From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
If you’ve ever dreamed of the proverbial knight in shining armor who will protect and save you (and who hasn’t?), this epic medieval tale shows where the idea came from. Lancelot is the perfect knight who must rescue his kidnapped beloved, Queen Guinevere, and off to battle he goes. But Queen Guinevere is married to King Arthur, an inconvenient fact that isn’t a problem in this story. Being crazy in love with your majesty’s wife was not a big moral problem in the twelfth century, apparently. In fact, they ate it up.
When he finds her, he overcomes the villain and is rewarded by having hot sex all night with her, which both lovers desire. I love that Guinevere is an equally passionate lover, not an idealized pure-minded maiden.
Originlly published in 1984, this book contains the full text of Lancelot or, The Knight of the Cart, the third or fourth major work by the twelfth-century poet Chretien de Troyes, alongisde a full translation and textual notes.
As a university historian and archaeologist my focus has been the Early Middle Ages. In the 1990s I wrote several books about the fifth and sixth centuries which barely mentioned Arthur but popular histories and films based on his story just kept coming, so I decided to look again at his story and work out how and why it developed as it did. I have published three well-received books on the subject, each of which builds on the one before, plus articles that have been invited to be included in edited volumes. I disagree with much in the five books above but collectively they reflect the debate across my lifetime. It is a great debate, I hope you enjoy it.
John Morris was an ancient historian specializing in the later Roman Empire who late in life turned his attention to Dark Age Britain. I only met him very briefly at a conference in the mid-1970s, by which time he was already very ill. He wrote by far his best-known work while presiding over the translation of a host of source materials for early medieval Britain and their publication by Phillimore, all the time fighting his own battle against cancer. He didn’t just accept Arthur as a real historical figure but made him the pivotal figure of British history in the decades around 500, accepting as authoritative all sorts of stories written many hundreds of years later. In so doing he was largely responsible for bringing the Arthurian Period of British history into existence and certainly gave it enormous popular appeal. Rarely has one writer had such an impact on a…
A lifetime's scholarship enabled John Morris to recreate a past hitherto hidden in myth and mystery. He describes the Arthurian Age as 'the starting point of future British history', for it saw the transition from Roman Britain to Great Britain, the establishment of England, Scotland, Ireland and Wales from the collapse of the Pax Romana. In exploring political, social, economic, religious and cultural history from the fourth to the seventh century, his theme is one of continuity. That continuity is embodied in Arthur himself: 'in name he was the last Roman Emperor, but he ruled as the first medieval king.'
I have always loved stories about King Arthur–what’s not to love–Arthurian stories are about the underdog triumphing, destiny, knights and quests, swords (and stones, or lakes), great heroes and villains, and magic. My university studies made me into a military historian (among other things–including an opera singer and a historian of film), and I loved revisiting my love of Arthur in various guises. I have sung him on stage, played him in roleplaying games and miniature wargames, and I have written articles and books about him in film and history. I hope my list of recommendations provokes you to think about King Arthur in new ways!
Even richer than the tradition of Arthurian films are musical adaptations of King Arthur, stretching back, at least, to the seventeenth century. As it says on the lid, this book explores how King Arthur has been approached in the wide realm of music. I love operas, musicals, and orchestral music, and Arthur is a consistent subject and theme.
Whether Camelot or Spamalot, putting Arthur’s story on stage or to music brings out aspects of his story that words or images alone cannot, and the musical Arthurs are some of the most nuanced versions of the man. I’ve returned to this book and the works it explores many times–often writing about Arthur myself while listening to music about him or featuring him.
A survey of the influence of the Arthurian legends on musical works.
King Arthur in Music is the first book to be devoted to the subject. The range of musical material is too wide for a single author to tackle satisfactorily, and the nine contributors to this volume are experts in the very different fields involved. The first essay, by Robert Shay, deals with the late seventeenth century semi-opera King Arthur, while the final essay by William Everitt looks at the appearances of Arthur on stage and screen and the scores that have accompanied these. Between these two extremes, the…
Jordanna Max Brodsky is the author of the Olympus Bound trilogy, which follows the Greek goddess Artemis as she stalks the streets of modern Manhattan, and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
The Oxford Companionis an encyclopedia, not a narrative, but I love that it includes stories from the Bible, the Quran, and other sacred texts alongside fantastical legends that span the globe. The line between myth and religion is, after all, largely subjective. King David, the nymph Daphne, and the Dayak myths of Borneo all share the same page. For those of us seeking inspiration in myth, the Oxford Companionoffers ideas from Abraham to Ziusudra.
