Here are 100 books that Lone Women fans have personally recommended if you like
Lone Women.
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As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
It is my sincerest belief that science fiction loses its purpose when it focuses too much on the science and too little on the humans (or aliens, or sentient spores) at the center of the story.
No one can accuse Swyler’s Light from Other Stars of that. Straddling the line between literary and science fiction, this novel is about space travel, yes, but it’s also about parent-child bonds, friendship, and the people of a small town in Florida in all their idiosyncrasies, virtues, and flaws.
This novel will make you think (mostly about physics), but it will also make you deeply feel.
A Long Island Reads 2020 Selection * A Real Simple Best Book of 2019
From the bestselling author of The Book of Speculation, a “tender and ambitious” (Vulture) novel about time, loss, and the wonders of the universe.
Eleven-year-old Nedda Papas is obsessed with becoming an astronaut. In 1986 in Easter, a small Florida Space Coast town, her dreams seem almost within reach--if she can just grow up fast enough. Theo, the scientist father she idolizes, is consumed by his own obsessions. Laid off from his job at NASA and still reeling from the loss of Nedda's newborn brother several…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
Orphaned young, Ming Tsu is the son of Chinese immigrants but was raised by a ruthless gang of outlaws during the California Gold Rush. When, as an adult, his wife is kidnapped, Ming Tsu goes on a quest for revenge that pits him against some of the same men from his youth. And this is happening at the same time a bitter fury rages across the nation at the Chinese men brought into the US during westward expansion.
Lin's book is gritty and propulsive, and Ming Tsu is an ass-kicker on par with any cowboy John Wayne ever played.
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
This sweeping novel moves from the Caribbean to the American West and follows Rosa Rendón, a free Black woman, as she flees her home in Trinidad when it changes from Spanish to British rule.
Uncertain about whether she will be allowed to remain free under the new government, she travels to the United States, where she falls in with the Crow people of Montana. Beautifully researched and masterfully told, this is a fabulous read for anyone interested in the history of Black men and women in the West.
Ambitious and masterfully-wrought, Lauren Francis-Sharma's Book of the Little Axe is an incredible journey, spanning decades and oceans from Trinidad to the American West during the tumultuous days of warring colonial powers and westward expansion.
In 1796 Trinidad, young Rosa Rendon quietly but purposefully rebels against the life others expect her to lead. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house, for it is obvious her talents lie in running the farm she, alone, views as her birthright. But when her homeland changes from…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Short story collections are funny things: some are strong from start to finish, and some… read as if the author wrote all the other stories over the course of a weekend after one of their stories garnered public attention. No, I will not name names.
Peynado’s The Rock Eaters is a glowing example of the former. The collection spans genres: realist, science fiction, magical realist. What all the stories have in common is Peynado’s controlled hand and breadth of imagination, not to mention her keen insights into what it’s like to exist in the real world, a world fraught with gun violence, racism, and xenophobia.
You finish the collection feeling like you’ve traversed worlds and, in the process, learned something new about the world we live in.
A story collection, in the vein of Carmen Maria Machado, Kelly Link, and Nana Kwame Adjei-Brenyah, spanning worlds and dimensions, using strange and speculative elements to tackle issues ranging from class differences to immigration to first-generation experiences to xenophobia
What does it mean to be other? What does it mean to love in a world determined to keep us apart?
These questions murmur in the heart of each of Brenda Peynado's strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one…
When the society, culture, and world we live in become unrecognizable and untenable, the genre of literature that best quells anxiety is satire. As the author of Satire State, I believe laughter is essential to survival and sanity. The tightly woven fabric of a society unravels slowly and then suddenly through a consecutive series of multiple actions by malignant forces. All the while, historical memory is gradually erased, and the new fabric is the only one recognized. Satire is the only way to chronicle the malignancy and force people to think hard. The following five books of satire that address urgent issues made me laugh, cringe, think, and mutter “too real” under my breath.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • “A shattering and darkly comic send-up of racial stereotyping in Hollywood” (Vanity Fair) and adeeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play.
Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant,…
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Is Fried’s short story collection The Great Frustration literary, science fiction, fantasy, absurdist, or something else? I have no idea, and I suspect neither does he, but that’s one of the reasons I love this book so much.
