Weird and wild, this story is like no other I've read before. Historical fiction melds with horror in what may feel like a combo of Black magical realism and women's suffrage. The 1915 world of women struggling out on the range alone, trying to survive in a world that wants to kill them, is spot on. You can feel the desolation of their environment, along with the desire to survive. The book meanders just a bit toward the end, but the deeper meaning does come through. What is locked inside the trunk? You will have to read this book to find out!
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
I’m a huge fan of Alaska—a landscape of unforgiving weather patterns, inaccessible terrain, savage animals, and undeniable pristine beauty. I’m also a nature lover and spend as much time outdoors as possible, often hiking and marveling at spectacular vistas like those found in The Damnable Legacy. But I’m also an avid observer of the human race and am fascinated by all sorts of behaviors: why we pursue our passions, how we love and grieve, and whether we can really change who we are at the core.
I’m recommending Raven Stole the Moonfor a few reasons. First, it addresses maternal guilt and loss, which are important themes in my novel. Second, it incorporates Native Alaskan mysticism, drawing on the author’s Tlingit heritage. I am always intrigued by spiritual lore, and one of my characters, who also has a Native Alaskan background, relies on nature to anticipate—or even predict—the future. And finally, I’m an overall fan of the author (who also wrote The Art of Racing in the Rain) and found the book to be entertaining—and let’s face it, entertainment is one of the key reasons we read!
In this haunting debut, Garth Stein brilliantly invokes his Native American heritage and its folklore to create a mesmerising supernatural thriller. When Jenna Rosen, a grieving young mother, returns to the remote Alaskan town where her young son drowned, she discovers that the truth about her son's death is shrouded in legend - and buried in a terrifying netherworld between life and death. Armed with nothing but a mother's protective instincts, Jenna's quest for the truth is about to pull her into a terrifying and life changing abyss. Helped by a young man who falls in love with her, Jenna…
"An enormous amount of fun. Wholly fresh and original. Wickedly funny...a hot, sweaty, magic- and murder-infused rollercoaster...I loved it." - David Moody, author of Hater
Once, Steve was a hero. Now he’s running from the law. And he’s just become a killer, stumbling upon a woman being assaulted by the…
I’ve been an avid horror fan since staying up late and watching old monster movies on the television when I was a kid. Zombies were always my favorite and after reading hundreds of zombie books I thought I could write with a unique perspective. Drawing from years of military, trucking, and prepping experience, I wrote the Zombie Road series as a tale that offered more hope than doom and gloom. Most of the characters are based on real people so they have real personalities, real hopes and dreams, and real flaws. If you decide to read the series and want to be surprised by the story arc, don’t read too many reviews, just dive right in.
Pierce writes intelligent military zompoc because he’d been in the thick of things during the Rhodesian war. He knows a thing or two about writing battle scenes because he’s done a thing or two in real life. This story is different because it isn’t about a tiny group of survivors trying to make through the apocalypse. It’s bigger in scope and encompasses one governor and the national guard doing all they can to hold the line against the undead hordes. Intelligent writing and “believable” scenarios set this military thriller apart from many of the rest.
In the midst of a Zombie apocalypse and nuclear horror the libertarian governor of Georgia must impose martial law and act against her personal beliefs to enable the people of her state to survive. Ultimately new problems arise: mass insanity and almost universal PTSD. Virtually everyone is armed and suicides actually threaten human viability. In Georgia the National Guard, State Defense Forces and militia fight a series of desperate battles while the central government unleashed a frenzied and ill planned nuclear response that almost completed what the re-animates had failed to accomplish. With Washington buried in radioactive dust, US Army…
I always felt torn between the future and the past. I've been fascinated with space, aliens, and technology since I could remember. When I was too young to write, I could spend long hours drawing alien worlds, plants, and creatures. These hobbies from my childhood shaped my current passion for futuristic subjects, but the events from ancient and modern history still remain an important inspiration for my books. My country, Poland, experienced many wars, and history is a necessary subject at school. Historical books and documentaries let me discover and analyse how our society evolved and what mistakes did it make, so I can use this knowledge in my military sci-fi novels.
This book isn’t about the war itself; the core focus here is the military technology and its consequences.
As a big fan of the Alien series, I understood the risk of any human-alien encounter... and here I was confronted with the idea of weaponising the aliens. I knew from the very beginning that everything will go wrong, so my fundamental question was, “How exactly would it go wrong?”
If aliens weren’t enough, some members of the space station crew had pretty unfriendly intentions too. That was my favourite aspect of this book – yes, you should fear aliens, but you can’t be sure that your co-worker isn’t planning something sinister.
With the failure of Hadley's Hope, Weyland-Yutani has suffered a devastating setback-the loss of the Aliens they aggressively sought to exploit. Yet there's a reason the Company has risen to the top of the food chain. True to form, they have a redundancy already in place... the facility known as The Cold Forge.
Remote station RB-232 has become their greatest asset in weaponizing the Xenomorphs. However, when Dorian Sudler is sent to RB-232 to assess their progress, he discovers that there's a spy aboard-someone who doesn't necessarily act in the company's best interests. For Dorian, this is the most unforgivable…
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
I'm a Senior Lecturer in Film and Television with a particular passion for the horror genre – the first film books I ever read were about Horror. I'm also a confirmed Italophile. I became fascinated by Mario Bava – and later, Italian horror more broadly – before I saw his films from accounts and images of them in books and magazines. The films weren’t easy to see before video, DVD/blu-ray or streaming, and so I was on a mission over time to track them all down. This is how cult reputations often develop – from obscurity to re-evaluation – and that was one of the things I wanted to address in my book.