Cave paintings at Lascaux, France and Altamira, Spain, fraught with expression thousands of years later; point to an early human desire to form a cultural identity. In The Oxford Companion to World Mythology, David Leeming explores the role of mythology, or myth-logic, in history and determines that the dreams of specific cultures add up to a larger collective story of humanity. Stopping short of attempting to be all-inclusive, this fascinating volume will nonetheless be comprehensive, opening with an introduction exploring the nature and dimensions of myth and proposing a definition as a universal language. Briefly dipping into the ways our…
I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
This was one of the first Arthurian reference books and remains one of the best.
Its comprehensive scope, covering Arthurian legends and characters across many European literatures, provides answers to all possible questions about the world of Arthur. The format of short alphabetical entries is perfect for browsing – you will find all you need to know about the Bleeding Lance or the ‘Gargantuan Chronicles’ among many other lesser-known Arthurian curiosities.
I found this book invaluable when I was preparing my own book and I still dip into it when teaching students.
Well, I just had to read the classic of classics to get it from the orginal's head; Malory's that is. Followed all the bloody battles with King Arthur and all his knights, including the famous Sir Lancelot. What a fantastic, yet bloody time it was.
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This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
This is book one of the Songs of Albion trilogy by Stephen Lawhead, I was enthralled from the start. It was a quick paced story with a foot in the present time, and the other in the past. I was lost in the magical and mystical land of Albion. This book is rich in Celtic mythology,
Wolves in Oxford; extinct beasts in Scotland: the barriers between our world and the Celtic Otherworld are breaking down. Two men are drawn into Albion, and changed for ever.
Stopped on book two as that was all that was released on Kindle. There's more on RR, but I'm waiting for more to read on kindle so the author gets something from me reading it.
The most Arthur could hope for was to someday earn a trash-tier spell card. When fate grants him a Master of Skills card, he's thrust into a world of opportunity and danger.
To survive and grow strong, Arthur must learn skills. All the skills.
This is an epic progression-fantasy with strong gamelit elements, featuring a unique card-based magic system.
I'm a novelis who's had a lifelong fascination with travel, lost civilizations, aquariums, swashbuckling stories (both true and fictional), dancing, dusty old bookstores and libraries, sangria, and sunny beaches. I grew up in beautiful south Louisiana and my earliest memories were in New Orleans. Living in “America's first melting pot” taught me to appreciate cultures, languages, cuisine, and music from a young age. Ancient and Medieval history and folklore remain major influences on my writing.
Nia's lifelong dream is to become an avatar, one of the ruling mermaids of Atlantis. But when she is passed over for the opportunity, she must embark on a quest to prove herself. This journey takes her far beyond the sea and everything she knows to the world of dry land. Arthurian legends, mermaids, magic, Atlantis, a heroine’s journey – how can you go wrong?
Nia, a young mermyd of the Bluefin clan, has had one wish all her life - to be an Avatar in her beloved home of Atlantis.
The ten Avatars rule the beautiful and peaceful undersea city alongside the ancient Farworlders, whose magic keeps their world alive. To be an Avatar is an honour and a great responsibility, and Nia dreams of taking her place among the noble ten.
Now, at sixteen, Nia has a chance to see her dream come true. Atlantis is choosing its next Avatar, and Nia knows she is supremely…
I grew up playing Dungeons & Dragons. I’m always on the hunt for not just good but great stories. One of the most profound things I have done revolving around fantasy writing was walk the same streets as the legends walked. Oxford, UK is a magical location and the place where Narnia and The Hobbits were born. I visited CS Lewis and JRR Tolkien gravesites. I visited their homes where they wrote their works. Adventure is around every corner in life. If we choose it. Here is a dwarven proverb from my book series, “May your light shine bright and blind your enemies.”
Wowzers! I’m a sucker for Merlin and King Arthur so I gobbled this one up. I was not disappointed but instead enamored by the characters and Angela’s writing style.
Fantastic storytelling that truly brings you in and doesn't let you go. The opening chapter drew me in deep and I couldn’t stop reading from there. Seeing Merlin so emotionally tortured after the fall of Arthur was an eye opener. Definitely grab this one.
“Merlin…Merlin!” Elanor desperately called out, reaching to him. Like a ghost she stood across the chasm, her arms outstretched and her raven black hair blowing behind her in the wildness of the wind.
“Please, Elanor!” Merlin cried out. “Elanor!”
He couldn’t lose her this time. This time he would reach her. This time he would grip her hands and not let go. The wind tore violently between them, like an angry beast threatening to separate them…
Merlin was all Elanor could think of since her strange dreams had begun. She kept reminding herself that he was not real. He was…
