Here are 100 books that Running in the Family fans have personally recommended if you like
Running in the Family.
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As both a reader and mystery & thriller author, I’ve always been drawn to stories with a strong sense of place and “atmosphere." I love landscapes that can seduce and threaten in the same breath, and a setting so immersive that it feels like you once lived there. It’s what I always seek in the books I read and what I try to create in the stories I write. There’s no greater compliment than a fan saying they re-read your books just to revisit the world you created, because it’s my own reaction to the books I cherish. Here are some of my favourite reads where the beautiful setting is inseparable from the simmering suspense.
Like many people, I’d heard so much about this classic that I was braced for disappointment the first time I read it.
But no, du Maurier’s rich, atmospheric prose gripped me from that famous first line. While I agree about the power of the iconic cast, such as the infamous Mrs. Danvers, I feel that the setting itself is just as powerful a character. I especially love du Maurier’s way of personifying the setting, so that things such as trees, and plants, and buildings come alive with malevolence.
The opening pages, for example, immediately fill you with unease despite the narrator talking about nothing more than the driveway leading up to the house on the estate! From the woods that “crowded, dark and uncontrolled” and the beeches with “white naked limbs” to the hydrangeas “rearing to a monster height without a bloom, black and ugly” and the nettles that “choked…
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
From Pulitzer Finalist Laurie Sheck (A Monster's Notes), a new speculative literary fiction in the spirit of Italo Calvino, Umberto Ecco and Donna Haraway's Cyborg Manifesto that enacts an incisive and moving exploration into what it means to be human in the age of AI and increasing inhumanism.…
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).
Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
When I came across this book, I was on the point of giving up reading modern novels. Everything I had read recently was such a let-down at the end that sometimes I threw the book across the room in reader rage.
At last, in Rushdie, I found someone who did not disappoint. As I approached the end, I became breathless, worrying that the story was going to sink like a soufflé, but it didn’t. It just kept on rising.
Once upon a time in Fairgrounds, there was a contraption called the Hammer and Bell. It was a test of strength to see if you could make the bell ring. Most couldn’t. Most got the marker some way up the calibrated column only to see it hesitate, then begin its descent. Midnight’s Children made it to the top.
What makes a good ending? For me, it is some transcendent statement of…
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
Between the Clouds and the River tells a dual-timeline story set between 1942 and 1965, exploring themes of war, identity, and belonging.
The narrative follows Bernhardt Lang, a captured German soldier, and Joseph Holliman, a young boy struggling to survive an abusive home. In a journey that takes readers from…
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
This book! Condé has based her novel’s titular narrator on a real enslaved woman who was a victim in the Salem witch trials and conjured a first-person account of her life as a free woman born in Barbados to one enslaved in a cold, foreign Massachusetts village.
“I can look for my story among those of the witches of Salem, but it isn’t there,” laments Tituba. She longs for the love of men who don’t deserve her, for the comfort of ancestors far away, for a returned sense of freedom and joy.
I am in love with this magical, tragic story and this defiant narrator full of compassion even when she’s been mistreated terribly.
This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Conde brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons,'" who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that…
Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.
If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.
The great temples of the Indian subcontinent are uniquely fascinating spaces. Steeped in mythology and history, they are windows into a complex, often contrary culture. Where the Gods Dwell delves into the ‘(hi)stories’—history and mythology—of thirteen architectural marvels that have inspired awe, and not only in the hearts of the faithful.
Every essay in this book is an intriguing mix of historical detail, mythological narrative and architectural commentary, supplementing and complementing each other to tell a story that is more than the sum of its parts. From Pashupatinath in Nepal to the Nallur Kandaswamy in Sri Lanka, the Kamakhya in…
Foreign policy has been my passion since I was a child. My father was a civil servant and growing up in India, I always wanted to follow in his footsteps but instead of working on domestic issues, I wanted to work on international affairs. History was another passion of mine and I wanted to combine the two of them in such a way that I studied the past in order to explain the present and help the future. This passion led me to enroll in a PhD program in the United States and then work at a think tank. I have written three books, two of which focus exclusively on foreign policy. I hope you enjoy reading the books I have listed and read my book.
This is a book by a former top diplomat of India that lays out in a clear and concise fashion India’s priorities, its interests, and its concerns. Real life examples are cited to explain the choices India made, or didn’t make, and the reasons behind those decisions. As someone who is passionate about foreign policy, and who loves archival research, I loved reading a book written by a practitioner in which he tells you about the challenges they face and the real-life choices they have to make.
A look behind the scenes of some of India's most critical foreign policy decisions by the country's former foreign secretary and national security adviser.
Every country must make choices about foreign policy and national security. Sometimes those choices turn out to have been the correct ones, other times not. In this insider's account, Shivshankar Menon describes some of the most crucial decisions India has faced during his long career in government - and how key personalities often had to make choices based on incomplete information under the pressure of fast-moving events.
Menon either participated directly, or was associated with, all…
Spanning multiple timelines, EO-N weaves WWII mystery with contemporary social commentary.
Revolving around a missing aircraft discovered beneath a glacier decades after it disappeared, the story connects an American biotech executive, a Canadian investigator, the plane’s Canadian pilot, a disillusioned German pilot, and a young victim of Nazi horror.
I’ve been living a semi-nomadic lifestyle and traveling the globe for all my adult life, and travel has truly shaped who I am. In 2014, when I learned about the many advantages of a vegan lifestyle for my health, the planet, and the animals, I felt compelled to make the change.
