100 Books Like Vanni

Joe Saccos’ work has had such an impression on me.

In 1991-1992, Sacco spent two months in the occupied territories, collecting stories for this masterpiece of journalism and comics. He was breaking new ground; Comics Journalism as a form did not really exist before this book.

On the ground, Sacco found that as a cartoonist, he could delve deeper into the experiences of the Palestinians he interviewed; all knew their identities were safe as the book would be drawn, with no identifying photos, no names. Their stories and pain pour forth. 

Looking back on this publication thirty years later, the situation has become far, far worse for Palestinians. This book is an excellent primer to understand the atrocities of the present and the context of their past.

In researching my graphic novel, I read many comics on slavery.

This atmospheric account of enslaved Virginians in 1831 is a hard read, but it made a great impression on me.

Powerfully, Baker uses the verbatim testimony from the confession of Nat Turner as he awaited execution in jail. The narrative does not pull its punches; in one scene, Turner recounts the murder of a plantation owner's baby. It is shocking, but Baker skillfully puts this in the context of the brutality of the lived experience of the enslaved, their own children being routinely abducted and sold by their masters.

The comic is a powerful slave narrative in this sparse and mostly wordless retelling of America’s most famous slave revolt.

I grew up in a politically active family but had never read The Communist Manifesto. Martin Rowson's adaption blew me away. 

The book opens with an amazing series of spreads; in bold black and white and blood-splatted red, he charts the development of human history from the serfdom of early civilisations through the Middle Ages, up to the slave trade, the age of revolutions and the Industrial Revolution that ripped workers away from life in the fields and into factory labour and then on. 

From this, Marx and Engels begin their walk through the rest of the book, announcing, "A spectre is haunting Europe, the spectre of Communism."

Rowson’s dense and beautiful artwork makes demands on the reader; in its multi-layered depths of meaning, it’s a phenomenal achievement.  

I had read the original book many years ago, but I was interested in this book, as what the Rickard sisters were doing, an adaption, was similar to my project. 

The graphic novel is a brilliant distillation of Robert Tressell's very long prose book, never simplifying the core political messages. 

The lead, Owen, is berated, hated, and admired for his determined belief in the idea of a better world. His explanation and the Rickard sisters' visual depiction of that world are indeed inspirational. 

The original book is said to have inspired many political thinkers on the left, with George Orwell describing it as "a book that everyone should read."

The original was described by its publisher as "Damnably subversive but extraordinarily real." Sophie and Scarlett Rickard's gorgeously designed and illustrated adaption certainly lives up to that description.

Hosseini's book is timely and important. It is a story inspired by the image of a child washed up on the beach of a foreign shore. It tells the story of another child, whose parent send them off on a vessel across a wide ocean in search of a less turbulent future. The art is sweeping. The words travel far into the heart.

Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.

I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.

This wordless picture book uses gorgeous collage art to soften the frightening story of a wartime escape from Vietnam. The use of ants as a refugee metaphor, and the intertwined wordless stories of ants with a fleeing human family, may make the story a bit complex for very young readers. But the lack of text, in this case, makes it a perfect read-together book and conversation starter. It is a story of hope, courage, and kindness, which are key pillars for refugees to survive and thrive. Separately, we all tend to focus on the biggest, most current, refugee crises (and there are many!). Yet children should also hear refugee stories from around the world and through history. What do these journeys have in common? What makes them unique? What can we learn?

Sadly, this powerful story feels more relevant than ever. Inspired by the Syrian refugee crisis, it confronts the reality of war head-on, putting the reader in the shoes of a little girl whose everyday routine is shattered. Because of the subject matter, this may be unsuitable for very young or sensitive kids – but it proves that picture books can be a potent way of speaking to older kids, too.

The unsophisticated language and naive illustrations provide children easy access to important discussions surrounding conflict and misplaced children. Poignant, thought-provoking, and ultimately uplifting, this story reminds us of the reality of war and that our children provide hope for a peaceful future.

Thinking about camps and incarceration brings me to Voices from the ‘Jungle’: Stories from the Calais Refugee Camp. I choose this book because it offers insights into the lives and aspirations of refugees who congregated in the refugee camp in the coastal town of Calais in northern France. As such, it is an antidote to much contemporary reportage of refugees as a faceless and anonymous mass. Their vivid first-person accounts testify to the violence and persecution from which they escaped, whether in Afghanistan, Eritrea, Sudan, or Syria, and their subsequent adventures and odysseys, including endless waiting for official decisions or for the opportunity to make their way to the UK to join family or friends. The camp and its residents have been much photographed, but most of these images give little idea of the extent to which the “jungle” became a vibrant community; juxtaposing images and words, as in… show more.

This is one of my all-time favorite children’s WW2 books set on America’s home front. The year is 1944, and Lily is off to spend another magical summer in Rockaway. The beach and the boardwalk, the swimming and fishing, and her friend Margaret are waiting. But the summer soon begins to fall apart. Margaret and her family are leaving for a town in Michigan where her father has a job in a wartime factory. And her own father reveals that he is about to work as an engineer for the army somewhere in Europe.

Loneliness sets in until Lily meets an orphaned boy named Albert, a Hungarian refugee who is spending the summer with relatives. Albert’s parents have been taken by the Nazis, and his sister, Ruth, is left behind in France. Lily and Albert have much to learn from each other, and much to share. This book tells a… show more.