Here are 100 books that Elephant Complex fans have personally recommended if you like
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I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
I love nothing more than a book that unsettles me, that I grasp almost bodily in the reading but have to return to again and again to truly understand. Lose Your Mother is that kind of book. In Chapter Seven, Hartman tells us that, while working in the archive of the Atlantic slave trade, she came across a scandal: on board the slave ship Recovery, two African girls—one named Venus—are murdered by the captain, John Kimber.
A trial ensues. A mate is put on the stand, who admits there was a book on the ship, a list of all its horrors, The Dead Book, but it’s lost now. Lose Your Mother is Hartman’s attempt to write her version of The Dead Book without committing the same violence against the girls that they endured in their short lives. How she wonders, can we reimagine life for Venus when all we know…
In Lose Your Mother, Saidiya Hartman journeys along a slave route in Ghana, following the trail of captives from the hinterland to the Atlantic coast. She retraces the history of the Atlantic slave trade from the fifteenth to the twentieth century and reckons with the blank slate of her own genealogy.
There were no survivors of Hartman's lineage, nor far-flung relatives in Ghana of whom she had come in search. She traveled to Ghana in search of strangers. The most universal definition of the slave is a stranger—torn from kin and country. To lose your mother is to suffer the…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I first turned to the ‘dark side’ of travel when a student of mine introduced me to ‘dark tourism’. Sadly the world is littered with places of tragedy where our misfortunes are exposed by dark tourism. As a social scientist, I have been writing about visiting our significant dead for over 20 years. I am fascinated as to why particular deaths are remembered, by whom, and how our dead are (re)presented within visitor economies. I have lectured and published extensively within academia, as well as being a media consultant. I continue to tell tales of our dead and how we attach cultural importance to certain kinds of death.
With a healthy dose of gallows humour, Sarah Vowell explores glorious conundrums of American history, politics, and culture. As such, the book provoked me to appreciate how visiting sites of the significant dead has long been in the touristic imagination. The book takes you on a journey – part history lesson, part travelogue – through the black spots of American political violence. Through a bizarre road trip to places where American politicians met a bloody end, I found Vowell’s own thoughts on the American character both witty and quirky. I also love how she explodes myths and, consequently, exposes a profound level of hypocrisy in the quest for (American) political and cultural advantage.
Transporting us from Buffalo to Alaska, Washington to Key West, Vowell has crafted a narrative that is much more than a historical travelogue - it is the disturbing and mesmerising story of how American death has been manipulated by popular culture, including film, literature, and - the author's favourite - historical tourism. Skilfully belying the undercurrents of loss and violence that course through her journey, Vowell injects a range of lighter detours along the way, including mummies, show tunes, mean-spirited totem poles, a nineteenth-century biblical sex cult - and exactly how Lincoln's Republican Party became Bush's Republican Party. Assassination Vacation…
A few years ago, I began rediscovering my hometown of Denver as I walked neighborhoods and revisited landmarks of the city that I had not seen since I was a kid. Essential Denver highlights the fabulous things the city offers from my perspective as a Denver native. I encourage readers to explore Denver, plan outings, and become involved in the community. I hope this Denver book list sparks more interest in landmarks, treasures, and the history of Denver to ensure the city’s future is strong and vital.
As the title indicates, history lovers will enjoy this book. I appreciated the short, easy-to-read entries. It was a well-written book with excellent photography. The author Mark Barnhouse is a Denver native and has published six history books on Denver. As a result of his experience, this book is of high-quality and polished.
Founded in an unlikely spot where dry prairies meet formidable mountains, Denver overcame its doubtful beginning to become the largest and most important city within a thousand miles. This tour of the Queen City of the Plains goes beyond travel guidebooks to explore its fascinating historical sites in detail. Tour the grand Victorian home where the unsinkable Molly Brown lived prior to her Titanic voyage. Visit the Brown Palace Hotel suite that President Dwight and First Lady Mamie Eisenhower used as the "Summer White House." Pay respects at the mountaintop grave of the greatest showman of the nineteenth century, Colonel…
Across America, a wave of brutal, inexplicable killings leaves hardened detectives and desperate federal agents grasping for answers.