Whether Fried is writing about the animals in the Garden of Eden or a town that refuses to change its ways despite its pesky recurrent problem of massacres, these stories will make you laugh.
After you’re done laughing, when you’ve had some time to think, you’ll realize that you were only laughing because Fried is adept at pointing out those aspects of society and human nature that we find uncomfortable—which, of course, the best comedians have always done.
Equal parts fable and wry satire, The Great Frustration is a sparkling debut. Seth Fried balances the dark--a town besieged, a yearly massacre, the harem of a pathological king--with moments of sweet optimism--researchers unexpectedly inspired by discovery, the triumph of a doomed monkey, the big implications found in a series of tiny creatures.
In "Loeka Discovered," a buzz flows throughout a lab when scientists unearth a perfectly preserved prehistoric man who suggests to them the hopefulness of life, but the more they learn, the more the realities of ancient survival invade their buoyant projections. "Frost Mountain Picnic Massacre" meditates on…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
In 1877, Bridget arrives penniless in Dodge City, Kansas, and, needing work, takes a job at the Buffalo Queen, a brothel run by women. Bridget finds friendship and community among the other sporting women until their relative peace is shattered by the arrival of legendary female gunslinger Spartan Lee.
Cravens delivers a one-two punch of queer love and swashbuckling action that culminates in an explosive finale. Cinematic, brilliantly paced, and sexy as hell, this is a story that will and should turn the Western on its head.
'A Western like you've never seen before: a story of reinvention, sex work, found family, and queer self-discovery' Harper's Bazaaar, Best Queer Books of 2023
In the summer of 1877, Bridget is orphaned when her unreliable father succumbs to a snakebite as they're crossing the Kansas prairie. Arriving in Dodge City as a penniless orphan, she's quickly recruited for work at the Buffalo Queen brothel and befriends her bookish mentor Constance, securing her home and employment as the favourite of Sheriff's Deputy Jim Bonnie. As winter creeps in from the plains, female gunfighter Spartan Lee rides into town, and Bridget…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
This book takes place in contemporary America, but it is a Western as much as any of the historical novels on this list. The novel focuses on a horrific crime that happens to a rancher woman named Ginny and her attempts to escape and survive the brutality of her environment.
McLean's prose is as dense and brilliant as William Faulkner's; her imagery is as cruel and unsparing as Cormac McCarthy's. She draws parallels to the violence visited upon humans and animals alike and the desire in many men to dominate the land and all that walk upon it. I'm calling it now: This author will one day win a Nobel.
A brutalized woman is left for dead. But dead is the one thing she isn't. With a stolen horse and rifle, she escapes into the mountains, and a small posse of her tormentors has to gear up and give chase - whether to beg forgiveness or shut her up for good, nobody knows.
With detours through time, space and myth - not to mention into the minds of a pack of philosophical mules - Pity the Beast is a mind-melting feminist Western that pins a tale of sexual violence and vengeance to a canvas as wide and strange as America…
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
Guthie’s autobiography describes the wild, western United States from his perspective as a 64-year-old westerner. Born in 1901, Guthrie provides a compelling account of the rugged beauty of the West. Guthrie’s writing is lucid and compelling. I had read most of his books by the time I turned 30.
"It was a fine country to grow up in. To find riches, a boy had only to go outside," writes A. B. Guthrie, Jr., aobut his childhood in Montana early in the twentieth century. This autobiography was originally published in 1965 when he was sixty-four and still had miles to go. It recounts lively adventures and reflects on a career that brought fame for The Big Sky (1947) and led to the Pulitzer Prize for The Way West (1949).
In an afterword David Petersen, who edited Big Sky, Fair Land: The Environmental Essays of A. B. Guthrie, Jr. (1988), describes…
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
The Big Sky is a masterpiece of historical fiction and an often-cited classic novel of the American West. It earns this distinction because of its original characterization, its use of historical and geographical accuracy, its thematic depth, and its symbolism. It is set in the mountain man or fur trade era, and it shows the consequences of White men going into the wilderness. This book introduces the idea, in cultural and environmental terms, that in the occupation of the American West, people ruin the thing they love. This book not only makes it to the top of the lists by western writers, but it also is well appreciated by scholars and students in Western American Literature.