Curti is an Italian film critic who also writes in English and brings a singular expertise to Italian genre cinema.
The giallo, the Italian murder mystery, isn’t technically Horror but often incorporates it in gory murder scenes. A lot has been written about the genre, but there has never been a more thorough account than this one, as close to definitive as one might get, and it will certainly broaden your understanding of the giallo as well as introducing you to films and TV shows you might not have heard of before.
Since the release in 1929 of a popular book series with bright yellow covers, the Italian word giallo (yellow) has come to define a whole spectrum of mystery and detective fiction and films. Although most English speakers associate the term giallo with the violent and erotic thrillers popular in the 1960s and 1970s from directors like Mario Bava, Dario Argento, Lucio Fulci and others, the term encompasses a wide range of Italian media such as mysteries, thrillers and detective stories-even comedies and political pamphlets. As films like Blood and Black Lace (1964) and Deep Red (1975) have received international acclaim,…
One summer night in a small prairie city, 18-year-old Gabriel Reece accidentally outs himself to his redneck brother Colin, flees on his motorcycle, and gets struck by lightning on his way out of town.
He’s strangely fine, walking away from his melted pile of bike without a scratch. There’s no…
When I emigrated from the UK to Western Australia as a child, one of my first big moments was learning about sharks and realising swimming in the ocean was not the same as in the sea. Ever since writing my thriller The Shark, I’ve been on the lookout for novels with sharks in the title or on the page. Real sharks, human sharks, property sharks, sharks of the mind and the heart, these are stories that have influenced me, entertained me, beguiled, terrified, and at times utterly blindsided me.
I read Jaws, aged twelve, when I was scouring my parents’ bookshelves in search of sex scenes.
It didn’t deliver on that front, but was, as was the movie, a blockbuster summer thriller that terrified and captivated me in equal measure. Swimming in the Indian Ocean was never the same again.
First published in 1974, Jaws is of its time but worth a revisit for the iconic, flawed protagonist, Police Chief Brody, the vivid setting, and hero’s journey plot.
Peter Benchley's Jaws first appeared in 1974. As well as Steven Spielberg's film adaptation, the novel has sold over twenty million copies around the world, creating a legend that refuses to die.
It's never safe to go back in the water . . .
It was just another day in the life of a small Atlantic resort until the terror from the deep came to prey on unwary holiday makers. The first sign of trouble - a warning of what was to come - took the form of a young woman's body, or what was left of it, washed up…
I’ve been a horror fan since I first read The Fog by James Herbert at much too young an age. Being British-born and now Australian, the horror I write is almost always set outside America (and the UK more and more often), and I’m always on the lookout for good horror fiction set in different places. I’m fascinated by cultural folklore and mythology and how people create stories to understand the world. For three years, I was President of the Australasian Horror Writers Association.
Clive Barker is one of my favorite authors and greatly influenced me. This is his first novel but also, in my opinion, one of his best. I love books that blend crime and horror, particularly supernatural horror. I enjoyed the interplay here between the protagonist, recently released from prison, and the wealthy Londoner he starts to work for as a bodyguard.
I was hooked by the slow ramping up of danger throughout the book as the characters get more deeply entangled in the supernatural elements. I love Barker’s lyrical style and amazing use of language, and this remains one of the best horror novels I’ve ever read.
"ONE OF THE BEST HORROR NOVELS IN A VERY LONG TIME...do not miss it!"-USA Today
There are things worse than death. There are games so seductively evil, so wondrously vile, no gambler can resist. Amid the shadow-scarred rubble of World War II, Joseph Whitehead dared to challenge the dark champion of life's ultimate game. Now a millionaire, locked in a terror-shrouded fortress of his own design, Joseph Whitehead has hell to pay. And no soul is safe from this ravaging fear, the resurrected fury, the unspeakable desire of...
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
This book takes an extremely fascinating time period, the Rasputin era in Russia, and throws it in a blender with dark fantasy, gore and passion. I could not get enough of the characters because they are all morally gray and come at the central dilemma of a collapsing empire with their own ambitions. Also, one of the more unique takes I’ve seen on a vampire in ages!
Winter 1917. After years on the run from a dangerous cult, twenty-three-year-old Sasza and his father have established themselves among the Odonic Empire’s ruling class. But there’s a problem: Sasza is a vampire, and vampires aren’t supposed to get involved in human governance. What the aristocracy doesn’t know, after all, cannot hurt them.
Unfortunately, Sasza is far more involved than a stealth vampire should be. Not only does he work to quell the rumors of the vampires’ responsibility for an unsolved massacre, his lover is also the pro-proletariat Ilya, the Empire’s Finance Minister, who tries to recruit Sasza into the…
Famed Australian literary critic Peter Craven has included Mural in his best books for 2024. He called it "dark and brilliant." Rod McLary in the Queensland Reviewers Collective says it's "breath-taking," a "tour de force of literary fiction." On her blog This Reading Life, Brona was "fascinated" by this confession…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