But what appears to be vigilante terror is something far more ancient - an invisible war between the forces of light and the agents of darkness, playing out on the streets of…
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
The Silk Road is a nineteenth-century invention, but the movements of people, things, and ideas in and through the immense and often terrifying space between modern Iran and China generated change in every sphere and engaged an astonishing variety of people. Valerie Hansen’s exploration of seven places along the imagined route and what has been found in them offers a lucid and lively introduction to a wider medieval world and how we know about it.
The Silk Road is as iconic in world history as the Colossus of Rhodes or the Suez Canal. But what was it, exactly? It conjures up a hazy image of a caravan of camels laden with silk on a dusty desert track, reaching from China to Rome. The reality was different-and far more interesting-as revealed in this new history.
In The Silk Road, Valerie Hansen describes the remarkable archeological finds that revolutionize our understanding of these trade routes. For centuries, key records remained hidden-sometimes deliberately buried by bureaucrats for safe keeping. But the sands of the Taklamakan Desert have revealed…
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
Death and Rebirth in a Southern City: Richmond’s Historic Cemeteries is two books in one. It is a traditional survey of a particular region’s graveyards that is rich in history and lore. But it also exposes historical racial inequities in the care of a city’s dead and sets the stage for current activism that is seeking to reclaim important sites of memorialization for the area’s disenfranchised population and its current descendants.
This exploration of Richmond's burial landscape over the past 300 years reveals in illuminating detail how racism and the color line have consistently shaped death, burial, and remembrance in this storied Southern capital.
Richmond, Virginia, the former capital of the Confederacy, holds one of the most dramatic landscapes of death in the nation. Its burial grounds show the sweep of Southern history on an epic scale, from the earliest English encounters with the Powhatan at the falls of the James River through slavery, the Civil War, and the long reckoning that followed. And while the region's deathways and burial practices…
My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.
This short book starts with my favorite executive summary of the Seven Ancient Wonders of the World, ‘Two statues, a temple, a roof-top garden, two tombs and a lighthouse’.
Each monument is discussed by an expert on the subject who gives you all you need to know and not much more.
The book was first published in 1988 but is still acknowledged as the best general summary, as the classical sources and archeology have not changed significantly since then.
Sets each of the seven wonders in their historical context, bringing together materials from ancient sources and the results of modern excavations to suggest why particular places and objects have been seen as the touchstone for human achievement.
The Amazing Afterlife of Animals
by
Karen A. Anderson,
My book is for anyone grieving the loss of a beloved pet. If your heart feels shattered and you are searching for understanding, comfort, and connection, these chapters were written with you in mind.
I share uplifting and life-changing stories that help you move beyond the devastation of grief, including…
I have always been passionate and outspoken about fairness. This passion evolved into my attention to words and laws and a belief that they could affect behavior. This passion evolved into my passion for social change. Finally, it evolved into a passion for public service, where I could make things happen that I believed would help people. My first action as Chief Ranger for Legislation in the Boston office of the National Park Service was proposing a new park for women’s history, which eventually became the Women’s Rights National Historical Park.
I wish I could have read this book as I struggled to promote the sites in Seneca Falls to become a new national park. The US Congress directed the National Park Service to seek out and preserve sites that tell “nationally significant” aspects of our country’s history. Naming a place and its remaining structures nationally significant brings notice, interest, visitors, and support. Severely limiting parks focused on women might suggest that women’s history is not nationally significant.
I found the 19 chapters describing the benefits and challenges of selecting, preserving, and promoting the sites, structures, and stories of women’s trials and achievements heartening and inspiring. Each chapter provides valuable insights into the complex process of protecting historical places that reflect women's contributions to our nation's history. These stories highlight the importance of giving due recognition to sites connected to women's experiences and struggles.
