the first “grown up” book that I read as a young person.

It was many years ago, but Wilbur Smith’s novel had a big impact on me with his descriptive writing drawing me into the South African setting. The characters in Smith’s novel make for a strong and powerful narrative, and his imagery is captivating.

In many ways, When The Lions Feed is what could be described as a page-turner. I had mentioned in another review that an indicator of a good story is when the reader feels that they know the character(s), and it is certainly the case with this book.

While I was a graduate student of writing, I devoured every novel and story by Nadine Gordimer, whose body of work is astounding in how it combines artistic sensibility with a moral vision. Most important, Gordimer, with her unflinching and unrelenting gaze at the horror of apartheid in South Africa, taught me the value of passion in writing. Gordimer is known mostly for her novels, but her short stories are equally sharp and biting in their critique, and she uses the form’s precision to devastating effect. What is striking in Jump and Other Stories is the diversity of her characters and situations, thereby illuminating every corner of the racial injustices in her country.