Maybe it’s true that the best travel writers can convince you to consider doing things that you wouldn’t do otherwise. This year alone, I have entertained ideas about piloting an aircraft over Africa (Beryl Markham) and driving the Pan-American Highway from Alaska to Argentina (Tim Cahill).
Then there’s John Gimlette’s Elephant Complex: Travels in Sri Lanka. His combination of meticulous research, compelling story-telling, vivid description, and insightful interview made me want to walk through the tropical jungle, sleep in a tree house, meditate in a serene Buddhist temple, and savor scalding curry in Colombo.
Last year, I was a person who was only peripherally aware of Sri Lanka. And now, a mere 450 pages later, I’m a person who desperately wants to go.
A gripping account of an under-reported island' Spectator, Book of the Year '[A] brilliant new book about an island that has a geography from heaven and a history from hell' Daily Telegraph 'A brilliant work of travel, history and psychological insight . . . astute and sympathetic . . . very funny' Wall Street Journal Everyone has wanted a piece of paradise John Gimlette - winner of the Dolman Prize and the Shiva Naipaul Prize for Travel Writing - is the kind of traveller you'd want by your side. Whether hacking a centuries-old path through the jungle, interrogating the surviving…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
Another book that I highly recommend is Vanni. It has a brilliant mix of deft cartoon imagery and meticulously researched verbatim materials.
Dix and Pollock recount the story of one Tamil family’s journey from war-torn Sri Lanka to a place of troubled refuge in the UK.
Vanni’s depiction of Tamil communities, caught in the crossfire of the brutal conflict between the Sri Lankan state and the Tamil Tigers, the devastating tsunami that hits the region, and then the refugee crisis that follows is an important and necessary reportage on one of the world’s most under-reported conflicts.
In the tradition of Maus, Persepolis, Palestine, and The Breadwinner, Vanni is a graphic novel documenting the human side of the conflict between the Sri Lankan government and the "Tamil Tigers." Told from the perspective of a single family, it takes readers through the otherwise unimaginable struggles, horrors, and life-changing decisions families and individuals are forced to make when caught up in someone else's war.
Set in Vanni, the northern region of Sri Lanka that was devastated by the civil war, this graphic novel follows the Ramachandran family as they flee their home after the 2004 tsunami and move from…
I have always been fascinated by beauty and art. As a child growing up in India, I sketched frequently. Later, I became obsessed with photography. In 1999, I moved from my first academic job to join the newly forming Center of Cognitive Neuroscience at the University of Pennsylvania.The move was an opportunity to rethink my research program. In addition to studying spatial cognition, attention, and language, I decided to investigate the biological basis of aesthetic experiences. At the time there was virtually no scholarship in the neuroscience of aesthetics. It has been an exciting journey to watch this field grow. And, it has been exhilarating to start the Penn Center for Neuroaesthetics, the first research center of its kind in the US.
Ellen Dissanayake was a primary force in the modern era to bring evolution into the conversation of why we have and often revere art. For her, art promotes social cohesion in small groups and making objects special through ritual lies at the root of making art. If you want to learn about how evolution might have promoted the creation of art, this book is the place to start.
"Dissanayake argues that art was central to human evolutionary adaptation and that the aesthetic faculty is a basic psychological component of every human being. In her view, art is intimately linked to the origins of religious practices and to ceremonies of birth, death, transition, and transcendence. Drawing on her years in Sri Lanka, Nigeria, and Papua New Guinea, she gives examples of painting, song, dance, and drama as behaviors that enable participants to grasp and reinforce what is important to their cognitive world."-Publishers Weekly"Homo Aestheticus offers a wealth of original and critical thinking. It will inform and irritate specialist, student,…
Plus, Tracey's
2, and 7-year-old's favorite books.
Why Tracey's
7-year-old loves this book
He enjoys this brilliant story about a girl
who develops a friendship with a wild leopard.
He really likes the leopard and
the jungle. The jungle is next door to the girl’s school. One day, the leopard
gets stolen and the girl wants to rescue him. The author of this book came to
talk at his school. Now he is looking for her other books to read too.
From the author of The Girl Who Stole an Elephant comes another brilliant escapade. The third thrilling adventure set in a fictional Sri Lanka is jam-packed with peril, poachers and an endangered leopard!
Selvi is a wild child who loves climbing in the beautiful mountains behind her home. She is often joined by Lokka, a leopard with a beautiful coat and huge golden eyes. When hunters come for Lokka, Selvi is determined to fight.
But what can she do against such powerful enemies? Turn to her friends, of course! Now they just need the perfect plan...
Big things have happened long ago and far away. As a kid born into the American Midwest in the Cold War, the world out there seemed like a scary place. But reading was a way to imagine other realities, and from college onward, I have been fortunate enough to encounter people in person and on paper who share their stories if you put in the work and listen. Keeping your ears open, unknown but intelligible worlds of personal contingencies and impersonal forces from other times and places can be glimpsed. How better to begin exploring the communion and conflict than by attending to changes in our practices of eating and medicating?
I found Rappaport’s book to be a really marvelous example of what is now being called “entangled history.” That kind of history picks up one topic and follows it wherever it leads. Because tangible things are easier to trace than intangible things (like ideas or rumors), commodity history is a lively subject, but this is something larger.
Tea has a chemistry to it that people gravitate toward, but there is so much more to the story about why it is so widely consumed in our world today. Once it was a substance grown and sipped in China, but European trading companies also discovered that markets for it could be created. It was famously a commodity deeply entangled in the opium wars, in the new plantation economies of northeastern India and Sri Lanka/Ceylon, and other systems of production.