Historic sites are visited by millions of people every year, but most of these places perpetuate the public notion that men have been the primary agents of historical change. This book reveals that historic sites and buildings have much to tell us about women's history. It documents women's contributions to the historic preservation movement at places such as Mount Vernon and explores women's history at several existing landmarks such as historic homes, as wells as in a wider array of cultural landscapes ranging from nurses' residences in Montreal to prostitutes' quarters in Los Angeles. The book includes essays on six…
I have been writing books on public art and memorials since the early 1990s and served on some major public commissions that select memorials and/or determine the fate of problematic memorials. These markers in our public spaces define who we are as a culture at a certain point in time, even though interpretations of them may evolve. They are our link to our history, express our present day values, and send a message to the future about who we are and what we value and believe in.
Given the alarming number of recent deaths by gun violence it is especially illuminating to consider the various ways sites of violence have been commemorated.
Ranging from total disappearance, to informative plaques, and major memorials, communities have reckoned with the aftermath in radically different ways.
I loved this book because it made me think about the content of site - or rather the content we attribute to the ground - where something shocking happened, be it a mass shooting or any other tragic event.
Shadowed Ground explores how and why Americans have memorialized-or not-the sites of tragic and violent events spanning three centuries of history and every region of the country. For this revised edition, Kenneth Foote has written a new concluding chapter that looks at the evolving responses to recent acts of violence and terror, including the destruction of the Branch Davidian compound at Waco, Texas, the Oklahoma City bombing, the Columbine High School massacre, and the terrorist attacks of 9/11.
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
Art critic Gayford’s engaging and entertaining essays recount his adventures over the years when meeting artists and visiting destination art sites around the world, such as Brancusi’s Endless Column in Romania and the Chinati Foundation in Texas. A great storyteller, his writing is both chatty and informative and the book is a pleasure to read.
Bestselling author of Modernists & Mavericks Martin Gayford recounts some of the extraordinary journeys he has made in the name of art.
In the course of a career thinking and writing about art, Martin Gayford has travelled all over the world both to see works of art and to meet artists. Gayford's journeys, often to fairly inaccessible places, involve frustrations and complications, but also serendipitous encounters and outcomes, which he makes as much a part of the story as the final destination. Entertaining and informative, Gayford includes trips to see Brancusi's Endless Column in Romania, prehistoric cave art in France,…
Jose Castillo is a cynical, wise-cracking Cuban-American who restores classic cars. He’s also a private eye whose sarcastic ways sometimes get him into trouble.
One day, in the process of installing a four-barrel carburetor on a 1965 Mustang, into his shop walks trouble—in the shape of a mysterious, beautiful woman…
I remember well my first visit to Gettysburg on a high school trip. I had trouble expressing what I felt until I read the words of a battlefield guide who said that he often sensed a “brooding omnipresence.” I have often felt such presences across the historic landscape in the U.S. and elsewhere. I am now Professor Emeritus of History at Indiana University, and former editor of the Journal Of American History. I have also written Preserving Memory: The Struggle To Create America’s Holocaust Museum; The Unfinished Bombing: Oklahoma City In American Memory, and co-edited American Sacred Space; History Wars: The Enola Gay And Other Battles For The American Past; and Landscapes Of 9/11: A Photographer’s Journey.
Photographer Andrew Lichtenstein and historian Alex Lichtenstein offer readers compelling visual expression of the instability of public memory. The authors ask who and what gets remembered and forgotten, and where and how? What is consigned to oblivion and why? What do such choices reveal about what national stories we prize and those we find uncomfortable, even indigestible? The powerful photographs suggest how volatile historic sites can be marked by absence as well as presence.
From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from the nation's past. Focusing especially on landscapes related to African American, Native American, and labor history, Marked, Unmarked, Remembered reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory.
These powerful photographs by award-winning photojournalist Andrew Lichtenstein are interspersed with…