There was one thing holding me back, though, which was the fear that being vegan would ruin travel. Fortunately, I gave it a trial run anyway during a three-week trip to Greece and discovered that being vegan actually made traveling even more fun! Ever since, I’ve been sharing my global vegan discoveries on my website, the Nomadic Vegan.
Justin Moore, the creator of the Lotus and the Artichoke website and recipe book series, has spent years traveling the globe and joining locals in their kitchens, learning directly from them how to prepare their traditional dishes. All in vegan versions, of course!
This is the book that kicked off the series of cookbooks back in 2012, and it offers a great overview of delicious, authentic vegan dishes from around the world. If you’re interested in a specific cuisine, you may also want to check out Justin’s vegan recipe books on Mexican, Sri Lankan, Malaysian, Indian and Ethiopian cuisines.
He’s currently crowdfunding an update to the original book too, so keep an eye out for it when it hits the shelves!
Escape into other culinary worlds with 100+ delicious vegan recipes inspired by my many years of travel & adventures in nearly 40 countries! Discover delicious Indo-Chinese dishes (mostly unknown outside India; beloved among Indians and backpackers), incredible Indian feasts, Chinese and Southeast Asian treats and wonders, Italian, French, German and other exciting European vegan variations and converted classics. You’ll find super tasty African medleys from the North, West and East, All-American go-to greats and family favorites, seductive sweets from around the world, and a variety of super-charged salads.
When my father died in 1998, bladder cancer, I was 41 years old and privileged to be his primary caregiver for five weeks. My first major loss and it was as though a mack truck had been driven through my chest. Ten years later, my mother died, after nine years of dementia, which is like losing someone twice. That was a more ravaging grief. Twelve years later, my nephew died, a month away from his 36th birthday. And in 2022, one close friend of mine took his own life and another died of cancer at age 57. Grief is the subject I gravitate toward in the books I read and the essays I write.
This book is about the most horrifying loss imaginable: the author loses her parents, her husband, and her two young sons all at once, in the tsunami in the Indian Ocean, the day after Christmas, 2004. She and her family were spending the holiday in Sri Lanka when the wave hit and overtook the jeep in which they were attempting to flee. I can’t come up with a better justification for suicide than this—she’s lost everyone; she wonders why she was spared, just to suffer these losses every minute of every hour of every day. The book is both a horror story and a testament to human strength. I assure you, you won’t be able to put it down.
The book opens and we are inside the wave: thirty feet high, moving at twenty-five mph, racing two miles inland. And from there into the depths of the author's despair: how to live now that her life has been undone?
Sonali Deraniyagala tells her story - the loss of her two boys, her husband, and her parents - without artifice or sentimentality. In the stark language of unfathomable sorrow, anger, and guilt: she struggles through the first months following the tragedy -- someone always at her side to prevent her from harming herself, her…
Nicholas Jubber has written for the Guardian, Irish Times and Telegraph, amongst other publications. He has won the Dolman Travel Book Award, for which he has been shortlisted three times, and his books have been picked by National Geographic, Wanderlust and the New York Times, amongst other publications, for their books of the year.
The scale of this ancient Indian epic is off the charts, fusing Hindu iconography with story beats of startling familiarity. Monkeys build a bridge between India and Sri Lanka, an army of demons takes on the vanguard of the gods and the villain is felled by a celestial bow. An influence on storytelling down the ages – notably Star Wars – it’s a tale as exciting as it is charming, with a surprisingly downbeat coda, as Queen Sita discovers that being rescued by her divine husband isn’t enough to survive the prejudices of her age.
Which version to read? Arshia Sattar’s 1996 translation is available in Penguin translation. I can’t testify to its accuracy, but it’s a magnificent read.
One of India's greatest epics, the Ramayana pervades the country's moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BC, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an…
Stories, essays & dialogues about art, imagination & the erotic life. A young man named Charles writes a series of erotic tales, and his bookish friend Lisa offers light-hearted critiques of them.
Some stories feel like erotic meditations or random erotic moments in a young man's life. Others start with…
Big things have happened long ago and far away. As a kid born into the American Midwest in the Cold War, the world out there seemed like a scary place. But reading was a way to imagine other realities, and from college onward, I have been fortunate enough to encounter people in person and on paper who share their stories if you put in the work and listen. Keeping your ears open, unknown but intelligible worlds of personal contingencies and impersonal forces from other times and places can be glimpsed. How better to begin exploring the communion and conflict than by attending to changes in our practices of eating and medicating?
I found Rappaport’s book to be a really marvelous example of what is now being called “entangled history.” That kind of history picks up one topic and follows it wherever it leads. Because tangible things are easier to trace than intangible things (like ideas or rumors), commodity history is a lively subject, but this is something larger.
Tea has a chemistry to it that people gravitate toward, but there is so much more to the story about why it is so widely consumed in our world today. Once it was a substance grown and sipped in China, but European trading companies also discovered that markets for it could be created. It was famously a commodity deeply entangled in the opium wars, in the new plantation economies of northeastern India and Sri Lanka/Ceylon, and other systems of production.
But Rappaport has so much more to say about the consumption side, too:…
How the global tea industry influenced the international economy and the rise of mass consumerism
Tea has been one of the most popular commodities in the world. For centuries, profits from its growth and sales funded wars and fueled colonization, and its cultivation brought about massive changes-in land use, labor systems, market practices, and social hierarchies-the effects of which are with us even today. A Thirst for Empire takes an in-depth historical look at how men and women-through the tea industry in Europe, Asia, North America, and Africa-transformed global tastes and habits. An expansive and original global history of imperial…