But Rappaport has so much more to say about the consumption side, too:…
How the global tea industry influenced the international economy and the rise of mass consumerism
Tea has been one of the most popular commodities in the world. For centuries, profits from its growth and sales funded wars and fueled colonization, and its cultivation brought about massive changes-in land use, labor systems, market practices, and social hierarchies-the effects of which are with us even today. A Thirst for Empire takes an in-depth historical look at how men and women-through the tea industry in Europe, Asia, North America, and Africa-transformed global tastes and habits. An expansive and original global history of imperial…
I fell in love with reading and writing as a child, but it wasn’t until college that I discovered the magic of poetry and began writing it myself. I began to immerse myself in poetry and, in particular, the poetry of Pablo Neruda through a course on The Poet’s Voice in which we explored how the poet’s voice changes over a lifetime of writing. For many years, I thought of myself as a fiction writer, but gradually I turned to poetry, and poetry saved my life. I start each day with a poem or two, and much of my work is inspired by the poets and poems that I read.
I fell in love with Pablo Neruda and his poetry when I read this book, initially for a course called the Poet’s Voice in grad school. I’ve been reading it ever since. The book takes me through Neruda’s entire career, from 1924, when he published Twenty Love Poems and A Song of Despair, to 1967, when he published La Barcarola.
This book is the story of a life in poems. When I read this book, I discovered that I could write about anything because he did. I took hypnotic walks with him through his consular postings in Burma, Sri Lanka, and Singapore. With his odes, I saw the beauty in even the most mundane pieces of life—laziness, a book, a tomato. I basked in the wry and generous voice of a poet.
Pablo Neruda, el gran poeta chileno del siglo xx, premio Nobel de Literatura en 1971, es mucho más que un poeta político, comprometido o de denuncia. También nos ha dejado la sencillez optimista de las odas, esos homenajes llenos de amor a las cosas concretas (la madera, un tomate, una campana, el tren...) en los que fija una mirada amable y esperanzada sobre la vida corriente de la gente corriente... El recorrido poético de este creador inagotable bebe de las principales tendencias estéticas de vanguardia de la época que le tocó vivir: modernismo, surrealismo, expresionismo... En esta antología, adornada con…
In this shattering memoir, Deraniyagala recounts the loss of her entire family (husband, two children, and both parents) in the Sri Lankan tsunami. It’s a slim, shimmering fugue state that captures the momentous forces, beyond us and within us, that raze and raise us.
The book opens and we are inside the wave: thirty feet high, moving at twenty-five mph, racing two miles inland. And from there into the depths of the author's despair: how to live now that her life has been undone?
Sonali Deraniyagala tells her story - the loss of her two boys, her husband, and her parents - without artifice or sentimentality. In the stark language of unfathomable sorrow, anger, and guilt: she struggles through the first months following the tragedy -- someone always at her side to prevent her from harming herself, her…
I have specialised in writing about radicals and non-conformists who seem to me to be the most interesting people in the world. I like books about people doing challenging things and making a difference. I love travelling to obscure archives in other countries and finding the riches of personal papers in dusty old rooms curated by eccentric archivists who greet me like an old friend.
The Sri Lankan feminist Kumari Jayawardena produced this groundbreaking history in 1986 and it has never been out of print. It told me so many things I didn’t know, for example how Chairman Mao’s early radicalism was centred on women’s issues: a social system which so subjected women must be brought down; Marxism was a later add-on (but don’t tell the Chinese Communist Party, they don’t like to acknowledge this fact).
For twenty-five years, Feminism and Nationalism in the Third World has been an essential primer on the late nineteenth- and early twentieth-century history of women's movements in Asia and the Middle East. In this engaging and well-researched survey, Kumari Jayawardena presents feminism as it originated in the Third World, erupting from the specific struggles of women fighting against colonial power, for education or the vote, for safety, and against poverty and inequality. Journalist and human rights activist Rafia Zakaria's foreword to this new edition is an impassioned letter in two parts: the first to Western feminists; the second to feminists…
Nicholas Jubber has written for the Guardian, Irish Times and Telegraph, amongst other publications. He has won the Dolman Travel Book Award, for which he has been shortlisted three times, and his books have been picked by National Geographic, Wanderlust and the New York Times, amongst other publications, for their books of the year.
The scale of this ancient Indian epic is off the charts, fusing Hindu iconography with story beats of startling familiarity. Monkeys build a bridge between India and Sri Lanka, an army of demons takes on the vanguard of the gods and the villain is felled by a celestial bow. An influence on storytelling down the ages – notably Star Wars – it’s a tale as exciting as it is charming, with a surprisingly downbeat coda, as Queen Sita discovers that being rescued by her divine husband isn’t enough to survive the prejudices of her age.
Which version to read? Arshia Sattar’s 1996 translation is available in Penguin translation. I can’t testify to its accuracy, but it’s a magnificent read.
One of India's greatest epics, the Ramayana pervades the country's moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BC, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an…
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
A dizzying, intoxicating, completely engrossing memoir by another poet, who’s most famous as the author of The English Patient. I always feel a little tipsy, in the best way, reading this one.
Ondaatje was born in Sri Lanka and sets out as an adult from Canada to discover the mysteries left behind by eccentric, long-lost family members in a land he loves. Newspaper articles, pictures, ghost stories, and poetry comprise this one-of-a-kind narration. When his brother pleads with him to get this family history right, you feel the weight of the request as heavy as a summer rain.
In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.
